Living Room Sets

High back sofa set 3-2-1 by Jens-Juul Kristensen for JK Denmark. Made in solid oak. Set consisting of a 3 seater sofa, 2 seater sofa and a lounge chair incl. ottoman. With orig. cush...

Rare model: Introducing the De Sede DS84 three and two seat sofa in Buffalo leather - Switzerland, 1970's – Where Luxury Meets Comfort Designer: De Sede design team Manufacturer: De Sede Model: DS-84 three seat sofa Design period: 1970’s Date of manufacturing: circa 1970 Size WDH in cm: 3 seat sofa: 185x87x80 seat height 39 cm. 2 seat sofa: 142x87x80 seat height 39 cm. coffee table: 136x76x41 cm. Material: Buffalo leather Condition: Good / Normal signs of age and use / Coffee table has a repared crack in the marble top and cat scratches...

Soriana living room set, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. The set is composed of a three-seater sofa, a lounge chair and a...

Set of 2 armchairs and 2 seater sofa designed by Vico Magistretti for Cassina, 1973. The project won the Compasso d' Oro in 1979 and is one of the most widely sold pieces of Italian design. "With Maralunga...

Mid-Century "1949er" Rattan living-room set including a matching 3-seat sectional sofa and two lounge chairs with complimentary coffee tables with two side tables. Both lounge chairs and sofas feature the "1949er" side arms and arched rattan base. The seats are covered in beige broad cloth cushions. To complement this seating set are the matching vintage rattan coffee table and 2 two-tier side tables with a 3 strand base and a shaped Mahogany top wrapped in a rattan border. 1940, United States...

Objekt: Sitzgruppe (Tisch & 4 Sessel, Teil eines gesamten Zimmers) Entwurf: Julius und Josef Herrmann, Wien um 1905 Modell-Nummer: - Ausführung: Julius und Josef Herrmann, Wien um 1905 Maße in cm Tisch (H x B x T): 75 x 85 x 85 Maße in cm Sessel (H x B x T x SH): 89 x 41 x 40 x 42 Material: Mahagoniholz massiv und furniert, Weißmetall (geometrisch intarsiert), Messing, geschliffenes Glas, Jugendstilstoff Zustand: sehr gut, mit minimalsten Gebrauchsspuren (2004 restauriert) Provenienz: Wiener Privatbesitz Literatur: Das Interieur, 1906, S. 72 (Tisch), Bel Etage...

Living room set, France, circa 1870. Very good condition, after renovation and replacement of upholstery. Wood: oak dimensions : sofa height 100 cm seat height 39 cm width 171 cm...

The Cinema set consisting of a sofa and an armchair designed by Gunilla Allard for the Swedish manufacturer Lammhults in 1994. Gunilla Allard was inspired by old sports cars, which i...

Mid-Century Rattan living-room set including a matching 3-seat sectional sofa and two lounge chairs with complimentary stacked coffee tables with two side tables. Both lounge chairs ...

Restored single-strand rattan living room set designed by John Wisner with Campaign-style anodized goldtone capped armrests and beautiful zen-style arched poles. The set features a t...

Mid-century Italian red and blue metal and plastic sofa and armchairs 1950

Mario Marenco dining room set, Postmodern, beech, tan leather, Italy, 1970s Impressive and tall chairs made in solid beech. Rectangular table with asymmetrical lines, also in sol...

Exhibition quality antique Victorian carved walnut 9 piece suite consisting of a set of 6 fantastic carved walnut dining chairs, exhibition quality carved...

The iconic Togo blue sofa set, originally designed by Michel Ducaroy for Ligne Roset in 1973, has become a design Mid Century Classic. The sofas have be...

Vogue Rattan Bamboo c1970s Sofa Matching Chair Pair of End Tables 5 Pcs Set Mint! loveseats: 31"x47"x33.5" seat height: 16" chair: 31"x24"x33.5" se...

Set of lounge patio with one two seats sofa and two big rotative armchairs. It´s very spacious and comfortable. Height to the seat: 16.14in Armchair measurements: H: 39.37in ...

Vintage Lynch Chair & Ottoman by Taylor King, #5316-01, 5316-00. featuring rolled arms with beige / gold / whitish silver floral skirted upholstery. Taylor King began over forty yea...

3 piece mid 20th century shell back living room suite circa 1950. Elegant lounge suite to give any interior that hotel look and very much in the art deco taste. Concave seats with s...

Bonzanini Rudy design for Tecnosalotto Mantova Italy in years 70 Set of 4 chairs with structure in chrome and cuscion ulphostered textile si...

Objekt: Wohnzimmer-Set (Vitrine, Sitzbank mit Vitrinenverbau, Spiegel mit Sitzbank, Tisch, vier Sessel) Entwurf: Julius und Josef Herrmann, Wien um 1905 Modell-Nummer: - Ausführung: Julius und Josef Herrmann, Wien um 1905 Maße in cm Vitrine (H x B x T): 182 x 115 x 39 Maße in cm Sitzbank (H x B x T): 180 x 205 x 65 Maße in cm Spiegel (H x B x T): 220 x 115 x 35 Maße in cm Tisch (H x DM): 75 x 85 x 85 Maße in cm Sessel (H x B x T x SH): 89 x 41 x 40 x 42 Material: Mahagoniholz massiv und furniert, Weißmetall (geometrisch intarsiert), Messing, eingefärbtes geschliffenes Glas in Weißmetall gefasst, facettierter Spiegel, Stoff Zustand: sehr gut, mit minimalsten Gebrauchsspuren (2004 restauriert) Provenienz: Wiener Privatbesitz Literatur: Das Interieur, 1906, S. 72 (Tisch), Bel Etage...

Black leather couch and 2 armchairs, Germany 1960s. This set of seats made of genuine leather is in a good condition with traces of use according to its age. Dimensions: Armchair -...

This three-piece suite of furniture contains a two-seat sofa and two armchairs. The pieces are formed from faceted cut glass and green velvet in the style of F&C Osler, an English gl...

Rare restored Chinoiserie lattice rattan living room with two lounge chairs and a 3-seat sofa by Flicks Reed. Each seat features woven lattice arms with an arched woven lattice back. This style of rattan was an evolution of the stick rattan furniture...

Paul Frankl-style rattan living room set includes a matching three-seat sectional sofa and a pair of lounge chairs. Both feature the famous six-strand square pretzel side arms and st...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Thank you for your inquiry regarding the Mid-Century Rattan living room set reminiscent of Paul Frankl's style, crafted by Tochiku. This exquisite ensemble comprises a four-seat sectional sofa, two lounge chairs, and a stacked ottoman...

This rare model is in very good condition. The pine wood frames show hardly any signs of wear, and the brown fabric upholstery is also in perfect condition. Bright canvas covers with thick leather straps are stretched into the wooden frame. All pillowcases can be easily removed and washed. The set of 3 includes an ottoman. The objects can be placed together as a 3-seater sofa or individually. Peter Ole...

Counter Chair Gropius CS2 Designer: Kateryna Sokolova Model in the main picture wool, Woolland-64. Dimensions: Height: 88 cm / 29,13 in Width: 57 cm / 22,44 in Depth: 57 cm / 22,44...

Sofa + armchair set, designed by Carl Malmsten, Sweden. Very good condition, after renovation and replacement of upholstery with a new one. dimensions : sofa height 86 cm seat hei...

Set of Danish seats from the 1960s by Grete Jalk. This set consists of a 3-seater and 2 separate 1-seater seats. The cushions are in a warm red color and ...

Foot Walnut Bench by Project 213A Dimensions: W 140 x D 27 x H 30 cm Materials: Walnut This playful design is part of Project 213A's hand carved wooden "foot series"; inspired by a ...

Nice pair of Post Modern Leather Loveseats made in Germany. Sofas are in overall good condition. There is some wear to the leather as seen in the last few photos, but they are fr...

Stunning pair of carved wood armchairs from Italy, 1940's. Beautiful carved wood arms and wood frame with original dark stain showing grain. Original finish shows great age and patin...

The Walter Knoll Fabricius Armchair and Sofa Model 710-10 are a design by Preben Fabricius. This originally Danish designer designed the Fabricius Model 710-10 set as early as 1972. ...

An extraordinary Ensemble ivery carefully restored by an artist carpenter.

Red lacquered English Chippendale dining set in Japanese style. Dimensions. Tabel;H 30.3" - 77 cm.W 34.6" - 88 cm.D 26.3' - 67 cm. 2 armchairs;H 41.7" - 106 cm.W 27.5" - 70 cm.D 24....

just beautiful SET of Sofa & 2 Wingback Armchairs by Prof. Karl Nothelfer - Designed in 1957 maker: Schörle & Gölz in Stuttgart - Bad Cannstatt solid Cherry Wood new upholstery and fabrics in 1998 according to last owner ( since then just in use for 2 years so upholstery is perfect ! ) Seatrests can be removed - and fixed by clips on belts - high class - measurements: easy chair is 70cm wide ~ sofa is 178cm wide both: seating height 40cm ~ seating depth: 57cm condition - all firm and in very good condition - no damages furniture have fully been accurately cleaned :: - 3 steps: A: air pistol - B: industrial hoover - C: latest Kärcher "wash&hoover" technology - woods have been polished several times note: please ask for shipping quote by sending us your postcode/destination Prof. Karl Nothelfer * 14 June 1900 ~~ + 20 May 1980 Since the beginning of the 15th century, the Nothelfer family of carpenters has been continuously resident in the former town of Überlingen without interruption. Every carpenter at that time mastered all the possibilities of woodworking: so did the Nothelfer. They could carpenter, even carve altars and figures, and set them in gold, silver and paint. (churches in Owingen and Hödingen]. Some family members lived and worked and worked in Hedingen or Hödingen,like today the jubilarian Karl Nothelfer (this in 1975). His father, Karl Anton Nothelfer, as the eldest of seven siblings, was able to take over his father's carpentry business in Überlingen. Karl Anton Nothelfer, the eldest of seven siblings, was unable to take over his father's carpentry business in Überlingen. He instead moved to the industrial town of Singen with his young wife Rosalie, née Hanner, from the from Hohenzollern in 1896 and moved to the former Poststraße and founded his own carpenter's workshop. He had a highsense of quality and form and was already a member of the German Werkbund before 1914. Karl Nothelfer and his three siblings grew up in such air. After attending school and the secondary school in Singen, the young Karl learned the carpenter's trade in his father's workshop then moved on to the Badische Landes-Kunstschule in Karlsruhe, where he studied architecture. At that time the well-known furniture professor also worked there Fritz Spannagel, born in Freiburg in 1891, who settled in 1938 at Ittendorf Castle near Meers- burg (died 1957). In 1928, the gifted young architect received a teaching assignment at the at the Karlsruhe School of Art, but followed his teacher Spannagel to Berlin in the same year. Berlin. Here he worked from 1928-1945 as a teacher - appointed professor in 1931 - at the Berlin Tischler-Schule, the later Bauschule für Raumgestaltung. The furniture he created in Berlin became internationally known through many exhibitions and lectures. nationally known and influential. His furniture creations ushered in a new era in German and a new era in German and European furniture design. At the world exhibition in Paris 1937 Prof. Nothelfer was awarded the Golden Medal for his work in the furniture sector. for his work in the furniture sector. A first summary and balance of his work on furniture is given in his standard work 1942 published standard work "Das Sitzmöbel", the first compendium of its kind in the world. world. In 1950 he published his second work "Furniture". Both books and a series of brochures were published by Verlag Otto Maier, Ravensburg. Karl Nothelfer continued to work intensively on the design of seating furniture in the years after 1945. In 1950 he succeeded in the important invention of the two-legged skid-base chair, which has been orthopedically - anatomically tested thousands of times - has become accepted all over the world today. Even the most distinguished American furniture companies such as Miller or Knoll-International use the skid as the main theme for desks and chairs. At the same time, N. had a groundbreaking in the redesign of German school furniture and seating for industry. industry. He succeeded in adapting his furniture forms, which originated in wood and handicraft, to the modern technical modern technical possibilities of the industry. He thus became the great refor- of schoolroom furnishings. The architect Nothelfer thinks about himself, that he made his main contribution in the field of seating furniture, although this was not was not really his profession. After the war, Prof. Nothelfer, like so many others, had to start all over again. He settled settled in his home town of Lake Constance in Hödingen in 1945 as a freelance architect and was and was involved in all areas of construction in the years after the war. As early as 1935, he had given many the example of American prefabricated buildings and recommended serial house and recommended it at a time when no one in Germany was even thinking about mass production. Now he developed he developed several types of mass-produced houses, which were manufactured in Baiersbronn. of which more than 800 houses were built in France alone (types Paris, Provence, Normandie). were built. At that time [1946], as part of the reparations in Strasbourg, there was an exhibition of houses with Swedish, Danish, and French designs. with Swedish, Danish, Finnish, English and German houses, where the French occupation for which 6 different types were sent from the French occupation zone, the Nothelfer's house type was considered the top of this exhibition. Karl Nothelfer was also involved in the development of chipboard. In 1946, together with others in Munich, he founded the first magazine "Bauen und Wohnen" ("Building and Living") after the war and remained its co-editor for many years. co-editor of this magazine for many years. By presenting his own work, he has here interpreted what the essence of the magazine wanted to be: Building, in order to live in it, in order to live as a human being and humanly in the built. Karl Nothelfer planned his houses furniture ground plan, from the need for living. In 1948 he was appointed honorary senator of the State Building school in Holzminden. Karl Nothelfer did not build much in Singen. The first post-war house was Haus Fahr on the slope of the Hohentwiel (Domäne); the building material came from a demolished log house that a French officer had built for himself on the Schie- nerberg. nerberg. In 1952, he also built the administration building of the aluminum rolling mill in Singen. rolling mills in Singen, with relief and wall painting by C. G. Becker. In Überlingen he built In Überlingen he built, among others, the Buchinger Sanatorium, the Riese+ Hähnel radio house and various reconstructions in the old town: Haus Kitt with the Glockenspiel, the Haus mit dem Bacchus in the Überlingen village, the Dolphin Fountain in Hödingen (1975). Probably the most beautiful Haus Nothelfers, the Haus Himmelheber, stands in Baiersbronn-Tonbach. On the airfield Mengen, Nothhelfer built the casino building with the 30 square meter faience painting Ikarus by C. G. Becker. In 1954 he founded a second office with architect Hans Schwingen in Düsseldorf. Office, which primarily fertilized the housing construction, true to the motto:from the inside to planning from the outside. The Minister of Housing awarded a prize to the best social housing in North Rhine- Westphalia; it was from the Nothelfer+Schwingen studio in Düsseldorf. Also the idea of new idea of home ownership was also promoted by Nothelfer+Schwingen. promoted by Nothelfer+Schwingen. On the occasion of the red jubilee of the law about condominium ownership Nothelfer gave a lecture in Essen in 1961 on condominium ownership in Europe (published as a brochure). published as a brochure]. From Düsseldorf, among many others, in the silk city...

Restored Rattan 4 Strand Deco Living Room 3 Piece Set. The set consists of a large sofa and two generously proportioned armchairs, restored to its former glory with newly reupholster...

Royal House Antiques Royal House Antiques is delighted to offer for sale this SUPER RARE and highly collectable Minty Oxford three piece sofa and pair of armchairs suite along with ...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Textile (canvas)

Objekt: Sitzgruppe “Buenos Aires” (Canapé + zwei Fauteuils) Entwurf: Josef Hoffmann, Wien um 1905 Modell-Nummer: 675 C/F (C: Canapé, F: Fauteuil) Ausführung: Jacob und Josef Kohn...

Original condition.

This rare find is a 3-strand 3/4 pretzel arm rattan 3-seat sectional sofa paired with a spacious 2-tier side table, seamlessly fitting on the armle...

Kaare Klint. A three-seat sofa with mahogany legs, seat, sides and back with blue-, red- and whitestriped Greek Savak. Executed by Rud. Rasmussen, Copenhagen.

Fabulous pair of very elegant Mid-Century Modern style lounge chairs by Thayer Coggin with a definite influence by Milo Baughman. Striped green velvet with a pale ivory. Brushed stai...

Newly reupholstered sofa (foam and fabric) form the 1970s Second sofa available in smaller size (160 centimeters width).

Objekt: Stahlrohrsessel Entwurf: unbekannt, um 1970 Modell-Nummer: - Ausführung: unbekannter Kunstmöbelhersteller, um 1970 Maße in cm Sessel (H x B x SH): 74x55x43 Material: Stahlroh...

This sofa was designed by Michel Ducaroy for Ligne Roset in the 70’s. He devoted 26 years of his life to the head of Ligne Roset’s design department. It was in 1973 that he designed ...

Original Green Chesterfield set Kent model. Over the years the Set has gotten a bit more character. We have treated the exterior with leather grease t...

Incredible Mid-Century Modern sculptural garden seating group from Italy 1970s. This set can transform any outdoor or indoor space into a surreal lounge. The set consists of a two seater lounge...

This is a classic original corner suite consisting of a three seat sofa, and a two seat sofa with matching corner two tier table. All produced in finest q...

Royal House Antiques Royal House Antiques is delighted to offer for sale this now sold out, Habitat Smtihfield 50th Anniversary brown leather sofa and armchair suite designed by Aro...

Rare set of 4 "VillaBianca" chairs design by italian master Vico Magistretti for luxury brand Cassina. This Amazing set Is perfect for 80s lovers, Memphis style, plastic space age ro...

De Sede DS46 Sectional sofa-Living room set in Patinated Cognac Brown Buffalo Leather, Switzerland 1970s This twelve-piece De Sede DS 46 sectional sofa-living room set is a one-of-a...

Original condition.

Five-strand square pretzel style living room set featuring a three-seat sectional sofa and lounge chair. This sofa and chair feature the famous five-strand square pretzel side arms a...

Soriana two-seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. It features its original brown leather upholstery. Winner of t...

Original Price [3500] Building blocks side lounge chair: An illusion that plays with positive and negative shapes through its design, the white version is made from leather and a me...