Art by Medium: Lithograph

Sightseeing is one of a group of ten prints which the artist made at Petersburg Press in 1972, each based on one of his paintings. Rosenquist’s Sightseeing 1962 oil painting on canva...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Jon Carsman (American, b. 1944) AP The Covered Gate Lithograph- Born in Wilkes Barre, Pennyslvania in 1944, Jon Carsman grew up surrounded by the Appalachian Mountains. His main in...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 450. Artwork is in excellent condition. Certificate of authenticity included. All reason...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved figures in the Color-Field ...

Jim Dine Eight Sheets from an Undefined Novel: A rare, highly-collectible sample portfolio of 8 offset printed lithographs advertising Jim Dine's Eight Sheets from an Undefined Novel...

René Magritte - LE BEAU MONDE, 1962 (THE BEAUTIFUL WORLD) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 154/275 Size: 60 x 45 cm Condition: In very goo...

Robot Playing Flute is a lithograph realized by Ibrahim Kodra in 1973. Edition of 100 Ibrahim Likmetaj Kodra (22 April 1918 – 7 February 2006) was an Albanian painter.In 1944 he op...

MIYABI: KŌRIN ( KŌRIN: COURTLY ELEGANCE 2020) Date of creation: 2020 Medium: Offset print with cold stamp and high gloss varnish on paper Edition number: 200/300 Size: 72 × 76,25 cm ...

Lithograph in colors on paper. Hand signed and numbered by Theo Tobiasse. From the edition of 165. Artwork size 22 x 30 inches. Frame size apprrox 29 x 36 inches. Artwork is in ...

Jimmy ERNST (1920-1984) Geometrical Totem, 1972 Original lithograph (Mourlot workshop) Signed in pencil Numbered / 75 On vellum 57 x 40 cm (c. 23 x 16 in) INFORMATION : Edited by G...

“Maternity, Nature & Peace” shows a mother cradling a young child along with Alvar’s allegorical representation of community, peace and nourishment. Warm colors compose the image wit...

Lithograph in colors on Japon paper. Hand signed and numbered by Theo Tobiasse. Edition HC LVI (there is also a main edition of 200). Artwork size 22 x 30 inches. Artwork is i...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 36/60 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Asian, Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

David Shrigley, When Life Gives You A Lemon, 2021 60 x 80 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark

ARTIST: Salvador Dali TITLE: New Jerusalem The Harbinger MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 108/350 MEASUREMENTS: 20" x 25.75" YEAR: 1980 ...

René Magritte - LE CHEF D'OEUVRE OU LES MYSTÈRES DE L'HORIZON, 1965 Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 131/275 Size: 60 x 45 cm Condition: N...

Medium: pochoir (after the 1891 watercolor). Printed 1946 in a limited edition of 300 for the rare "Berthe Morisot Seize Aquarelles" portfolio, published in Paris by Quatre Chemins. ...

Medium: pochoir (after the 1877 watercolor). Printed 1946 in a limited edition of 300 for the rare "Berthe Morisot Seize Aquarelles" portfolio, published in Paris by Quatre Chemins. ...

Marc CHAGALL Circus - Revolution, 1963 Lithograph after the painting, engraved by Charles Sorlier under the supervision of Marc Chagall Printed in Atelier Mourlot Plate signed (prin...

Medium: lithograph (after the watercolor). Dunoyer de Segonzac was one of the artists who contributed compositions to Marcelle Oury's "Lettre à mon peintre" in homage to Raoul Dufy. ...

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass...

Medium: lithograph (after Toulouse-Lautrec). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was prin...

Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inc...

Sam Francis (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. After serving in the Air Force in WW II, Francis returned to his native Californ...

Jimmy ERNST (1920-1984) Surrealist Fly 1973 Original lithograph (Poligrafa workshop) Signed in pencil Numbered / 75 On vellum 57.5 x 45.5 cm (c. 23 x 18 in) INFORMATION : Edited by...

Artist: Alexander Calder (American, 1898-1976) Title: "Flying Colors '76 (Stars and Stripes)" Portfolio: Flying Colors *Issued unsigned, though signed by Calder in the plate (printed...

Medium: pochoir. Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by San Lazzaro for the art revue XXe Siecle (issue No. 9). Size: 12 1/2 x 9 1/2 inches (315 x...

Medium: pochoir (after the collage). Printed by Jacomet for XXe Siecle in 1957 (issue number 8) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 243 mm...

Medium: original lithograph. Printed in Paris on Arches paper at the atelier Mourlot in 1987 for the "Bernard Buffet Lithographe II" catalogue raisonne. Size: 12 1/2 x 9 1/4 inches (...

Facing the viewer, this likeness of a female figure in this print by Pablo Picasso features several key emblems of Cubism. Represented as a disbodied head, the face of the woman feat...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Condition: In v...

ANDY WARHOL (1928-1987) Andy Warhol's 'Happy Butterfly Days' 1955 is an offset lithograph with extensive hand-coloring. While working as a commercial artist early in his career, And...

Robot Playing Flute is a lithograph realized by Ibrahim Kodra in 1973. Edition of 100 Ibrahim Likmetaj Kodra (22 April 1918 – 7 February 2006) was an Albanian painter.In 1944 he op...

Robot Playing Flute is a lithograph realized by Ibrahim Kodra in 1973. Edition of 100 Ibrahim Likmetaj Kodra (22 April 1918 – 7 February 2006) was an Albanian painter.In 1944 he op...

Leaning against the chair, the woman in the plaid beret stares at the viewer in this Pablo Picasso portrait. A lithograph from the Marina Picasso Estate Collection after the Pablo Pi...

Lithograph in colors on Japon paper. Hand signed and numbered by Theo Tobiasse. Edition HC LVI (there is also a main edition of 200). . Artwork size 22 x 30 inches. Artwork is...

Lithograph in colors on Japon paper. Hand signed and numbered by Theo Tobiasse. Edition HC LVI (there is also a main edition of 200). . Artwork size 22 x 30 inches. Artwork is...

Lithograph in colors on Japon paper. Hand signed and numbered by Theo Tobiasse. Edition HC LVI (there is also a main edition of 200). . Artwork size 22 x 30 inches. Artwork is...

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s Mixed colored lithograph Title on the lower margin. Hand signed by the artist Nu...

Red Abstract is a contemporary artwork realized by Le Pond in 1970s. Mixed colored lithograph. Hand signed on the lower margin. Numbered on the lower margin. Edition of 12/100

David Shrigley Fruits and Vegetables Series (Set of 4 Prints), 2020-2021 Consisting of: When Life Gives You A Lemon, 2021 You win this mushroom (Mushroom), 2020 The moment has arrived...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

DAZZLING CIRCUS: EMBRACE PEACE AND DARKNESS WITHIN THY HEART Date of creation: 2016 Medium: Offset lithograph with silver Edition: 300 Size: 68.9 × 53 cm Condition: In mint condition...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 9/50 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Signed and titled in pencil 39 /50 Edition Original silver frame with wood backing from Kato Framing, Tokyo Framed measures: 31 x 24.5 inches Toko Shinoda is a Japanese artist worki...

This print by Pablo Picasso is a prime example of the artist's manipulation of perspective and reduction of subjects into simple, flat forms rendered in a geometric and angular fashi...

David Shrigley, Weather Forecast, 2024 Off-set lithograph Printed on 200g Munken Lynx paper by Narayana Press in Denmark This print is a reproduction from a new body of work in wh...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 5/8 x 6 inches (195 x 152 mm). Sheet size: 10 5/8 x...

Medium: original lithograph. This impression on cream wove paper is from the deluxe Large Paper Edition of 500, published in 1896. This is one of the beautiful and subtle lithographs...

Pablo Picasso's mastery of perspective and integration of geometric planes into his portraits is evident in this portrait of a woman wearing a matching orange hat and blouse. Returni...

Pablo Picasso's warm print of a mother cuddling her infant is indicative of his mastery of the human figure and human condition. A lithograph from the Marina Picasso Estate Collectio...

Salvador Dali original lithograph “. In good condition measures 37x29. Signed and numbered

Jake Chapman - IN THE REALM OF THE RELENTLESS Date of creation: 2022 Medium: Hand colored lithograph on paper Edition: 6 AP, this work is numbered AP/2 Size: 80 x 110 cm Condition: I...

This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.194...

This artwork titled "Paysage" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It ...

Staring slightly off to the side, Olga Picasso (Khokhlova) is clothed in a loose-fitting brown dress that drapes off of her body and wears her hair pulled back in this Pablo Picasso ...