Sofas

Sesann three-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features azure velvet upholstery and a chrome tubular cage as s...

Sumptuous De Sede five piece sectional sofa chair set in softly worn brown leather that can be arranged in multiple iterations. A versatile, classic piece that could work well in all...

Made to order velvet and wood curved sofa designed by Christian Siriano. Fabric: Ivory Velvet Base: Natural Maple.   Available in custom fabrics and finishes. Dimensions: Overall ...

1970's Italian leather sofa with wonderful shape and patina

2-Seater Togo Sofa in Cream Leather by Michel Ducaroy for Ligne Roset, 1970s Designer - Michel Ducaroy Producer - Ligne Roset Model - Togo Design Period - Seventies Measurements - W...

Very early Florence Knoll sofa, circa late 1940s, in vintage oatmeal nubby wool Knoll fabric, with down seat and back cushions. The six inset legs make...

With its rounded curves and comfortable back cushions, the Clichy sofa is both timeless and elegant. The sofa is customizable, made to order, and we offer a variety of sizes and fa...

Togo Sofa Set in Red Leather by Michel Ducaroy for Ligne Roset, 1970s Designer - Michel Ducaroy Producer - Ligne Roset Model - Togo Design Period - Seventies Measurements - 2-seat S...

The handsome 'Capella' sofa by Illum Wikkelsø for Niels Eilersen, with an elegant solid oak frame that displays a relaxed stance and slatted back. The sofa has been fully restored wi...

For sale is this amazing sofa designed by Gerd Lange in 1978 for deSede. deSede offers high quality leather sofas and Gerd Lange designed for Drabert, Thonet, DeSede en Wogg. Good...

The Superonda sofa by Poltronova, a result of collaboration with Archizoom Associati, stands as a quintessential emblem of Italian design. Conceived in 1967 by the radical Florentin...

De Sede 600 non stop chocolate brown 18 element sofa, 1970s Beautiful distressed chocolate brown sofa by De Sede. This item needs to be reuphols...

Fine 19th century Swedish sofa from the Gustavian period in its original colour newly upholstered in a raw linen. Ca 1810 Sweden.

Togo sofa in velvet by Michel Ducaroy for Ligne Roset The designer was inspired by the tooth paste tube Three seater sofa, upholstered in soft and smooth vetvet. The colour and and p...

A custom-made new edition of this classic love-seat sofa by Danish designer and cabinetmaker: Alfred Kristensen. This re-edition is produced under license in Sweden by Dagmar and ava...

Handsome rattan sofa settee made in the California coastal organic modern style by McGuire. The sofa features a thick pole rattan frame with double-walled sides and back of woven can...

De Sede DS 600. Design by Ueli bergere, Eleonore Peduzzi-Riva, Heinz Ulrich, Klaus Vogt, 1972. Modulable endless high class leather sofa. 12 elements in brown leather. Good vintage ...

Designed by Gabriele Assmann & Alfred Kleene for Roche Bobois, the Digital sofa perfectly balances comfort with elegant modern design. These comfortable sofas have a very unique sha...

Originally designed in 1928 by Le Corbusier, Pierre Jeanneret and Charlotte Perriand, the LC3 sofa has since become a design icon and was re-issued by Cassina in 1965. One of the fi...

Comfortable 3 seater 'Sheriff' sofa by Brazilian designer Sergio Rodriques. This classic sofa was manufactured by ISA in Italy under license by Sergio Rodrigues. This sofa embodies t...

Cini Boeri for Knoll, sofa, model 'Brigadiere', leather, lacquered wood, Italy, 1976. Architectural sofa model 'Brigadiere' designed by Italian designer Cini Boeri for Knoll. This ...

French Art Deco sofa Great Art Deco sofa has “kidney” shape body. The back is slightly curved. Sofa is newly re-upholstered in a light purple velvet fabric. Outer edge of the back h...

2-seat sofa by Michel Ducaroy for Ligne Roset in the seventies Iconic Togo model all in foam covered by black leather from origin

Foil Daybed is a luxury daybed. Are you looking for a modern sofa whose design won’t perish over time? You found it. Foil’s ergonomic structure and delic...

This contemporary handmade sheepskin double lounging sofa by John Brevard carries the wear and form of a manufactured piece that evolves through m...

This Togo living landscape sofa was designed by Michel Ducaroy in 1974. Made by Ligne Roset about 1990 in France, stunning beautiful original co...

A birch, off-white fabric and metal sofa designed in Finland, 1930s. Seat height 16”.

Foil Daybed is a luxury daybed. Are you looking for a modern sofa whose design won’t perish over time? You found it. Foil’s ergonomic structure and delic...

Foil Daybed is a luxury daybed. Are you looking for a modern sofa whose design won’t perish over time? You found it. Foil’s ergonomic structure and delic...

Postmodern Vladimir Kagan Bilbao sofa by Preview. The sofa is covered with ultra suede and is very clean. Please check all the photos for the condition.

This listing is for the sofa alone. The coffee table is sold separately, inquire if interested. What's better than vintage original? Upholstery that actually works for today's deco...

From an idea of Cav. Giovannetti Benito was born the project Anfibio. Production year 1970. Its history is full of important events and participations. A piece considered a “Classic”...

Stunning limited vintage TOGO in its original ‘liberty’ velvet. From its first owner (1979). Exceptional condition. Designed by Michel Ducaroy for Ligne Roset France & sold bij Aèra...

Beautiful contemporary couch with floating wall-mounted back which can be installed at the height of your choosing. Great for use in common spaces such as living rooms, hallways, and...

Arc sofa, contemporary collection, handcrafted in Portugal - Europe by Greenapple. A masterfully crafted sofa whose robust wooden structure and high-quality memory foam retain their...

Vittorio Valabrega sofa, maple, fabric, Italy, 1920s. Elegant and beautiful two seat sofa with a maple frame, and a vertical striped fabric in green and beige motive. This settee is...

Twins sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins ...

Capelinhos Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Capelinhos modern lounge chair stands as a testament to timeless comfort...

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins ...

Minho Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the...

Horst Brüning for Kill International, daybed model 6915, chrome-plated steel, leather, Germany, 1960s This well-designed daybed shows a solid construction of delicate lines and rou...

Grass Armchair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Grass armchair takes its shape from nature’s own dewdrop on grass, promising a comfortab...

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, The Twins curved sofa and day bed shar...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture piece that personifies the orga...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

Studio sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Setup 5 (1x small,1x medium,1x large, 1x corner, 2x ottoman, 2x ottoman classic, 3x armrest): L230-280cm & 220cm / P96...

This inviting block sofa from the 70s is everything you’d want from a mid-century couch. The lightweight, but firm separate modules offer comfort and style at the same time. Purchase...

With its iconic lines, features for which it was shortlisted for the XXVI Compasso d’Oro, the T33 sofa is presented by Officina Della Scala, winner of the ADI Design Index 2019 as ex...

Mid-Century Modern inspired sectional sofa featuring curved design with luxurious mustard yellow velvet fabric. Supported by walnut base. Standard dimensions: 293 cm x 157 cm x 84 cm...

Marenco Sofa is designed by Mario Marenco for Arflex. This sofa features the system with making the armrest and seat as the base portion. There is a metal...

Sofa, wood, fabric by Evolution21 "Capri", Denmark, 1950s This classic sofa of Danish origin features modest and subtle lines and shapes that emphasize the clear construction of the...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture piece that personifies the orga...

An Art Deco-inspired C-scroll form back upholstered sofa with curbed back and scroll form arms, a tight concave fronted seat with two throw pillows, and an over upholstered base. Di...

Pair of Irish Chippendale revival sofas, The profusely carved mahogany frames, upholstered in a pale green silk damask, with squab cushions & bolsters. The settees having shaped back...

Banana sofa, velvet, wood, Denmark, 1940s This voluptuous sofa is based on a solid construction of round shapes and curvaceous lines. The seating area and the backrest are organical...

Sofa, beech, fabric, Europe, 1940s This sofa is a beautiful piece made in the late Art Deco period in Europe. It has a very strong appearance, due the high back and the angular shap...

This sculptural sofa was designed by Bertil Söderberg and produced by Nordiska Kompaniet in Sweden in the 1940s. The rare design is marked by the curv...