Items Similar to Nicolas de Largillière - Portrait of a Lady, Paris, circa 1695
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Nicolas de LargillièreNicolas de Largillière - Portrait of a Lady, Paris, circa 1695circa 1695
circa 1695
About the Item
Nicolas de Largillière (Paris, 1656-1746)
Portrait of a lady, circa 1695
Oil on canvas (relined): 76 x 61 cm
Framed: h. 97 cm, l. 82 cm
To be included in the forthcoming catalogue raisonné of the artist by Dominique Brême, director of museum of Sceaux and artist specialist.
Our work presents a majestic French aristocrat against the backdrop of a twilight landscape.
The face seen from the front, the body turned three-quarters, the young woman is portrayed half-length, revealing her slim belted waist.
The elongated face with rosy cheeks, almond-shaped eyes, straight nose and strong chin, solemn expression, the young woman sketches in a half-smile which brings out the dimple on her chin. Its white, milky complexions are worked in glaze and display a transparency and an almost tangible velvety.
Hair styled "a la Fontange", her powdered hair is raised and tied with a pink ribbon, the two curls frame the forehead and the mass of curly locks fall on her back and shoulders. A jewel is housed in her high bun.
She is dressed in a silver and shimmering silk dress over a white shirt whose lace is revealed at the level of the bodice.
A loose coat of pink satin with orange tones envelops her figure animated by angular folds of the crumpled fabric.
The fiery sparkles of the pink fabric clash with the frosty reflections of the silver satin. By juxtaposing the opposing colours, the painter accentuates the contrast. The fiery reflection of pink is reflected in the corset like fire in a mirror. This breathtaking effect bears witness to the great ingenuity of Nicolas de Largillière, this daring handling of the palette in the wake of Antoine Van Dyck.
This extremely intense chromatic range contrasts with the sober background of the classic landscape with a darkened sky.
The almost electric light of the theatrical staging accentuates the whiteness of skin tones and the brilliance of fabrics.
The virtuosity of the painter shines in the treatment of fabrics, the effects of scintillation, the spontaneity in the rendering of the texture because the care given to the clothes is as important in the art of the portrait as the model itself.
The young unknown not only gives us the image of a fresh and desirable young woman in full bloom of youth and beauty.
Accentuated by a tight framing, the presence of our model gains in intensity.
Our portrait, the reflection of an elegant and refined society, is seductive by its striking effect, associating the prodigious talent of the painter with the grace and natural beauty of the model.
In the absence of any distinctive sign on our painting, the identity of our noble lady remains unknown.
Our portrait will be included in the catalog raisonné of the work of Nicolas de Largillierre, currently being prepared by Mr. Dominique Brême, director of the museum of the Domaine départemental de Sceaux and specialist in the artist.
Nicolas de Largillière (Paris, 1656-1746)
Nicolas de Largilliere, born October 2, 1656 in Paris, where he died March 20, 1746, is a French painter. Of Flemish origin although born in Paris, he spent his childhood in Antwerp apprenticed to the landscape painter Antoine Goubau. In 1673 he went to England where he worked as an assistant in the studio of the portrait painter Peter Lely for several years. Largillierre discovers the art of portraiture in London and assimilates the beautiful lessons of the British successor of Antoine van Dyck. On his return to France, he was admitted to the Royal Academy in 1683 and three years later was received as a "painter of portraits and history" on presentation of the Portrait of Charles Le Brun.
He is one of the most famous portrait painters of the 17th and 18th centuries. Nicolas de Largillière's long career spanned the reigns of Louis XIV and Louis XV, during which he established himself as a leading portrait painter. His female effigies, in particular, strike by their introspective character and their decorative richness.
- Creator:Nicolas de Largillière (1656 - 1746, French)
- Creation Year:circa 1695
- Dimensions:Height: 38.19 in (97.01 cm)Width: 32.28 in (82 cm)
- Medium:
- Movement & Style:
- Period:1690-1699
- Condition:Very good original condition, cleaned and revarnished by our professionnal art restorer.46000.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433214036422
Nicolas de Largillière
Nicolas de Largilliere (Paris, 1656-1746) Born in Paris, Nicolas de Largilliere spent his childhood in Antwerp. Trained there in the studio of Antoine Goubeau, who taught him the study from nature, Nicolas de Largillierre remained faithful to his precepts throughout his career. In 1673 he went to England where he worked as an assistant in the studio of the portrait painter Peter Lely for almost seven years. He was approved by the Royal Academy upon his return to France in 1683 and was received three years later as "painter of portraits and history"). The portrait is by far the genre that dominates an immense production of nearly 1,500 works produced in a workshop through which many renowned painters will pass. He is with Rigaud the most brilliant portraitist of the end of the XVIIth and the beginning of the XVIIIth century. Rigaud, however, is the official court portraitist, Largillierre works mainly for a wealthy bourgeois clientele. His work brilliantly illustrates the French high society under the reigns of Louis XIV and Louis XV, by an exceptional sense of observation he was able to render, sometimes without complacency, the individuality of the faces and the psychology of the characters.
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
7 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- A 17th c. Italian school, Capriccio with the Colosseum, circle of V. CodazziLocated in PARIS, FRA capriccio with the Colosseum in Roma 17th century Italian school Circle of Viviano Codazzi (1604-1670) Oil on canvas Dimensions: h. 35.43 in, w. 51.18 in Modern 17th century style ...Category
17th Century Old Masters Landscape Paintings
MaterialsCanvas, Oil
- Late 17th century portrait of a French princess, daughter of Louis XIVBy Pierre GobertLocated in PARIS, FRPortrait of Françoise Marie de Bourbon, Duchess of Orléans as Venus A magnificent painting depicting the princess in all the splendour of her youth, Françoise Marie de Bourbon, known as the second Mademoiselle de Blois (Maintenon, 1677 - Paris, 1749), daughter of Louis XIV and Madame Montespan, future wife of the Regent. Late 17th century, circa 1695 Pierre Gobert (Fontainebleau, 1662-Paris, 1744) and his workshop Oil on canvas Dimensions: h. 109 cm, w. 92 cm (42.91 in x 36.22 in) Important 19th century Louis XIV style giltwood and gilt stucco stucco finely carved with foliage and scrolls. Framed dimensions: h. 142 cm (55.9 inch), w. 126 cm (49.61 inch) The princess is portrayed full-length seated on a chariot pulled by two doves floating in the sky. Her slender face is draped in an ample antique blue dress...Category
Late 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Louis XIV and his army at the crossing of the Rhine by Adam-Frans van der MeulenBy Adam Frans van der MeulenLocated in PARIS, FRAdam-Frans van der Meulen (Bruxelles, 1632 - Paris, 1690) Louis XIV and his army at the crossing of the Rhine 12 June 1672 Signed A.F VANDERMEULEN at the right low corner Oil on can...Category
1670s Old Masters Landscape Paintings
MaterialsCanvas, Oil
- Jean-Marc Nattier (1685 - 1766) - Portrait of Charlotte de Hesse-RheinfelsBy Jean-Marc NattierLocated in PARIS, FRJean-Marc Nattier (Paris, 1685 - 1766) and his workshop Portrait of Charlotte de Hesse-Rheinfels Oil on canvas : h. 44.09 in, w. 38.19 in 18th century carved giltwood framed Fra...Category
1730s Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Rest on the Flight into Egypt - Attributed to Pieter Van Avont - 17th c. FlemishBy Pieter van AvontLocated in PARIS, FRRest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...Category
17th Century Old Masters Landscape Paintings
MaterialsOak, Oil
- Adoration of the Shepherds, attributed to Louis de Caullery, early 17th centuryLocated in PARIS, FRAdoration of the Shepherds Attributed to Louis de Caullery (1580-1622) 17th century Antwerp School, circa 1620 Oil on copper: h. 54 cm (21.26 in.), w. 72 cm (28.35 in) A 17th century...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsCopper
You May Also Like
- Figure Ice Skating In Hyde Park, 18th Century Philip Jakob II DE LOUTHERBOURGLocated in Blackwater, GBFigure Ice Skating In Hyde Park, 18th Century Philip Jakob II DE LOUTHERBOURG (1740-1812) Fine huge 18th century Old Master morning frozen winter landscape of figures skating at Hyde Park, oil on canvas. Stunning large scale superb quality and condition winter scene with figures skating on the frozen water. Though unsigned the style and detail is unmistakably De Loutherbourg with a very similar composition currently held in the UK Government Art Collection (Whitehall & Downing Street...Category
18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Joseph Pardons his BrothersBy Giulio CarpioniLocated in London, GBGiulio Carpioni was most likely born in Venice in 1613 and trained under the artist Alessandro Varotari known as Il Padovanino. After travelling to Rome early in his career he sett...Category
17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Virgen del CarmenLocated in Miami, FLColonial School, Mexico, XVIII Century "Virgen del Carmen" Oil on canvas 70 x 40 inCategory
18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Julius Caesar on HorsebackBy Antonio TempestaLocated in New York, NYProvenance: Private Collection, South America Antonio Tempesta began his career in Florence, working on the decoration of the Palazzo Vecchio under the direction of Giorgio Vasari. He was a pupil first of Santi di Tito...Category
16th Century Old Masters Paintings
MaterialsOil, Canvas
- 18th century Portrait of a young girl, Miss Cator in a landscape, white dressBy John RussellLocated in Woodbury, CTPortrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...Category
1780s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th Century by Matteo Bonechi Presentation of Jesus Painting Oil on CanvasLocated in Milano, LombardiaMatteo Bonechi (Florence 1669 - Florence 1756) Presentation of Jesus Oil on canvas, cm. 75 x 49 – with frame cm. 89,5 x 65 Shaped, carved and gilded wooden box frame Expertise: Sandro Bellesi Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 20, 21. The present painting is a very interesting testimony of the creative process of Matteo Bonechi, one of the leading artists on the Tuscan art scene in the early 18th century. The canvas in question is in fact the last preparatory model made by Bonechi before he executed an altarpiece for the church of San Filippo Neri in Cortona in 1716. The scene presented here is that of the Presentation of Jesus, when, forty days after his birth, the child is ransomed through an offering in the temple and placed in the hands of Simeon, who prophesies his future: the coming of the Messiah...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
