Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Christ Samaritan Woman Pozzoserrato Paint Oil on table 17th Century Old master

1580-1630

About the Item

Christ and the Samaritan woman at the well Attributable to Ludovico Pozzoserrato (Antwerp circa 1550 - Treviso 1605) Oil on the table 37 x 27 cm., In frame 52 x 42 cm. The subject illustrated in this refined painting is taken from the Gospel of John (4: 6-10), where it is told of Jesus who, tired from the journey to Galilee, asked a Samaritan woman, notoriously averse to a Jew, to offer him a drink there. 'water from Jacob's well, promising her in return' a water capable of quenching her thirst for eternity '. The theme (one of the most frequently used in Counter-Reformation Christian art) celebrated the main concepts of the Council of Trent: the encounter with the Samaritan woman has the symbolic meaning of the innovation brought by Christ who offers the good news even to those who are not considered pure Jew. Even the place of the event, rather unusual and certainly not religious, according to biblical tradition, was rich in meanings and historical salvific evocations. The scene takes place within a landscape depicting, according to the New Testament tale, the city of Sicar, the place where the Samaritan woman will arrive to announce the coming of the new Messiah. A strong Flemish influence can be glimpsed in these compositions, very likely for Venetian artists given the massive presence in the lagoon city during the sixteenth century of artists from Flanders and the Netherlands, whose art made of a strong culture for minute details comes here combined with the Venetian colorism and the plastic turning of the typical figures of the art of central-northern Italy of those years. In particular, we are inclined to attribute the work to Ludovico Pozzoserrato, Italianization of Lodewyk Toeput (Antwerp, about 1550 - Treviso, 1605). Originally from Antwerp, he arrived in Venice around 1582, with short stays also in Florence and Rome. The pictorial value of him is well highlighted by the critical and commercial fortune reached early in the lagoon city, facilitated by a talent capable of adapting his Nordic training to the Venetian landscape, reaching a synthesis of rare skill and sensitivity. We can also say that Ludovico was able to grasp the 'international' character of the elegant and cultured mannerism of Jacopo Tintoretto and Paolo Veronese, who will find in him a very talented interlocutor. The conservation conditions of the work appear very good. The painting is sold together with a nice golden frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic card. We take care of and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda gallery, we will be happy to welcome you to show you our collection of works. Contact us, without obligation, for any additional information.
  • Creation Year:
    1580-1630
  • Dimensions:
    Height: 20.48 in (52 cm)Width: 16.54 in (42 cm)
  • Medium:
  • Movement & Style:
  • Circle Of:
    Ludovico Pozzoserrato (Antwerp circa 1550 - Treviso 1605) (1550 - 1605)
  • Period:
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988110799372
More From This SellerView All
  • Van Den Bossche Alexander The Great Paint Oil on canvas 17/18th Century Flemish
    Located in Riva del Garda, IT
    Balthasar Van Den Bossche (Antwerp, 1681 - 1715) Alexander the Great and Campaspe in the studio of the painter Apelles The canvas was exhibited in Perugia (Museo di Palazzo della Pe...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Storm See Water Landscape Vernet 18th Century Paint Oil on canvas Old master
    Located in Riva del Garda, IT
    Claude-Joseph Vernet (Avignon, 1714 - Paris, 1789) workshop of The Storm on the Lighthouse 1750/60 Technique: Oil on canvas Dimensions: 48 x 67 cm / framed 77 x 93 cm We share a highly pleasing work, a splendid marine executed by a talented painter from the workshop of the Frenchman Claude-Joseph Vernet, depicting a coastal view set in a Mediterranean port with the sea still stormy. The focal point of the composition is the large lighthouse at the entrance to the port, which, due to the power of the sea, was unable to bring to safety the ship that had crashed against the rocks, while the silhouette of a second sailing ship can be glimpsed in the distance. The canvas shows in full the pictorial, chromatic and narrative characteristics of the great master Vernet's coastal landscapes, characterised by the inimitable atmospheric conditions always hovering between darkness and light, storm and calm, instilling the observer with contrasting feelings, made even more intense by a palette of vibrant and highly contrasting colours. A similar composition, from which our author must necessarily have drawn, also attributed to the workshop of Claude Joseph Vernet is to be found in France, in Nantes, at the Musée d'Arts.  The effects of the light create a visual drama in the contrast between the darkness of the rain-laden storm clouds and the gash of clear sky that is opening up, pierced by the timid rays of light. The real magic of the painting is the painter's highly personal use of light and colour, with chiaroscuro effects that accentuate its three-dimensionality and movement.
 The compositional typology, as well as the quality of execution and attention to detail we are dealing with, are typical elements of the 'prototypes' conceived by the master, later taken up around the middle of the 18th century by his best pupils. Similar versions can be found in the most important international museums and private collections, belonging to a large series of paintings that the master created, together with his collaborators, during his stay in Italy. Vernet lived in Rome for twenty years (1734 - 1753), becoming particularly popular with English aristocrats who stopped there on their Grand Tour. International fame followed him from Rome to France, and to his English and French clients he added German princes...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

  • Christ Jesus Lama Religious Paint Oil on canvas 17/18 th Century Old master
    Located in Riva del Garda, IT
    Giovan Battista Lama (Naples, 1673 - 1748) workshop Exaltation of the Holy Cross with the Symbols of the Passion oil on canvas 84 x 135 cm. - with frame 98 x 148 cm. The proposed p...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Allegory Triumph Of Art Over Time De Visch Paint 18th Century Oil on canvas Art
    Located in Riva del Garda, IT
    Matthias de Visch (La Reninge, 1701 - Bruges, 1765) Signed and dated on the edge of the globe: M. De Visch 1739. Allegory of the triumph of Art over Time (Music and Astrology that c...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

  • Battle Horsemen Landscape Graziani Paint Oil on canvas 17th Century Old master
    Located in Riva del Garda, IT
    Francesco Graziani, known as Ciccio Napoletano (active in Naples and Rome in the second half of the 17th century) Battle with clash of horsemen Oil on canvas 95 x 130 cm In period ...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Temptations St. Anthony Teniers II Paint 17th Century Oil on canvas Flemish
    Located in Riva del Garda, IT
    David Teniers II, the Younger(Antwerp, 1610 - Brussels, 1690) Workshop of The Temptations of St. Anthony Abbot Oil on canvas 61 x 90 cm. - Framed 95 x 125 cm. The evocative theme o...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

You May Also Like

Recently Viewed

View All