Abstract Expressionist Abstract Prints

Artist: Helen Frankenthaler (American, 1928-2011) Title: "Sun Corner" Portfolio: The Metropolitan Scene *Signed, dated, and numbered by Frankenthaler (inscribed into the metal) lower right Year: 1968 Medium: Original Screenprint on core-filled, baked Aluminum Panel Limited edition: 17/50, (there were also 4 artist's proofs) Printer: Sheila Marbain of Maurel Studios, New York, NY Publisher: Tanglewood Press, New York, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 12, page 90-91; Berggruen No. 13; Clark No. 13 Framing: Recently framed in a white maple moulding and conservation clear glass with frame-space. All archival Framed size: 37.38" x 37.38" Sheet size: 36.13" x 36.13" Image size: approx. 32" x 32" Condition: A faint crease upper right and lower right. Some light scuffmarks and scratches to image. In otherwise very good condition with strong colors and clean white background Very rare Notes: Provenance: private collection - Upton, MA. Comes from the 1968 "The Metropolitan Scene" portfolio of five screenprints by various artists. Printed in four colors from four screens: blue, orange-red, green, and yellow. This is the third screenprint edition Frankenthaler ever made. "The Metropolitan Scene", a portfolio of prints by Richard Anuszkiewicz, Helen Frankenthaler, Adolph Gottlieb, Nicholas Krushenick, Roy Lichtenstein, and George Segal, was commissioned for a traveling exhibition organized by the Education Department of The Metropolitan Museum of Art, New York, NY. The museum received ten Roman-numbered copies for this purpose. Tanglewood Press then released all but Gottlieb's print in numbered editions of fifty. (Gottlieb's contract with Marlborough Gallery, New York, NY, did not permit commercial release of his print by the publisher). "Air Frame" (cat. no. 6) was Frankenthaler's first silkscreen - a medium that Universal Limited Art Editions, West Islip, NY did not use, although it became increasingly popular for artists' prints, both in Europe and the United States, during the sixties. Several other silkscreens followed in the next few years: "Untitled" (cat no. 11), in 1967, and "Sun Corner" (cat. no. 12) by Tanglewood Press, New York, in 1968. - "What Red Lines Can Do" (cat. nos. 22-26) is a suite of silkscreens published by Multiples, Inc., at that time directed by Rosa Esman, in 1970. - (Harrison - page 19). Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Tales of Genji (Catalog of 6 Prints)" Series: (after) Tales of Genji *Issued unsigned Year: 1998 Medium: The Complete Set of 6 Offset-Lithograph reproductions on light smooth wove paper Limited edition: Unknown Printer: Swan Engraving...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Richard Proctor pays tribute to painters like the cubist Albert Gleizes in this abstract lithograph numbered 14/30. The artist uses the principle of the kaleidoscope. He turns tradit...

Artist: Joan Mitchell (American, 1925-1992) Title: "Meditations in an Emergency" Portfolio: In Memory of My Feelings *Issued unsigned Year: 1967 (First edition) Medium: Original Lithograph on Mohawk Superfine Smooth paper Limited edition: 514/2,500 Printer: Crafton Graphic Company, Inc., New York, NY Publisher: The Museum of Modern Art, New York, NY Sheet size: 12" x 9" Condition: In excellent condition Rare Notes: Comes with its accompanying poetry pages. Numbered on colophon page. Comes from the 1967 "In Memory of My Feelings: A Selection of Poems" book volume by Frank O'Hara with approx. 46 unbound original lithographs by various artists. Collaboration: Edward Katz (printing). The last image of the complete book is for reference/provenance; it is not included. This image Mitchell contributed to "In Memory of My Feelings: A Selection of Poems" by Frank O'Hara, edited by Bill Berkson, for the Museum of Modern Art. The project was published in 1967 in memory of Frank O'Hara, poet and associate curator at the museum, who died in a tragic accident in 1966. Bill Berkson (with the assistance of Kenneth Koch and John Ashbery) selected the poems and (with advice from Robert Motherwell) asked the following artists to contribute: Nell Blaine, Norman Bluhm, Joe Branaird, John Buton, Giorgio Cavallon, Allan D'Arcangelo, Elaine de Kooning, Willem de Kooning, Niki de Saint-Phalle, Helen Frankenthaler, Jane Freilicher, Michael Goldberg, Philip Guston, Grace Hartigan, Al Held, Jasper Johns, Matsumi Kanemitsu, Alex Katz, Lee Krasner, Alfred Leslie, Roy Lichtenstein, Marisol, Joan Mitchell, Robert Motherwell, Reuben Nakian, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, and Jane Wilson...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Mauro Oliveira. This exquisite...

Artist: (after) Robert Motherwell (American, 1915-1992) Title: "Art 1981 Chicago" *Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right Year: 1981 Medium: Original Lithograph, Exhibition Poster on Dove paper Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text) Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY Publisher: Lakeside Group, Chicago, IL Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246 Sheet size: 39.5" x 27.5". Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Notes: Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

A minimalist Etching and Aquatint on Arches paper by Robert Savoie (1939). The print is signed, dated and numbered in pencil 15/50. Image Size: 22 x 27.5 inches.

Georg Baselitz (German, b. 1938) Grüner Hase, 1989 Medium: Woodcut in colors, on wove paper Dimensions: 86 x 61.2 cm (33.85 x 24 in) Edition of 15: Hand-signed and numbered

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of s...

A print from John Chamberlain's portfolio "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and n...

A print from John Chamberlain's portfolio "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. IV from the Ten Coconut Portfo...

José Manuel Broto - Iris 6 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Screenprint in colours, 2004, on Rives BFK paper, signed and dated in pencil, numbered from edition of 118, printed by Brand X Editions, New York, published by The Dalton School, New...

This artwork "Manor Arena c.1980 is an original etching on Japan paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand ...

Sam Francis (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. After serving in the Air Force in WW II, Francis returned to California immersin...

Sam Francis (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. After serving in the Air Force in WW II, Francis returned to his native Californ...

Lithograph in colours, 1995, on BFK Rives paper, signed and dated in pencil, inscribed ‘P.P.’ a printer’s proof, aside from the standard edition of 30, published by Tyler Graphics Lt...

Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 i...

Screenprint in colours, 2005, on Somerset wove paper, signed and dated in pencil, numbered from the edition of 128, printed by Brand X Editions, Ltd., New York, published by Lincoln ...

Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

Jim Dine Eight Sheets from an Undefined Novel: A rare, highly-collectible sample portfolio of 8 offset printed lithographs advertising Jim Dine's Eight Sheets from an Undefined Novel...

Damien Hirst, Mill Bay H13-7 from Where The Land Meets The Sea, 2023 Laminated giclee print on aluminium composite panel 90 x 90 cm (35.43 x 35.43 in) Hand signed on the label on ...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 36/60 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Asian, Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Damien Hirst, Woody Bay H13-8 from Where The Land Meets The Sea, 2023 Laminated giclee print on aluminium composite panel 90 x 90 cm (35.43 x 35.43 in) Hand signed on the label on...

This artwork "Sans Titre" c.1980 is an original etching on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand...

Helen Frankenthaler: 1928-2011. Well listed very important American abstract expressionist. Her paintings have sold well into the millions of dollars. This particular print is done a...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 9/50 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

This artwork titled "Figure Miroir" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.194...

This artwork titled "Paysage" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It ...

This artwork titled "Marbre" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It i...

This artwork titled "Alternance" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. ...

This artwork "Sans Titre II" c.1980 is an original color etching with aquatint on Arches paper by noted French abstract expressionist artist Francois Rouan...

Omar’s Cup Power drypoint engraving, 1958 Printed in red, black with gold leaf highlights Annotated in pencil on detached bottom margin: “Printed by the artist’s own press at 4 rue d’universite, Paris, Sept. 1958” Signed and dated lower left: "Childs '58" Edition: 10 (8/10) Condition: Excellent Plate: 7 3/4 x 4 1/4" Sheet: 23 3/4 x 19 9/16"; (See photo) Dedicated in pencil by the artist: “For Alice and Albert Turner...

Artist: Paul Jenkins, American (1923 - 2012) Title: Homage to Martha Graham Year: 1971 Medium: Screenprint (unsigned) Edition: Printer's Proof Size: 44 x 34 in. (111.76 x 86.36 cm)...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/ 1500

South Fork by James Brooks, American (1906–1992) Date: 1974 Screenprint, signed and numbered in pencil Edition of 5/55 Image: 27 x 34.75 inches Size: 32.5 x 40 in. (82.55 x 101.6 cm)

67.3 x 49.5 cms (26 1/2 x 19 1/2 ins) Edition of 7

La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Reflections (Catalog of 12 Prints)" Series: (after) Reflections *Issued unsigned Year: 1995 Med...

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition of 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar...

extract from the catalogue raisonné: CR 309 Signature:Signed “Motherwell” in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; workshop...

Edition of 24 73.7 x 64.8 cms (29 x 25 1/2 ins)

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Artist: Paul Jenkins, American (1923 - 2012) Title: Kendo Year: 1973 Medium: Screenprint, signed, dated and numbered in pencil Edition: 4/60 Size: 30 x 22 in. (76.2 x 55.88 cm) Fra...

144.8 x 62.2 cms (57 x 24.5 ins) Edition of 49 Lithograph and chine appliqué Paper:Two joined sheets of natural Nepal handmade paper; natural Sekishu handmade paper Proofs: 1 archiv...

Robert Motherwell Untitled 1986 Colour lithograph and collage, on Guarro paper, Edtion of 100 55.9 x 37.8 cms (22 x 14 7/8 ins)

40 x 42.2 cms (15 3/4 x 16 5/8 ins) Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right Edition: 100

54.9 x 56.5 cms (21.6 x 22.25 ins) Edition of 50 Paper: Somerset paper Signature:Signed "RM" in pencil lower right Inscriptions:Numbered in pencil lower right Proofs:20 AP, number...

Carborundum on Whatman paper Edition of 38 84.1 x 78.7 cms (33 1/8 x 31 ins)

Artist: Paul Jenkins, American (1923 - 2012) Title: Looking West Year: circa 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 45/200 Image Size: 39 x 29 inches Size: 4...

Edward Avedisian (1936-2007) Cleo, Fur Queen, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25...

Pioggia d'Oro (Golden Rain) Etching with aquatint in colors, on Fabriano paper. 1988 Signed in pencil lower right. Numbered in pencil lower left. From the signed and numbered editio...

Signed, dated and titled. Initialed and dated lower right, each numbered 8/20, lower left. 9 x 6 image size, 22 x 15 in. sheet size. With the blindstamp of the Tamarind Institute pri...