Items Similar to Late 15th Century By Florentine School Madonna with Child Bas-relief
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Florentine School of the late 15th centuryLate 15th Century By Florentine School Madonna with Child Bas-reliefEnd of 15th century
End of 15th century
About the Item
Provenance:
- via Stefano Bardini purchased in 1896 by
Prince Johannes II of Liechtenstein;
- Stadtpalais, Vienna, 1906;
- Gartenpalais, Rossau, Vienna, 1912;
- Stadtpalais, Vienna, 1912;
- Gartenpalais, Rossau, Vienna, 1914;
- Schloss Vaduz, Liechtenstein, 1944.
Publications:
- A. Venturi, Storia dell’arte italiana, vol. VI, La
scultura del Quattrocento, Milano 1908, pp. 692,
693.
- Creator:Florentine School of the late 15th century
- Creation Year:End of 15th century
- Dimensions:Height: 33.67 in (85.5 cm)Width: 23.82 in (60.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milano, IT
- Reference Number:1stDibs: LU1701213664262
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1964
1stDibs seller since 2021
Typical response time: 13 hours
- ShippingRetrieving quote...Ships From: Milano, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- 18th Century by Matteo Bonechi Presentation of Jesus Painting Oil on CanvasLocated in Milano, LombardiaMatteo Bonechi (Florence 1669 - Florence 1756) Presentation of Jesus Oil on canvas, cm. 75 x 49 – with frame cm. 89,5 x 65 Shaped, carved and gilded wooden box frame Expertise: Sandro Bellesi Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 20, 21. The present painting is a very interesting testimony of the creative process of Matteo Bonechi, one of the leading artists on the Tuscan art scene in the early 18th century. The canvas in question is in fact the last preparatory model made by Bonechi before he executed an altarpiece for the church of San Filippo Neri in Cortona in 1716. The scene presented here is that of the Presentation of Jesus, when, forty days after his birth, the child is ransomed through an offering in the temple and placed in the hands of Simeon, who prophesies his future: the coming of the Messiah...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- 19th Century By Giustino Menescardi Ascent to Calvary Oil on CanvasLocated in Milano, LombardiaGiustino Menescardi (Milan, c. 1720 - Venice, after 1779) Ascent of Calvary Oil on canvas, cm. 47 x 36 - with frame cm. 57x43 Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...Category
Early 18th Century Old Masters Landscape Paintings
MaterialsCotton Canvas, Canvas, Oil
- 17th Century by Simone Cantarini Adoration of The Magi Painting Oil on CanvasLocated in Milano, LombardiaSimone Cantarini (Pesaro 1612 - Verona 1648) Adoration of the Magi Oil on paper applied to canvas, cm. 16,5 x 24 – with frame cm. 22 x 29 Antique sh...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Cotton Canvas, Oil
- 17th Century by Giovan Battista Discepoli Coronation of Thorns Oil on PanelLocated in Milano, LombardiaGiovan Battista Discepoli, called the Zoppo from Lugano [Castagnola (Lugano) 1590 - Lugano 1654] Coronation of Thorns Oil on panel, cm. 34.2x39.5 – with frame cm. 46x52 Shaped and ...Category
Early 17th Century Old Masters Landscape Paintings
MaterialsOil, Panel
- 17th Century by Mexican Maestro Virgin of Solitude Oil on CanvasLocated in Milano, LombardiaDimensions: 165 x 123 cm without frame - 194 x 152 cm with frame Black painted, carved, sculpted and guilloché wooden frame, gilded parts in the inner groove. Publications: unpubl...Category
17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- 16th Century by Cristofano Roncalli Saint Catherine of Siena Oil on CanvasLocated in Milano, LombardiaCristofano Roncalli (Pomarance 1552 - Rome 1626) Saint Catherine of Siena chooses the crown of thorns oil on wood, cm. 101,5x59.5 - with frame cm. 120x76 Shaped, carved and sculpted wooden cassetta frame, partly gilded and partly ebonized wood Expertise: Marco Ciampolini The marvellous scene that opens before our eyes is that of Christ's apparition to Saint Catherine of Siena; she must choose between a golden crown, the symbol of earthly royalty, and a crown of thorns, the symbol of virtuous Christian sacrifice. Catherine does not hesitate to choose the crown of thorns, her life in imitation of...Category
16th Century Old Masters Landscape Paintings
MaterialsCanvas, Cotton Canvas, Oil
You May Also Like
- Erotic Mythological Marble Figural, Nude woman, Bacchante and Satyr HermLocated in Miami, FLA sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his upper torso is c...Category
Mid-19th Century Old Masters Nude Sculptures
MaterialsMarble
- Eighteenth-century Grand Tour marble bust of Faustina the YoungerLocated in London, GBSigned and dated: ‘F. Harwood Fecit 1764’ Collections: Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827); Probably by descent at Gordon Castle, Banffshire to c.1948; Possibly acquired by Bert Crowther of Syon Lodge, Middlesex; Jacques Hollander (1940-2004); Christie’s, 5 December 2013, lot 101; Private collection; Sotheby’s, 2 July 2019, lot 106 Literature: John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated. This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work. Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year. By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland. Harwood seems to have also specialised in producing sets of library busts. In 1758 Charles Compton, 7th Earl of Northampton, a distinguished traveller commissioned a set of busts which remain in situ at Castle Ashby in Northamptonshire. It is perhaps no coincidence that the Adam brothers were producing designs for new interiors at Castle Ashby at this date. The set included representations of: Cicero, Julius Caesar, Marcus Aurelius, Faustina the Younger, Sappho, Seneca and Homer. Each of these busts Harwood seems to have replicated for multiple patrons, another Adam patron, Thomas Dundas...Category
18th Century Old Masters Figurative Sculptures
MaterialsMarble
- 17th Century Flemish Sculpture of a Religious FigureLocated in Rochester, NYAntique carving of a saint or martyr. 17th century Flemish hardwood carving. Wonderful wear and rich color.Category
17th Century Old Masters Figurative Sculptures
MaterialsWood
- Venetian Blackmoor Sculpture Venice 18th Century WoodLocated in Riva del Garda, ITAntique Venetian Blackmoor sculpture Venice, early 18th century Carved, lacquered and gilded wood Height 155 cm. Good overall condition, old repainting Original wooden sculpture d...Category
18th Century Old Masters Sculptures
MaterialsWood
- Study in Green with Pearls, 2021, Matt SmithBy Matt SmithLocated in London, GBMATT SMITH (BRITISH) Study in Green with Pearls, 2021 Black Parian, Found Ceramic, Freshwater Pearls 29 x 14 x 14 cm 11 1/2 x 5 1/2 x 5 1/2 in. (MS206) £ 4,000.00 UK-born Matt Smit...Category
2010s Old Masters Figurative Sculptures
MaterialsCeramic, Found Objects
- Late 15th-century Old Master Burgundian Netherlands carved walnut figureLocated in Wilton Manors, FLBeautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...Category
15th Century and Earlier Old Masters Figurative Sculptures
MaterialsWalnut
Recently Viewed
View AllMore Ways To Browse
Late Antique Art
Antique Relief Sculpture
Bas Relief Sculptures
Antique Florentine
Antique Bas Relief
Black Florentine
Florentine Sculpture
Antique Black Sandstone
Swatch Omega
The Guitarist Picasso
Vitrine Klein Vintage
Ann Rothman
Arman Venus
Boy With Rabbit
Dave Stevens
Emoji Sculpture
Eric Valat
Erica Larkin Gaudet