Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Albert Besnard
Dans les Cendres (In the embers)

1887

About the Item

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain at the Paris Salon, which showed his new characteristic style: Inspired by the contemporary group of impressionists of this time, Besnard attempted to capture light and color in his works. However, the artist was not an impressionist in the actual sense; he adopted the technique for the precise analysis of lighting, but did not entirely share in the impressionist interest in the realistic reproduction of impressions. Besnard was a master of his trade and had a good command of painting in watercolors, pastels, and oil, as well as etching. He found his motifs both in portrait painting and in landscape painting. Besnard also decorated numerous Parisian buildings, including the ceiling of the Comédie Française and the dome of the Petit Palais. In 1913, Besnard was appointed to be the director of Villa Medici in Rome; in 1922, he became the director of the Ecole des Beaux-Arts. In 1924, he became the first painter since 1760 to be elected as a member of the Académie Française, one of the oldest and most prestigious institutions of the French intellectual world.
More From This SellerView All
  • Rotherhithe
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    Rotherhithe (Originally published as Wapping). 1860. Etching. Kennedy catalog 66 state iii; Glasgow catalog 70. state vi. 10 3/4 x 7 3/4 (sheet 12 7/8 x 9 1/2). Series: "Sixteen Etc...
    Category

    Mid-19th Century American Impressionist Figurative Prints

    Materials

    Drypoint, Etching

  • Madame Helleu Looking at Watteau drawings at the Louvre..
    By Paul César Helleu
    Located in Storrs, CT
    Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...
    Category

    Late 19th Century Impressionist Portrait Prints

    Materials

    Drypoint, Color

  • Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
    By Mary Cassatt
    Located in Storrs, CT
    Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
    Category

    19th Century Impressionist Portrait Prints

    Materials

    Drypoint, Watercolor

  • Portrait of Whistler with the Monacle.
    By Paul César Helleu
    Located in Storrs, CT
    Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...
    Category

    19th Century Impressionist Portrait Prints

    Materials

    Drypoint

  • La Duchesse de Marlborough, Consuelo Vanderbilt
    By Paul César Helleu
    Located in Storrs, CT
    Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...
    Category

    Late 19th Century Modern Portrait Prints

    Materials

    Drypoint, Etching

  • Self Portrait
    By Augustus Edwin John
    Located in Storrs, CT
    Self Portrait. 1920. Etching and drypoint. Dodgson 138. 6 1/8 x 5 (sheet 13 1/4 x 11). Edition 105. A rich impression with plate tone, printed on cream wove paper. Slight toning in ...
    Category

    Early 20th Century Modern Portrait Prints

    Materials

    Drypoint, Etching

You May Also Like
  • Chris Ofili, Untitled - 2000, Signed Aquatint and Drypoint Etching, British Art
    By Chris Ofili
    Located in Hamburg, DE
    Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition of 100: Hand-si...
    Category

    21st Century and Contemporary Contemporary Portrait Prints

    Materials

    Drypoint, Etching, Aquatint

  • Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th Century
    By Robert Naly
    Located in Roma, IT
    Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984) Good condition on a yellowed paper. Edition of 3/25. Hand-signed and numbered on the lower margin.
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Etching, Drypoint

  • Promenade dans la Neige - Etching by J. Tissot - 1880
    By James Tissot
    Located in Roma, IT
    Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...
    Category

    1880s Post-Impressionist Portrait Prints

    Materials

    Drypoint, Etching

  • René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
    By Charles Meryon
    Located in Middletown, NY
    Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...
    Category

    Mid-19th Century French School Portrait Prints

    Materials

    Laid Paper, Etching, Drypoint, Engraving

  • Jeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)
    By Paul César Helleu
    Located in Middletown, NY
    Paris: Gazette des Beaux Arts, 1892. Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, ink...
    Category

    Late 19th Century Realist Portrait Prints

    Materials

    Drypoint, Etching

  • Dame Romaine - Etching and Drypoint by Lèon Gaucherel - 1862
    By Léon Gaucherel
    Located in Roma, IT
    Image dimensions: 10.5 x 6.5 cm. Dame Romaine is an original modern artwork realized by the French artist Léon Gaucherel (1816-1886) in 1862. Original...
    Category

    1860s Figurative Prints

    Materials

    Etching, Drypoint

Recently Viewed

View All