Copper Cabinets

Perfect for entertaining at home, the COSMO drink cabinet has everything you need for your dinner or party drinks. It can be also a perfect storage for dishes, your favorite glass se...

"Agresti 'Privato' safe for jewelry, available in three finishing options. See information below for details of finishing variations. Copper: Jewelry case in hammered copper finish s...

Perfect for entertaining at home, the drinks cabinet Kayan has everything you need for your dinner or party drinks. It can be also a perfect storage for dishes, your favorite glass s...

This bench was designed to add style to the practicality of muddy boot storage. Sit on the seat while putting on shoes and store away footwear where they ...

The traces of time are drawn one on top of another, infused into the changing skin of the rigorous metal forms that define these cabinets and chests. Like the tide (marea in Italian)...

This unique and unusual Italian 1980s corner cabinet / cabinet comes with copper doors. It has this Space Age or Memphis look. The cabinet is in good vintage condition. Of course it ...

Wave Bench designed by Lanzavecchia+Wai for DeCastelli entirely made up of copper with 4mm thickness. The presence of an empty-pockets bowl creates a decorative perforated pattern. T...

Cabinet, bar, solid mahogany, copper leaf veneer, lacquer. Production time: 12 weeks Measures: H 64.97 in, W 43.31 in, D 23.63 in H 165 cm, L 110 cm, D 60 cm.  

Barista Bar Cabinet designed by Adriano Design for DeCastelli. The entire body is made up of wood covered by copper tubular structures having different diameters. The cabinet contains an opening for placing books at the base portion and also there are five shelves and an interior covering which is polished in stainless steel. Stainless steel is responsible for hygiene and easy cleaning. The shelves are structured with a glass mirror finish which creates a calm appearance with the reflection of colored bottles...

Narrow Cabinet with Gobi Design Single Door with 4 shelves Antique Copper Hand Repousse Elmwood Lacquered Limited Edition Repousse´ is the traditional art of hand-hammerin...

Pleats design armoire. Hand repoussé copper Antique copper finish Wood interior Limited Edition Customizable Repoussé is the traditional art ...

The special tree is a tree in which two lovers write the promise of an everlasting love. The craftsmanship work in exotic roots emphasizes each volume of The Special Tree cabinet...

Defined by materials such as iron, copper and brass, ennobled by De Castelli finishes, Mida is a perfect circle that conceals a cabinet, to collect, contain, organize and hide object...

Like a ballerina on her toes, Elizabeth gracefully unfurls her luminous dress, as if made of pleated fabric. The characteristic folds add movement to the metal sheet along the surfac...

Broached monsters by Trent Jansen. The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian...

The Quadra collection of solid wood cabinets mix modern and classic designs. Each piece is unique thanks to the different grain of the wood and is finely crafted in Italy by the expe...

Designed by R&D DeCastelli Celato is a reference to what is concealed to keep a memory intact; it’s an archetype in which beauty is revealed in stages. A monolithic appearance m...

Broached monsters by Trent Jansen. The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Lines, engravings, wiry signs mark metal surfaces to tell about old stories. Scratching not only defines the use of an object, but it becomes a way of mate...

Balanced on slender legs, the legendary cyclops invades domestic spaces to reinvent home cabinetry. Its large eye becomes a handle and the robust body contrasts with the lightness of...

Mesmerizing Art Nouveau cabinet or buffet by August Ungethüm from Austria, circa 1900. Designed and produced by the famous art furniture factory of A. ...

The charcoal oak exterior of this bar is segmented by a copper stringing pattern which directs the path of the wood grain. Within the bar, the copper shelving provides a striking co...

Nathanaël Le Berre 2019, unique two doors cabinet "Organon", brass, hammered and brown patinated copper, blown glass, golden leaves. The top is pat...

Celato is a reference to what is concealed to keep a memory intact; it’s an archetype in which beauty is revealed in stages. A monolithic appearance makes Celato a contemporary menhi...

Like a ballerina on her toes, Elizabeth gracefully unfurls her luminous dress, as if made of pleated fabric. The characteristic folds add movement to the metal sheet along the surfac...

The Connect Credenza is designed to express the process by which each piece is created, with visible construction and fastening details that are integ...

Isola Design Armoire Antique copper Hand repoussé Elmwood Limited edition Repousse´ is the traditional art of hand-hammering decorative relief onto sheet metal. The technique ...

Da tree trunk cabinet Antique copper Hand repoussé Elmwood Limited edition Customizable Repousse´ is the traditional art of hand-hammering ...

This extremely rare, Antique French Cupboard, is from the Château de Loyat in Brittany, which I believe dates back to the 1500, was in a condition, that Antique dealers can only dream of. The French Cupboard or Cabinet, is exactly what you would expect, a 300-year-old antique French Cabinet to look like, if no one ever touched the finish, let alone restore the Antique Cupboard. Our opinion is, that this Antique French Cupboard or Cabinet, could have been made in the late 1600s or early 1700s and if I did not know that this Cupboard was made from French White Oak, one would have thought it was constructed of iron, based on its weight. Our centuries old French Cupboard, was constructed without the use of any nails or glue, for the entire Antique Cabinet was assembled using wooden pegs. Our Old Plank restoration department, has just completed a 240-hour conservation procedure, wherein lieu of just replacing the old worn wood oak boards, we chose to harden them and only used small fillets of antique French Oak for repair. Yes, this became a labor of love, but for us, to find an antique French Cabinet, in this virgin untouched state, is quite rare nowadays, so, the choice was made to conserve, rather than restore, which required triple the labor. Our Antique French Deux Corps...

Stunning Arts and Crafts cupboard by one of the greatest. We are certain that this wonderful handcrafted, stained oak cabinet was designed by Leonard Francis Wyburd (1865-1958). We are certain, because of several style elements that are typical for his designs for Liberty & Co in the late 19th century. We have no pictures in books or other evidence, but the pieces from his hand that can be found on the internet reveal style elements that are very similar and they were used by no one else. The design of this incredibly artistic piece shows both the influences of Medieval and Rural Britain. It were these early and amazing pieces of furniture from the Liberty Studio (headed by Wyburd) that made people across the continent speak of the 'Stile Liberty'. Designers like Wyburd and pieces of furniture like this amazing cabinet, influenced and shaped the entire development of the Jugendstil and Art Nouveau in Europe. That too makes this rare piece important for collectors and possibly for museums around the world. This cupboard is a work of art and it is an absolute joy to look at. It is all made of solid and stained oak and apart from the stunning and impressive overal design with the overhanging top with supporting beams, there are some key style elements that make this cabinet really stand out. First of all, there is the ever so true saying which is embossed in copper in beautiful Arts and Crafts letters which reads 'WELCOME IS THE BEST CHEER'. Secondly, there are the rare leather panels in the doors which come with (faded) images in slight reliëf. The one on the left is of a man in a hat and tights and he is playing a mandolin. The leather artwork...

Cabinet Dali copper covered with copper leaf, black lacquered gradient. Legs in solid mahogany with high gloss black lacquered paint. Exceptionnal handcrafted piece.  

Broached monsters by Trent Jansen. The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian...

Broached monsters by Trent Jansen. The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigeno...

A great early form, consisting of patinated copper, bronze and pewter. Original red painted interior.

'Elementi' Cabinet by Andrea Felice, Edition of 9, England, 2010. Please note that this piece is 'to order' only; allow 8 - 12 weeks. As each copp...

Rare and chic cabinet model AD-362 in grey burl wood with architectural metal accents in chrome, brass and copper by Alain Delon for Jansen, France 1972 (signed on side - see photo)....

This elegant and wood, metal, and copper cabinet adorned with blackened copper low-relief motifs is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking hand-carved relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. The interior behind the unique doors of each of the 9 compartments is finished in a cheerful salmon color, in contrast to the dark exterior. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

A gorgeous antique Mission oak Arts & Crafts double bookcase By Stickley Brothers USA, Circa 1900 Oak, with glass front doors and original hammered copper hardware. Measu...

Lionel Jadot’s mixed media and glass wardrobe, titled Show Clothe was conceived for a dressing room, the interior becoming an installation for its inner...