Items Similar to Banquet Attrib to Van Den Hoecke Religious Oil on Table Old Master 17th Century
Want more images or videos?
Request additional images or videos from the seller
1 of 22
Banquet Attrib to Van Den Hoecke Religious Oil on Table Old Master 17th Century1585-1648
1585-1648
About the Item
Gaspar van den Hoecke (Antwerp, 1585 - 1648)
Herod's banquet
Early 17th century
oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background)
56 x 80 cm.
framed 72 x 90 cm.
Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD.
Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss in music. In the artistic model, Salome, an unconscious young instrument of revenge of her mother, becomes the symbol of her most devastating and morbid lust.
On the occasion of King Herod's birthday, Salome, the attractive daughter of Herodias who loved her, performed a seductive dance for the pleasure of the diners. Her dance was so well received that Herod promised to give her whatever she wanted as a reward, even part of her reign if she wanted.
The young woman went to her mother to ask for her advice, and Herodias moved by a grudge against John the Baptist, ordered her to request the head of the Saint on a plate. Salome, an unaware victim of the wishes of her mother, becomes the interpreter of the murder of the Saint, obtained with skill and cunning, and during her banquet he presents her head as if it were a trophy on a silver tray. We see the King reacting with disdain to this situation, while the two women appear indifferent to the consequences of their gesture, standing at the other end of the table in a gold-colored dress and a wide neckline.
In the background, on the left, the event that precedes the main representation is represented in optical synchronism, that is the martyrdom and beheading of the Baptist, which takes place inside a barren prison with barred windows, in clear contrast to the situation of opulence in the first Iano.
The splendid painting, given the pictorial quality, is attributable to the workshop of the painter Gaspar van den Hoecke (1585 - 1648)), one of the greatest masters of the early Flemish Baroque in Antwerp, whose works are strongly influenced by Frans Francken's pictorial influence, artist of reference for the southern Dutch school, and with whom they have often been confused for the clear stylistic similarity. See for comparison the two works by van den Hoeche:
- Parable of Lazarus and the rich Dives'
- Il Banchetto di Baltassar, New York, Sotheby's, 24.01.08, lot 210
As we can see, his paintings, dominated by figures treated with extreme care and cloaked in dresses of large and pompous volumes, are rendered with an intense chromatic splendor and characterized by a refinement in the choice of pigments typical of the high-level Flemish school. The studied gestures of the actors and their intense mimicry are proponents of the strong narrative tension that transpires from the table and are rendered with extreme realism and definition.
The table is in excellent condition and does not show any particular restorations upon analysis of Wood's lamp. Frame in gilded wood, not coeval.
For more information, please contact us.
Painting accompanied by a certificate of photographic authenticity in accordance with the law (FIMA - CINOA)
- Attributed to:Gaspar van den Hoecke (Antwerp, 1585 - 1648) (1585 - 1648, Flemish)
- Creation Year:1585-1648
- Dimensions:Height: 28.35 in (72 cm)Width: 35.44 in (90 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Riva del Garda, IT
- Reference Number:1stDibs: LU98817703572
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2017
1stDibs seller since 2018
206 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Riva del Garda, Italy
- Return PolicyA return for this item may be initiated within 7 days of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Winged Putti Paint Oil on canvas Baroque 17th Century Mitological MichelangeloLocated in Riva del Garda, ITAttributed to Giovanni Battista Merano (Genoa 1632 - Piacenza 1698) Pair of winged cherubs with chains Genoese school, around 1670-80 Oil on canvas, 67 x 57 cm. Framed 89 x 78 cm. This pleasant painting, depicting a pair of winged cherubs, is attributed to Genoese Giovan Battista Merano (Genoa 1632 - Piacenza 1698), trained in Genoa first in the workshop of Giovanni Andrea De Ferrari, and then of Valerio Castello, of whom he became one of the best students. It was probably the latter who advised the student to stay in the then Duchy of Parma to study Correggio and Parmigianino, as he had done in his time. During this first stay in Parma Giovanni Battista worked on the fresco decoration of the oratory...Category
17th Century Old Masters Paintings
MaterialsOil
- Circumcision Christ Lairesse Flemish Paint Oil on canvas Old master 17th CenturyBy Gérard de Lairesse (Liège 1641 - Amsterdam 1711)Located in Riva del Garda, ITGérard de Lairesse (Liège 1641 - Amsterdam 1711), attributed Circumcision of Christ Oil on canvas, 120 x 102 cm., In frame 138 x 119 cm. The p...Category
17th Century Old Masters Figurative Paintings
MaterialsOil
- Van Den Bossche Alexander The Great Paint Oil on canvas 17/18th Century FlemishLocated in Riva del Garda, ITBalthasar Van Den Bossche (Antwerp, 1681 - 1715) Alexander the Great and Campaspe in the studio of the painter Apelles The canvas was exhibited in Perugia (Museo di Palazzo della Pe...Category
17th Century Old Masters Paintings
MaterialsOil
- De Wit Flowers Still life Paint Oil on canvas 18th Century Flemish Cupids ArtLocated in Riva del Garda, ITJacob De Wit (Amsterdam, 1695 - 1754) attributable/ workshop Pair of Cupids with Garland of Flowers Oil on canvas 91 x 103 cm. - Framed 104 x 115 cm. Provenance: Christie's (London, Old master Painting 12.12.1996) lot 82 This magnificent composition depicts two cupids holding a garland of flowers, placed on a fine architecture with bas-reliefs and masks, presumably the top of a fountain. One of the two cupids sympathetically holds a part of it with his hands, while his head turns towards the viewer; the second cupid, on the other hand, must have clumsily broken the thread holding its end, and is sitting sullenly with a torch and a tear streaking his chubby cheek. The work, given its stylistic features and compositional taste, can be attributed to the Flemish artist Jacob de Wit (Amsterdam, 1695 - 1754), or to an artist from his workshop, with his typical triumphal and opulent style, which reveals clear influences from Rubens and Van Dijck, but also from Gerard de Lairesse...Category
18th Century Old Masters Paintings
MaterialsOil
- Terwesten Woman Allegory Art Paint Oil on canvas 17/18th Century Old masterLocated in Riva del Garda, ITMattheus Terwesten (The Hague, 1670 - 1757) Portrait of a young woman with palette and brushes, as Allegory of the art of Painting Oil on canvas 160 x 91 cm. - In frame 178 x 107 cm...Category
17th Century Old Masters Paintings
MaterialsOil
- Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master FrenchLocated in Riva del Garda, ITJean-Baptiste Perroneau (Paris, 1715 – Amsterdam, 1783) Portrait of a lady Oil on oval canvas 60 x 50 cm. - In frame 77 x 66 cm. Work accompanied by expertise: Raffaelle Colace (Cremona), Ferdinando Arisi Reference bibliography: d’Arnoult, Dominique (2014) Jean-Baptiste Perronneau, c 1715-1783, un portraitiste dans l’Europe des Lumières Excerpt from the expertise of Dr. Colace: This refined portrait of a lady is a perfect example of the style of Jean-Baptiste Perroneau, a very talented French painter, whose most beautiful works are located, just like this one, between the fifth and sixth decades of the eighteenth century. "Perroneaeu is more naturally colored than La Tour, the est, in the peinture de poussière colorée, tout plein de tons clairs, frais, presque humides": this is how his brothers wrote about him in La Maison d...Category
18th Century Old Masters Paintings
MaterialsOil
You May Also Like
- Figure Ice Skating In Hyde Park, 18th Century Philip Jakob II DE LOUTHERBOURGLocated in Blackwater, GBFigure Ice Skating In Hyde Park, 18th Century Philip Jakob II DE LOUTHERBOURG (1740-1812) Fine huge 18th century Old Master morning frozen winter landscape of figures skating at Hyde Park, oil on canvas. Stunning large scale superb quality and condition winter scene with figures skating on the frozen water. Though unsigned the style and detail is unmistakably De Loutherbourg with a very similar composition currently held in the UK Government Art Collection (Whitehall & Downing Street...Category
18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Joseph Pardons his BrothersBy Giulio CarpioniLocated in London, GBGiulio Carpioni was most likely born in Venice in 1613 and trained under the artist Alessandro Varotari known as Il Padovanino. After travelling to Rome early in his career he sett...Category
17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Still Life with Fishes and Oysters - Oil on Canvas - 17th CenturyLocated in Roma, ITStill life with fishes and oysters is an original oil on canvas realized in the 17th Century by Neapolitan School Master. Impressive in size as well as for its vivid representation o...Category
17th Century Old Masters Still-life Paintings
MaterialsOil
- Complete Set of Stations of the Cross Oil Paintings by VölkelLocated in London, GBComplete set of Stations of the Cross oil paintings by Völkel German, 1909 Canvas: Height 80cm, width 82cm Frame: Height 134cm, width 111c...Category
Early 1900s Old Masters Figurative Paintings
MaterialsOil
- Moses and the Pillar of Cloud by Lucas Cranach the Elder and StudioBy Lucas Cranach the ElderLocated in New Orleans, LALucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...Category
16th Century Old Masters Figurative Paintings
MaterialsOil, Panel
- The Adoration of the Magi by Joseph van BredaelLocated in New Orleans, LAJoseph van Bredael 1688-1739 Flemish The Adoration of the Magi Oil on copper Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...Category
Late 17th Century Old Masters Figurative Paintings
MaterialsCopper
Recently Viewed
View AllMore Ways To Browse
Old Paintings On Wood
Music Trophy
Antwerp Art
Old Master Painting Large
Religious Framed Art
Old Antique Religious Art
Old Painting Oil On Panel
Painting Antique Table
Antique Painting With Table
Dutch Paintings Old Master
Old Antique Dresses
Antwerp Painting
Large Old Masters Oil Paintings
Old Master Painting Woman
Religious Art Gold
Old Master Flemish
Diner Art
Old Master Oil On Wood