Vladimir Velickovic Art

Hand Signed. Edition of 90 pieces. Very good conditions.

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

Title: Portrait of a Poet Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on hand-made 100% cotton paper. Signed, titled and numbered in pencil. In excellent ...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976) Title: "Kunsthandel Wolfgang Werner KG (Nudes)" Year: 1984 Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper Limited edition: Unknown Printer: Unknown Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany Framing: Recently framed in a contemporary black moulding with frame space Framed size: 29.25" x 19.5" Sheet size: 27.25" x 17.75" Image size: 9.5" x 12" Condition: In excellent condition Extremely rare Notes: Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes. In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original Lithograph on chine appliqué on wove paper Limited edition: Unknown Printer: A. Clot, Paris, France Publisher: Revue de l'Art Ancien & Moderne, Paris, France Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139 Sheet size: 11.5" x 8.5" Image size: 7.5" x 5.5" Condition: In excellent condition This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...

Cleon Peterson Sirens of the Night (gold), 2022 Hand-pulled screen print on 290gsm Coventry Rag paper with deckled edges 61 x 45.7 cm Edition of 100 hand-signed and numbered by the a...

The nude in this serigraph (unknown number of multiples) has both an air of sensuality and sacredness. In part, this is because the artist was influenced by Da Vinci's ideas of the h...

Nayland Blake Made with Pride by a Queen 1989 Silkscreen on canvas 8 x 10 inches; 20 x 25 cm Edition of 50 Initialed, dated, and numbered in ink (lower ...

Falling Shape is an original Contemporary Artwork realized by Giuseppe Santomaso (Venice, 1907 - Venice, 1990) in 1976. Original etching and aquatint on copper plate printed in 4 colors on Fabriano Rosaspina paper. Hand-signed on the lower right margin. Edition of 80 and XV artist proofs. Printed by Stamperia 2RC, Rome and published by 2RC Editrice, Rome. Mint conditions. Giuseppe Santomaso (Venice, 1907 - Venice, 1990), an Italian painter. In Paris he visits the great international exhibitions: in front of the works of Matisse, Braque, Pierre Bonnard and Picasso exhibited in the artistic capital of France he remains both admired and irritated. The first solo show of him takes place in Paris in 1939 (Galerie Rive Gauche).

Artist: Keith Haring, American (1958 - 1990) Title: New Year's Invitation 1988 Year: 1988 Medium: Silkscreen on Paper Image Size: 11 x 8 inches This bears a printed signature. It is not hand signed as issued. Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war. Haring's work was often heavily political and his imagery has become a widely recognized visual language of the 20th century. Keith Haring was born in Reading, Pennsylvania, on May 4, 1958. He was raised in Kutztown, Pennsylvania, by his mother Joan Haring, and father Allen Haring, an engineer and amateur cartoonist. He had three younger sisters, Kay, Karen and Kristen. Haring became interested in art at a very early age spending time with his father producing creative drawings. His early influences included Walt Disney cartoons, Dr. Seuss, Charles Schulz, and the Looney Tunes characters in The Bugs Bunny Show. In Haring's teenage years, he left his religious background behind and hitchhiked across the country, selling vintage t-shirts and experimenting with drugs. He studied commercial art from 1976 to 1978 at Pittsburgh's Ivy School of Professional Art but lost interest in it. He made the decision to leave after having read Robert Henri's The Art Spirit (1923) which inspired him to concentrate on his own art. Haring had a maintenance job at the Pittsburgh Center for the Arts and was able to explore the art of Jean Dubuffet, Jackson Pollock, and Mark Tobey. His most critical influences at this time were a 1977 retrospective of the work of Pierre Alechinsky and a lecture by the sculptor Christo in 1978. Alechinsky's work, connected to the international Expressionist group CoBrA, gave Haring confidence to create larger paintings of calligraphic images. Christo introduced him to the possibilities of involving the public with his art. Haring's first important one-man exhibition was in Pittsburgh at the Center for the Arts in 1978. He moved to New York to study painting at the School of Visual Arts. He studied semiotics with Bill Beckley as well as exploring the possibilities of video and performance art. Profoundly influenced at this time by the writings of William Burroughs, he was inspired to experiment with the cross-referencing and interconnection of images. He first received public attention with his public art in subways. Starting in 1980, he organized exhibitions at Club 57, which were filmed by the photographer Tseng Kwong Chi. Around this time, "The Radiant Baby" became his symbol. His bold lines, vivid colors, and active figures carry strong messages of life and unity. He participated in the Times Square Exhibition and drew animals and human faces for the first time. That same year, he photocopied and pasted provocative collages made from cut-up and recombined New York Post headlines around the city. In 1981, he sketched his first chalk drawings on black paper and painted plastic, metal, and found objects. By 1982, Haring had established friendships with fellow emerging artists Futura 2000, Kenny Scharf, Madonna and Jean-Michel Basquiat. He created more than 50 public works between 1982 and 1989 in dozens of cities around the world. His "Crack is Wack" mural, created in 1986, is visible from New York's FDR Drive. He got to know Andy Warhol, who was the theme of several of Haring's pieces, including "Andy Mouse". His friendship with Warhol would prove to be a decisive element in his eventual success. In December 2007, an area of the American Textile Building in the TriBeCa neighborhood of New York City was discovered to contain a painting of Haring's from 1979. In 1984, Haring visited Australia and painted wall murals in Melbourne (such as the 1984 'Detail-Mural at Collingwood College, Victoria') and Sydney and received a commission from the National Gallery of Victoria and the Australian Centre for Contemporary Art to create a mural which temporarily replaced the water curtain at the National Gallery. He also visited and painted in Rio de Janeiro, the Musée d'Art Moderne de la Ville de Paris, Minneapolis and Manhattan.[9] He became politically active, designing a Free South Africa poster...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...