Art Deco
31
to
277
1,211
1,062
502
129
1,340
520
57
909
372
360
306
475
Overall Height
to
Overall Width
to
120,857
69,439
50,579
22,745
15,349
8,256
4,989
4,789
4,106
2,889
2,585
2,567
2,426
590
1,134
711
395
348
224
211
195
181
175
123
112
111
111
107
94
87
77
72
65
54
2
17
1,947
460
7
41
460
585
100
57
17
52
171
66
188
157
42
37
37
645
628
465
462
333
Style: Art Deco
Boudoir lamp with roses
Located in Miami, FL
Muller Frères
Boudoir Lamp with Roses, 1910
Acid-etched cameo glass, wrought metal
20h x 8d in
Signed at the arm and the shade cover.
Provenance:
Private...
Category
Early 20th Century Art Deco
Materials
Glass
Sarah Burkhard
Located in Los Angeles, CA
Framed size 38 x 52 x 3 inches.
Philippe Henri Noyer
1917-1985
Philippe Henri Noyer was born on June 28, 1917 in Lyons, France. After a traditional education at the elite Ecole ...
Category
1980s Art Deco
Materials
Canvas, Oil
Bronze Art Deco Lion Sculpture
Located in Oakland, CA
This is an Art Deco bronze statue of a lion with a great marble base of three tones inlaid in geometric shapes. The lion is powerfully rendered, and its expression and musculature ar...
Category
1930s Art Deco
Materials
Marble, Bronze
Bronze Art Deco Pair of Leaping Gazelle on Marble Base
Located in Oakland, CA
Bronze Art Deco Pair of Leaping Gazelle on Marble Base. This unique silhouette-style bronze piece showing the natural movement of these animals is from Europe. I always love the leap...
Category
1930s Art Deco
Materials
Marble, Bronze
Alexandre Kéléty Art Deco Bronze Scarf Dancer 1925 French
By Alexandre Kéléty
Located in Oakland, CA
An Art Deco Bronze Scarf Dancer by Alexandre Kéléty, created in France in 1925, depicts a dancer holding a stylized silver-plated and gilded scarf mounted on a silvered bronze base. ...
Category
1920s Art Deco
Materials
Bronze
Hagenauer Bookends Pair Leaping Gazelles Wien Made in Austria
Located in Oakland, CA
Hagenauer bookends pair leaping gazelles. The original had rubbed brass patina finish—stylized Haenauer animals, four intertwined and perfectly proportioned. The size is enough to su...
Category
1930s Art Deco
Materials
Metal, Brass
EARLY / MID 20TH CENTURY ENGLISH SCHOOL Oil Painting - Portrait Of Seated Lady
Located in Cirencester, GB
ARTIST: Early / Mid 20th Century English School
TITLE: "Portrait Of A Lady"
SIGNED: appears unsigned
MEDIUM: oil on canvas
SIZE: 77cm x 67cm inc frame
CONDITION: very good - ne...
Category
Early 20th Century Art Deco
Materials
Oil
An early 1940s fashion study/advertisement for Marshall Field & Company
Located in Chicago, IL
An early 1940s fashion study featuring and advertisement for Marshall Field & Company featuring cosmetics & perfume. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Depart...
Category
1940s Art Deco
Materials
Paper, Pencil
Art Deco Fashion Illustration Ink Drawing by G. Ferro
Located in Atlanta, GA
Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...
Category
1930s Art Deco
Materials
Paint, Paper, Ink, Watercolor
LIBRA
By Erté
Located in Aventura, FL
Serigraph in colors on paper. Hand signed and numbered by Erte. From the Zodiac Suite. Edition of 350. Frame size approx 32 x 26 inches.
Artwork in excellent condition. Certifica...
Category
1980s Art Deco
Materials
Screen, Paper
untitled
Located in MADRID, ES
We consider this artwork one of the best available, if not the best, from Michèle Demedts. The unusual combination of strong greens and earth tones and...
Category
1990s Art Deco
Materials
Oil
Panthers in the Jungle Art Deco Carved Gilt Wood Panel by N. R. Brunet
Located in Atlanta, GA
This sumptuous engraved wooden panel depicting panthers in the bush was created by N.R. Brunet (France, 20th Century). Art Deco design typical of the period, N.R. Brunet is known for...
Category
1930s Art Deco
Materials
Gold
Art Deco ca. 1920. Portrait Of Lady With Bob Cut, Purple Dress And Fur Collar
Located in Firenze, IT
Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar
Oil on canvas.
Early 20th frame in wood.
This portrait reveals very stylish image of a young woman from the 1920s...
Category
1920s Art Deco
Materials
Canvas, Oil
Bronze Eve - Contemporary Bronze Portrait sculpture, 2015
Located in PARIS, FR
Sculpture en bronze sur socle par l'artiste Pascale Hamelin.
Pascale Hamelin est une sculptrice française.
Ses visages et ses formes racontent le souv...
Category
21st Century and Contemporary Art Deco
Materials
Bronze
1937 original poster 16th Salon des Arts Ménagers at the Grand Palais - Paris
By Paul Colin
Located in PARIS, FR
In 1937, Paul Colin created an original poster for the 16th Salon des Arts Ménagers at the Grand Palais, Paris. This iconic artwork captures the essence of the event, which showcased...
Category
1930s Art Deco
Materials
Paper, Lithograph
"Women on scooter" figurative drawing, watercolors ink on paper
Located in Roscoff, FR
A woman with her scooter on the french riviera
Category
2010s Art Deco
Materials
Ink, Watercolor
Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
By Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart
Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
Category
1930s Art Deco
Materials
Paper, Pencil, Aquatint
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Sailor’s Ball
By Margrete Levy
Located in Los Angeles, CA
Margrete Levy
1881-1962
Levy was a Danish artist; she worked in Paris from 1905-1911.
Levy was niece to the Danish master painter Kristian Zartmann.
She married French author Lou...
Category
1920s Art Deco
Materials
Canvas, Oil
Original Vintage Travel Poster Winter In Majorca Spain Carlos Puntis Art Deco
By Carlos Puntis Nebot
Located in London, GB
Original vintage travel advertising poster - Winter in Majorca Spain - featuring an Art Deco illustration of a lady in a red swimsuit sunbathing with a thermometer showing a warm tem...
Category
1930s Art Deco
Materials
Paper
"Gondolier" figurative drawing, watercolors ink on paper
Located in Roscoff, FR
Gondolier in the canals of Venice
Category
2010s Art Deco
Materials
Ink, Watercolor
FIVE ARCHES I
Located in Aventura, FL
Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured.
A...
Category
1980s Art Deco
Materials
Screen, Paper
Disegno figurativo allegorico italiano stile Decò della prima metà del XX secolo
Located in Florence, IT
Il disegno in questione rappresenta una figura figura femminile nuda in piedi con le braccia alzate, in una posa solenne come fiero è il suo sguardo, ai cui piedi sta sdraiata una fi...
Category
1930s Art Deco
Materials
Paper, Color Pencil
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Huntress with Borzoi
Located in Los Angeles, CA
A stunning French Art Deco figural group depicting a Huntress and her Borzoi.
The bronze has a beautiful warm patina and the base is two types of marble.
It is signed on the base and...
Category
1930s Art Deco
Materials
Marble, Bronze
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
1989 A.M. Cassandre 'L'Oiseau Bleu'
Located in Brooklyn, NY
Paper Size: 34.75 x 23 inches ( 88.265 x 58.42 cm )
Image Size: 31.5 x 19 inches ( 80.01 x 48.26 cm )
Framed: No
Condition: B-: Good Condition, Signs of Handling and Age
Supplemental...
Category
1980s Art Deco
Materials
Lithograph
French Interior Decoration Project Study by Maurice Dufrene Studio, 1940s
Located in Atlanta, GA
This attractive French interior decoration study project drawing is attributed to Maurice Dufrene Studio. The project features the interior decoration for a typical 1930/40s upper-cl...
Category
Early 20th Century Art Deco
Materials
Paper, Pencil
Original Vintage Travel Poster Bulgaria Balkans Angel Tilov Art Deco Bulgariya
Located in London, GB
Original vintage travel poster for Bulgaria featuring a scenic view of a steam train travelling through a tunnel on a rocky cliff above a river with a bridge linking a riverside town to the railway and trees and mountains in the distance. Artwork by the award winning Bulgarian watercolour...
Category
1930s Art Deco
Materials
Paper
Woman with Roses, Offset Lithograph by Louis Icart
By Louis Icart
Located in Long Island City, NY
Woman with Roses
Louis Icart, French (1888–1950)
Offset lithograph, signed in the plate
Size: 18 x 24 in. (45.72 x 60.96 cm)
Category
Mid-20th Century Art Deco
Materials
Lithograph, Offset
French Art Deco Cubist Monkey by Gabriel Beauvais 1930s Ceramic
Located in Oakland, CA
French modernist glazed ceramic monkey sculpture by Gabriel Beauvais,1930. This sculpture was made in a turquoise blue glaze ceramic, a stunning color most likely by Kaza Edition in ...
Category
1930s Art Deco
Materials
Ceramic
Nude, arms raised
Located in Fairlawn, OH
Nude
Matchstick and ink drawing heightened with conte crayon
c. 1925
Signed with the Estate Stamp "B"
Provenance: Joseph A. Erdelac (1914 -2005), Cleveland
Acqu...
Category
1920s Art Deco
Materials
Ink
Antique French Art deco Leaping Stag Bronze Statue Sculpture Bronze marble 1925
By Georges H. Laurent
Located in Portland, OR
A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925.
Georges H. Laurent was known for his animal subjects and t...
Category
1920s Art Deco
Materials
Bronze
Original Antique Advertising Poster Cycles Dilecta Georges Favre Art Deco Design
Located in London, GB
Original antique advertising poster for a French brand of bicycles - Cycles Dilecta - featuring a colourful dynamic Art Deco design depicting a stylised figure of a cyclist leaning f...
Category
1920s Art Deco
Materials
Paper
Nude, Oil on Canvas by B.Robert, Ca. 1930
Located in Saint Amans des cots, FR
Oil on canvas by B.Robert, France, ca.1930. Younh nude lady lying. With frame : 24x43.7x2.4 inches - 61x111x6 cm ; without frame : 19.7x39.4 inches - 50x100cm. Signed "B.Robert" (see...
Category
1930s Art Deco
Materials
Canvas, Oil
Original Vintage Advertising Poster Barcelona International Exposition 1929 Fair
Located in London, GB
Original vintage advertising poster for the Exposicion Internacional Barcelona International Exposition held from 20 May 1929 to 15 January 1930 featuring an Art Deco illustration of...
Category
1920s Art Deco
Materials
Paper
French Art Deco Woman Singing Gouache Painting
Located in Atlanta, GA
A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. The composition is very vibrant, using the contrast of black and white elements ag...
Category
1930s Art Deco
Materials
Gouache, Board, Cardboard
Venice, night party
Located in PARIS, FR
Henri Le Riche
Grenoble, 1868 - Neuilly-sur-Seine, 1944
Venice, night party
Painting, oil on canvas
Signed and dated 1928
Painting: 73 x 54 cm
Beautiful old frame: 87.5 x 68.5 cm
Goo...
Category
1920s Art Deco
Materials
Oil
Original "Stufe Pagliero Michele" vintage Italian poster
Located in Spokane, WA
Original Stufe Pagliero Michele vintage Italian antique poster. Archival linen backed and ready to frame. Lithograph from 1929. Excellent condition, ready to frame. A condition. Bright and vibrant colors. The company was founded in 1814 and is the oldest in Italy. Note there is a tax stamp on the left side near the word “Iipi,” as shown in 1 photograph.
Italian terracotta and tile stoves are traditional heating devices that have been used in Italy for centuries. They are typically made from terracotta clay, a type of earthenware known for its heat-retaining properties. The stoves are often decorated with colorful tiles, creating a beautiful and functional piece of furniture.
Terracotta stoves...
Category
1920s Art Deco
Materials
Lithograph
May
Located in Greenwich, CT
May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...
Category
20th Century Art Deco
Materials
Paper, Screen
Amedeo Gennarelli Bronze Bust Art Deco Woman
By Amadeo Gennarelli
Located in Oakland, CA
An original patinated bronze bust by Amedeo Gennarelli circa 1925. This slightly nude model is depicted from her shoulder, looking forward with a stylized turban on her head. A stunn...
Category
1920s Art Deco
Materials
Bronze
Art Deco Spanish Woman Fashion Illustration
Located in Wilton Manors, FL
Elegant and glamorous fashion illustration from the 1920's,
Original signed gouache painting on paper.
Monogrammed V.S. lower right.
Site: 10"x 7.75" Frame: 19.25"x 17"
Category
1920s Art Deco
Materials
Paper, Gouache
The Martinican nude woman
Located in PARIS, FR
Elie Anatole PAVIL
1873-1948
The Martinican nude woman
Painting, oil on canvas
Signed
Painting: 41 x 33 cm (16.1 x 13 inches)
Modern natural oak frame (American box): 51 x 43 cm (20....
Category
1930s Art Deco
Materials
Oil
3 Cubist Art Deco Style Musicians Large Ceramic Sculptures
Located in Oakland, CA
Three Cubist Art Deco style musicians sculptures in ceramic. These large statues are done in a French technique called Craquele (crackle ware). They are signed and numbered “N.R” (Natacha Roche). Groups of ceramic musicians...
Category
1980s Art Deco
Materials
Ceramic
Art Deco Pheasant Birds Statue by Rochard Unique
By Irénée Rochard
Located in Oakland, CA
The Art Deco Birds Statue by Rochard is a unique treatment of two pheasant birds in contrasting positions. Both figures are mounted on a beautiful base crafted in three colors: marbl...
Category
1930s Art Deco
Materials
Marble
G Gori Bronze Female Nude Statue Classic Art Deco France
Located in Oakland, CA
G Gori bronze Female draped nude statue Classic Art Deco made in France. A verdigris green patinated bronze sculpture depicting a bare-breasted female stan...
Category
1920s Art Deco
Materials
Marble, Bronze
Dance, Large Art Deco Painting by Giancarlo Impiglia
Located in Long Island City, NY
Artist: Giancarlo Impiglia, Italian/American (1940-)
Title: Dance
Year: 1987
Medium: Oil on Canvas, signed and dated
Size: 84 in. x 84 in. (213.36 cm x 213.36 cm)
Category
1980s Art Deco
Materials
Oil
Original Vintage London Transport Poster Green Line Coach Travel Horse Art Deco
By Jean Dupas
Located in London, GB
Original vintage London Transport poster promoting travel by Green Line Coach featuring stunning artwork by the notable French Art Deco designer Jean Dupas (1882-1964) depicting men ...
Category
1930s Art Deco
Materials
Paper
June
Located in Greenwich, CT
June is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 203/300 and estate-stamp...
Category
20th Century Art Deco
Materials
Paper, Screen
APHRODITE
By Erté
Located in Aventura, FL
Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches.
Artwork is in excellent condition.
Category
1980s Art Deco
Materials
Paper, Offset
Lucien Charles E. Alliot French Art Deco Bronze The Gazelles 1930
Located in Oakland, CA
Lucien Alliot French Art Deco Bronze The Gazelles 1930. The brown patina on a marble base signed on the bronze L Alliot and stamped bronze on the deer. This particular piece has exceptional rhythm where the two gazelles interplay in a movement depicting leaping over the hills or water—very three-dimensional treatment showing the movement of the animals.
Lucien Charles Eduoard Alliot (1877-1967), the sculptor, was born in 1877 in Paris, France. His work was part of the sculpture event in the art competition at the 1924 Summer Olympics. He exhibited regularly at the Salon des Artistes Français, was a member and the gold medal in 1920, out of competition, and was a member of the sculpture jury from 1934 to 1939. Alliot was well known for his figurative sculptures, which were exhibited for many years at the Salon de Paris. He received a third-place award in 1907 (which included funds for travel expenses) and a first-place award l in 1920. After he declared himself out of the artistic competition, he became a jury member at the Salon evaluating sculptural works from 1934 to 1939. Alliot created several allegorical groups: La Paix in 1939, and several religious illustrations: Sacré Cœur in 1924, La Vierge Marie...
Category
1930s Art Deco
Materials
Marble, Bronze
Hat and Chain
Located in Greenwich, CT
Hat and Chain is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 14.25 x 11 inches. From the edition of 650, the art is numbered CCXXXIV/CCC ...
Category
20th Century Art Deco
Materials
Paper, Screen
Art Deco Sculpture of a Bear by Martel
Located in Oakland, CA
This highly stylized modernist sculpture of a bronze bear provides a rare opportunity to own a piece by some of the most fascinating sculptors in history. Jan and Joel Martel were an...
Category
1930s Art Deco
Materials
Bronze
Yellow Ceramic
Located in Brookville, NY
Keith Day Pearce Murray was a New-Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Will...
Category
Mid-20th Century Art Deco
Materials
Ceramic
Boulevard Haussmann Construction, Paris 1926, Silver Gelatin B and W Photography
By Press Photo
Located in Atlanta, GA
A unique original silver gelatin black and white photography, Boulevard Haussmann in Paris, France, June 1926.
A view of the Boulevard Haussmann in Paris with buildings under constr...
Category
1920s Art Deco
Materials
Silver Gelatin
April
Located in Greenwich, CT
April is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 296/300 and estate-stam...
Category
20th Century Art Deco
Materials
Paper, Screen
Onyx Sleeve
Located in Greenwich, CT
Onyx Sleeve is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered 184/300 and e...
Category
20th Century Art Deco
Materials
Paper, Screen
Art Deco art for sale on 1stDibs.
Find a wide variety of authentic art Deco available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Stefan Traloc, Erté, Gilbert Pauli, and Robin Morris. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Art Deco, so small editions measuring 0.25 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $425,000, while the average work sells for $1,655.