Art Nouveau

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contour...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Raphaël-Léon Leguilloux Nantes, 1871 - Nice, 1938 Nude woman and her cat, study in green Painting, oil on canvas Unsigned, annotated "Raphaël-Léon Leguilloux" on the back Painting: 6...

SIGN OF THE TIMES The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contours. The art-work is readable for blind and visually impaired people by touch. The painting metaphorically depicts Ouroboros wheel - a curled snake biting its tail. Ouroboros is a symbol of eternity and infinity, especially of cyclic nature life, alternation of creation and destruction, life and death, constant rebirth and death, the movement of space. My end is my beginning. In many myths, Ouroboros embraces the whole world and identified with the circular flow of waters surrounding the earth. It maintains the world and its existence, and at the same time, it brings death into life, and life into death. Unmoving in appearance, Ouroboros personifies perpetual motion, always returning to oneself. In Orphic cosmology, Ouroboros embraces the Cosmic Egg...

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...

Graceful interweaving of plants with a blur effect in dark green colors - Limited edition giclee Print - with archival inks on Hahnemühle German etching fine art paper. This is a h...

In the realm of Belle Époque Paris, Jules Chéret emerges as a luminary, casting his artistic brilliance on the city's vibrant cultural scene. Known as the "father of the modern poste...

CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...

The Italian influence of style is clearly evident in this fine poster created circa 1910 by the artist, Nonni. He uses the influence of the Arts Nouveau of France but puts his unique...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contours...

Louis Abel GIRARDOT (1848 - 1937) Oriental Woman (Femme du Riff), 1897 Original lithograph Printed signature in the plate On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published...

Original poster: LAMALOU LES BAINS. CEVENNES - MONTAGNE NOIRE. Linen-backed old original French spa poster. Excellent condition. Statues look at t...

Reclining Nude on Bed Lithograph, c. 1910 Signed in pencil lower right and in the plate, lower right Image size: 7-1/4 x 13" Sheet size: 12 1/2 x 19 inches Condition: very good Some aging to the tan paper Provenance: Estate of the Artist Borghi & Company, New York Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Limited edition vintage lithographic reproduction poster of "Le Théâtrophone" by Jules Cheret, published in 1968 by The Sunday Times (London). This limited edition poster is numbered 600/2000 in pencil with the Sunday Times blind stamp (ST Limited Edition) in the lower right corner. The print is offered with a matt presentation frame. It also includes printed text from the original Chaix lithograph in Paris, visible along the left margin of the page. The Théâtrophone was a popular device that allowed listeners to enjoy opera and theatre performances for a small fee over the telephone. It began in Paris in 1890 and by inserting a coin and listening through earphones, one could hear performances from the Paris Opera. Its popularity spread to other cities but was eclipsed by the radio in 1932. art deco...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Cirage Jacquot et Cie is an 1886 chromolithograph of Lucien Lefèvre's delightful poster, printed at Imprimerie Chaix under the direction Ernest Maindron...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Colour woodcut. C1922.Signed in pencil below the image. Hall Thorpe's colourful and decorative woodcuts were very popular in the 1920s and 1930s. He was ...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project ARCHIVIST. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textur...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project INSECT'S LIFE. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project ARCHIVIST. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textur...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

After Edward Henry Potthast July 7, 1896 Printed by W.B. Orcutt Co., NY Note: This image won an honorable mention in a poster contest sponsored by The Century in 1896. As a result...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project DIFFICULT RELATIONSHIPS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a var...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

This art - work is part of the project TIME AS X-RAY. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of te...

Alcazar d'Hiver is an 1896 chromolithograph of Choubrac's brilliant poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collec...

Claude Salvator HUGARD 1861 -?, French Netherlands, the lacemakers, evening effect Painting, oil on canvas Signed lower right Painting: 46 x 55 cm (18.1 x 21.6 inches) Beautiful 19th...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

Original antique advertising poster for the Breslauer Festwoche Sport Spiel Kunst Festwiese im Scheitniger Park / Wroclaw Festival Week Sport Games Art Fairground in the Szczytnicki ...