Art by Medium: Tempera

Represented by George Billis Gallery, NYC & LA --Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air ...

"Entangled", pencil and ultramarine tempera on paper, inspired by Matisse. Couple in love. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, ...

Egg Tempera on Watercolour Paper, signed and dated '2012'  bottom right Image size: 16 x 20 inches (40.5 x 51 cm) Exhibitions Haggin Museum Stockton, California A neoclassic archit...

Signed "Chwast" in Pencil Lower Right "Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfu...

Agata Lewandowska Mista ; Love ; Acrylic and tempera on canvas ; Signed artwork ; Unique

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

Original oil on canvas.

Tempera on board painting titled 'The Carved Door' by Archie Musick, signed by the artist in the lower right corner. Depicts a semi-abstract landscape with flora and fauna. Presented...

Signed and Dated "Hannes Bok 1960" Lower Left

A wonderful pen and ink study of entwined dancers by Milton Hebald, beautifully executed on a lovely grey Italian rag paper. Hebald is regarded as one of the most important American figurative...

This is an original watercolor on paper in excellent condition. It has only been shown in a gallery setting. Please note there is some glare in the detailed pics from the glass. ...

This is an original watercolor on paper in excellent condition. It has only been shown in a gallery setting. Please note there is some glare in the detailed pics from the glass. ...

Tom Petty Fans! Welcome to Tom Petty Nation! This Original Oil, egg tempura, Enamel paint, glass, custom made felt hat, textile, metal mesh, on wood panel is a beautiful tribute to ...

A wonderful pen and ink study of entwined dancers by Milton Hebald, beautifully executed on a lovely grey Italian rag paper. Hebald is regarded as one of the most important American figurative...

Dreaming, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted persp...

Out of the Water, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. See pictures, in mat...

Egg Tempera on board, signed Image size: 19 x 15 inches (48 x 38 cm) Gilt frame Plummer specialised in the medium of egg tempera, a technique little used since the frescos of the Re...

'Black Crowd'

Masked Beauty in Blue , pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. See pictures, ...

Flying High - original unique female nude drawing. Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's studio. Shipping anywhere in the world, flat rate. Registered airmail. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Louis XVI jouant apres la Revolution Tempera on Panel Surrealism in Stock. Sizes including frame. Size without frame 24 x 18 cm Gérard Willemenot (1943, Paris, France) graduated as ...

'La Foule 4'

'My Shodo (Flowers)'

'Dark Crowd 8'

'Il Ventaglio Nero'

'Il Gruppo'

'Everybody is Talkin'

'la Foule Bleue'

'Scompiglio 2'

'Nella Foresta'

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LeRoy Neiman Original Mixed media on paper; including tempera, acrylic, pastel, watercolor, and conte' crayon Dated 1966 8 1/2″ x 16 1/4″ viewab...

This small portrait is signed and dated among the bottom edge "Io(hannes) Baptista Scarlattius Rondinelli Fecit Anno 1754". Giovan Battista Scarlatti Rondinelli was an important memb...

Masked Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Masked Nude was part of solo show "Nude in Interior" see pictures. Shipped rolled in a tube, d...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

YARYNA MOVCHAN (b. 1982, Lviv) In 2003 she graduated from Trush Lviv State College of Decorative and Fine Arts, 2003-2009 she studied in Lviv National Academy of Arts. She was a non-...

Flowers and Butterflies is a painting realized by Claude Deschamps in the 1970s. Tempera on paper. Hand-signed on the lower. Good conditions. The...

YARYNA MOVCHAN (b. 1982, Lviv) In 2003 she graduated from Trush Lviv State College of Decorative and Fine Arts, 2003-2009 she studied in Lviv National Academy of Arts. She was a non-...

Tom Holland Untitled (Truck in Hills), 1965 (Mid Century Modern Art) Tempera, Wood with PVC finish. Hand signed, dated and titled on the back Framed with Charles Cowles Gallery labe...

Floating Woman is a painting artwork, realized by Sergio Barletta in 1974. Tempera and white lead on cardboard. Hand-signed on the lower margin. Good conditions with foxing on t...

Alice in Her Wonderland Bedroom is a painting artwork, realized by Sergio Barletta in 1992. Tempera and white lead on cardboard. Hand-signed, titled and dated on the lower margin ...

YARYNA MOVCHAN (b. 1982, Lviv) In 2003 she graduated from Trush Lviv State College of Decorative and Fine Arts, 2003-2009 she studied in Lviv National Academy of Arts. She was a non-...

YARYNA MOVCHAN (b. 1982, Lviv) In 2003 she graduated from Trush Lviv State College of Decorative and Fine Arts, 2003-2009 she studied in Lviv National Academy of Arts. She was a non-...

Birth of Venus is a painting artwork, realized by Sergio Barletta in 1991. Tempera and Watercolor on Cardboard Hand-signed on the lower margin. Good conditions. Sergio Barletta...

The Woman is an artwork realized by Gabriele Galantara in 1905 Century. Drawing in tempera, ink, and watercolor. Monogrammed RL. The status of preservation is good, aged. Gabriel...

Obsession is a painting artwork, realized by Sergio Barletta in 1997. Tempera, Collage, and Watercolor on Cardboard Hand-signed, titled, and dated on the lower margin. Good cond...

Matador is a painting artwork, realized by Sergio Barletta in 1989. Tempera and watercolor on Cardboard Hand-signed on the lower margin. Good conditions with some foxing. Sergio...

Femme en Larmes is a mixed media artwork, realized by Sergio Barletta in 1993. Pastel, Watercolor, and Collage on cardboard, applied on a white passepartout. 50x 70 cm. Hand-signed...