Items Similar to Portrait of Whistler with the Monacle.
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Paul César HelleuPortrait of Whistler with the Monacle.1897
1897
About the Item
Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were only 28 impressions before the plate was cancelled), printed on cream laid paper. A delightful portrait of Helleu's colleague and friend, Whistler.
Housed in a 24 x 20-inch archival mat suitable for framing.
Helleu had a classical education in the Ecole des Beaux-Arts from 1870 under Jean-Léon Gérôme. However, in his maturity he began to paint en plein-air in an Impressionist style and Degas invited him to exhibit at the Impressionist exhibition of 1886. In this year James Tissot, appointed Helleu his artistic successor, giving him the diamond he had used for his drypoints. Helleu made a considerable reputation producing portraits of fashionable figures in this medium. His works in both drypoint and oil show the influence of Japanese prints in their unusual angles and perspectives.
- Creator:Paul César Helleu (1859-1927, French)
- Creation Year:1897
- Dimensions:Height: 42 in (106.68 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521079453
Paul César Helleu
Rich impression with dramatic drypoint burr and tone no other artist epitomizes the whole atmosphere of elegance and hedonistic pleasure which pervaded Paris society at the first decade of the century as does Helleu. A close friend of Proust and the inspiration for one of the principal characters in La Recherche du Temps Perdu, Helleu’s whole life style echoed the incomparable elegance and flow of his drawing, the sheer style of his art, and his eye for the poses of the beautiful women who were his friends and his patrons. During the 1870’s, Helleu had come to know the painters of Impressionism and also artists Sargent and Whistler who became his special friends and inspiration. By the early 1880’s, he had already developed the quality of expressive sweeping line, which is the essence of his drawing, but in 1885 he was encouraged by Tissot to try working on prints in drypoint. At this time, Tissot had decided, after the death of his lover and model Kathleen Newton, to travel to the Holy Land on an artistic pilgrimage. Having decided he would no longer engrave, he gave Helleu his diamond stylus…a literal and figurative “passing of the baton”. It was in the incision and texture of drypoint that his art was to reach one of its greatest peaks. He had an innate feel for the balance between a lightly curving stroke and the deeply cut highly tonal burr of the strongest drypoint. Around the turn of the century he started to combine drypoint with multi-inking in colors, the areas of color restricted to such touches as the bows on the hats, the hair color or the red of the lips. The plate was drawn at a single sitting, and then the color inks were brushed onto it. The results are some of the most splendid and decorative of all Belle Époque prints.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
702 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Madame Helleu Looking at Watteau drawings at the Louvre..By Paul César HelleuLocated in Storrs, CTMadame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, d...Category
Late 19th Century Impressionist Portrait Prints
MaterialsDrypoint, Color
- Hélène of Septeuil (enfant au perroquet) (child with a parakeet).By Mary CassattLocated in Storrs, CTHélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...Category
19th Century Impressionist Portrait Prints
MaterialsDrypoint, Watercolor
- Dans les Cendres (In the embers)By Albert BesnardLocated in Storrs, CTDans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...Category
Late 19th Century Impressionist Figurative Prints
MaterialsDrypoint, Etching
- RotherhitheBy James Abbott McNeill WhistlerLocated in Storrs, CTRotherhithe (Originally published as Wapping). 1860. Etching. Kennedy catalog 66 state iii; Glasgow catalog 70. state vi. 10 3/4 x 7 3/4 (sheet 12 7/8 x 9 1/2). Series: "Sixteen Etc...Category
Mid-19th Century American Impressionist Figurative Prints
MaterialsDrypoint, Etching
- Le banc de jardin (The Garden Bench).By James Jacques Joseph TissotLocated in Storrs, CTLe banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (s...Category
19th Century Impressionist Portrait Prints
MaterialsMezzotint
- La Duchesse de Marlborough, Consuelo VanderbiltBy Paul César HelleuLocated in Storrs, CTPaul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...Category
Late 19th Century Modern Portrait Prints
MaterialsDrypoint, Etching
You May Also Like
- Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th CenturyBy Robert NalyLocated in Roma, ITDancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984) Good condition on a yellowed paper. Edition of 3/25. Hand-signed and numbered on the lower margin.Category
Mid-20th Century Modern Figurative Prints
MaterialsEtching, Drypoint
- Self Portrait - Drypoint after Giuseppe Viviani - 1983By Giuseppe VivianiLocated in Roma, ITSelf Portrait is a drypoint realized after Giuseppe Viviani in 1983. Hand signed and numbered. 1983 edition of 100 prints. Signed by the Artist widow "Eralda Benso Viviani". Refe...Category
1980s Modern Figurative Prints
MaterialsDrypoint
- Promenade dans la Neige - Etching by J. Tissot - 1880By James TissotLocated in Roma, ITBeautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...Category
1880s Post-Impressionist Portrait Prints
MaterialsDrypoint, Etching
- René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe IBy Charles MeryonLocated in Middletown, NYParis: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...Category
Mid-19th Century French School Portrait Prints
MaterialsLaid Paper, Etching, Drypoint, Engraving
- Jeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)By Paul César HelleuLocated in Middletown, NYParis: Gazette des Beaux Arts, 1892. Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, ink...Category
Late 19th Century Realist Portrait Prints
MaterialsDrypoint, Etching
- Dame Romaine - Etching and Drypoint by Lèon Gaucherel - 1862By Léon GaucherelLocated in Roma, ITImage dimensions: 10.5 x 6.5 cm. Dame Romaine is an original modern artwork realized by the French artist Léon Gaucherel (1816-1886) in 1862. Original...Category
1860s Figurative Prints
MaterialsEtching, Drypoint
Recently Viewed
View AllMore Ways To Browse
Leon Paul
Leon Diamonds
Tissot Print
Whistler Drypoint
Tissot James
Tissot Used
Tissot Antique
Paul Cesar Helleu
Diamond Whistle
1897 Degas
Tissot Diamond
Antique Monacle
Pencil Sketch Original Portrait By Pablo Picasso
Campbell Soup Vintage
George Washington Engraving
Radio City Music Hall Vintage
Queen Elizabeth 2
Andy Warhol Eyes