Prints and Multiples on Sale

Antonio Zarco (Spain, 1930-2018) 'Ruina y olvido X', 1981 engraving on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: ZAR1187-003-200 Hand-signed by author

Antonio Zarco (Spain, 1930-2018) 'Ruina y olvido XII', 1981 engraving on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: ZAR1187-002-200 Hand-signed by author

Shepard Fairey Geometric Dove - Red Offset Lithogrpah Year: 2021-2023 Size: 24 x 24 inches Signed and dated by hand COA provided Frank Shepard Fairey (born February 15, 1970) is an ...

Manuel Barca (Spain, 1964) 'Angie', 1995 silkscreen on canvas 19.7 x 27.6 in. (50 x 70 cm.) Edition of 75 Unframed ID: BAR1223-002-075 Hand-signed by author

The art "Andy Warhol" is Limited Edition of 25 canvas geclee prints on canvas in size 18″X24″. The print is covered by resin layer which protects the vibrancy of color pigments. Afte...

Roberto Marfil (Mexico, 1958) 'Ritmos I', 1998 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: MAR1213-001-075 Unframed Hand-signed by author

Christo and Jeanne-Claude saffron fabric square from The Gates, 2005 The Gates were a group of gates comprising a site-specific work of art by Bulgarian artist...

'Balinese Boy', original signed lithograph, by Arie Smit (circa 1980s). Young Balinese men feature heavily in the oeuvre of the artist. In this case, it appe...

Combining the organic with the technical, Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) depicts a plough against a background of graphing squares. The plough appears as if in wate...

Andrés Rueda (Spain, 1956) 'Tarde gris', 1997 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: RUE1222-001-075 Unframed Hand-signed by author

Luis Rey Polo (Spain, 1924-2000) 'Rehén', N/A silkscreen on paper 17.8 x 17.4 in. (45 x 44 cm.) Edition of 300 ID: POL1362-001-300 Unframed Hand-signed by author

Alberto Morales Ajubel (Cuba, 1956) 'Untitled from Cuban Portfolio', ca.2000 silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 Unframed ID: MOR1205-001-100_1 Hand-sig...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Titles: Male Nude 3 Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 44 x 30 in. (111.76 ...

Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

Fran López Bru (Spain, 1959) 'S/T 1', N/A silkscreen on paper 29.9 x 21.8 in. (75.7 x 55.3 cm.) Edition of 75 ID: LOP1189-001-075 Hand-signed by author

Raymond Pettibon, Andrew Pope: Inside Outside Baseball: A rare 2014 limited edition, hand-signed zine created by Raymond Pettibon & Andrew Pope to benefit New York's Printed Matter Inc. This scarce work quickly sold out upon its release. Medium: Offset printed staple-bound artist zine. 25 pages. Dimensions: 11 x 8.5 in (27.94 x 21.59 cm) Hand signed by both artists & numbered from an edition of 100 on the mid upper right. Excellent overall condition. Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen, and the Foo Fighters. In 2017, the artist was the subject of the major retrospective “Raymond Pettibon: A Pen of All Work,” held at the New Museum in New York, where he currently lives and works. Today, his works can be found in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among others. Related Categories: Raymond Pettibon prints. Raymond Pettibon baseball.

Roberto Matta Title: DROITES LIBÉRÉES, 1971 Aquatint on Japan paper Signed and numbered in pencil, edition 13/100 43 x 32 cm Published by : Editions Georges Visat Printed by : Atelie...

Silkscreen in colors on paper. Hand signed and numbered by Peter Max. From the edition of 45. Frame size approx 29 x 35 inches. Artwork is in excellent condition. Purple ink mark...

Nuria Gussinyer (Spain, ) 'Bodegón azul', 1999 silkscreen on canvas 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: GUS1071-001-075 Unframed Hand-signed by author

Silver Sprinters - Olympia 1974 Serigraph Edition: 200 Signed by the Artist Size: 100 x 64 cm (25 x 40 inches) COA provided John Paul Jones (November 18, 1924 – 1999) was an America...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

Manuel Velasco (Spain, 1966) 'S/T 1', 1991 silkscreen, collage on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 50 Unframed ID: VEL1400-001-050 Hand-signed by author

Chino López (Cuba, ) 'Che Guevara', N/A silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: LOP1095-001-099 Unframed Hand-signed by author

Hans Jürg Buckmeire (Germany) 'S/T 1' silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: JUR1398-001-099 Unframed Hand-signed by author

Ivonne Ferrer (Cuba, 1968) 'Paragua geométrico ', ca.2000 silkscreen on canvas 19.7 x 27.2 in. (50 x 69 cm.) Edition of 100 Unframed ID: FER1205-001-100_5 Hand-signed by author

Signed lower right, 'Pla Domenech' for Jordi Pla Domenech (Spanish, 1917-1992) and created circa 1975. Paper dimensions: 19 x 13.5 inches Jordi Pla...

Félix Beristaín Amallobieta (Spain, 1937) 'Maitasun', 2000 silkscreen on canvas 31.9 x 36.3 in. (81 x 92 cm.) Edition of 75 Unframed ID: BER1022-001-075 Hand-signed by author

Nedo (1926-2001) Composition 1969. Serigraph on paper, signed, dated 1969 and numbered 12/25 lower left, sheet size 48 x 66 cm. After attending the Commercial and Technical Instit...

This print was commissioned by The Hardy Society for the official launch of the Thomas Hardy visitor centre. ’Hardy's Cottage’ By David Humphreys Medium - Lithograph Edition - 19/200...

Milton Glaser: Vintage original 1980s Milton Glaser poster designed by Glaser on the occasion of the release of Bach's complete keyboard works on digital recording. A timeless, highly decorative vintage Milton Glaser poster that is sure to stand out in any setting. Offset lithograph poster in colors. 36 x 24 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Unsigned from an edition of unknown. Literature: Milton Glaser Posters, Glaser. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration and Chinese drawings. As a co-founder of New York magazine, Glaser designed...

Christo and Jeanne-Claude Wrapped Walk Ways, Loose Park, Kansas City, Missouri, 1977-78 Photo: Jeanne-Claude, 1978 Year: 1991 Publisher: Poligrafa Size: 25.47 x 37.3 inches Unsigned ...

Hans Jürg Buckmeire (Germany) 'S/T 2', N/A silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: JUR1398-002-099 Unframed Hand-signed by author

Ricardo Cárdenes (Spain, 1942-2019) 'Sin título', 1974 engraving on paper 30.4 x 21.7 in. (77 x 55 cm.) Edition of 75 ID: CAR1034-001-075 Unframed Hand-signed by author

Pablo Picasso (1881-1873) Le Garou Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Giclée on Moab Entrada Rag Paper, Metallic Gold Spray Paint Stencil and Ballistics Damage (.45 ACP / 5.56m). Hand signed lower front by Tristan Easton. From the edition of 5. Frame is approx 31 x 25 inches. Artwork is in excellent condition. Hand signed, numbered and dated COA issued by Tristan Easton. All reasonable offers will be considered. About the Artist: Born in Los Angeles in 1978, Tristan Eaton began pursuing street art as a teenager, painting everything from walls to billboards in the urban landscape wherever he lived, including London, Detroit and Brooklyn. After growing up on comic books, graffiti and skateboard culture, Tristan designed his first toy for Fisher Price...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...

Jimmy Ernst  Plate I - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 112/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

Ian Tyson Diversions XI - 1970 Screen Print 16'' x 15'' inches Edition: signed in pencil and marked 23/150 Ian Tyson, British painter, printmaker and book artist, was born in Wallasey, Cheshire...

Barbra Stresiand "Belle of 14th Street" 1973 CBS TV Special 20th Century Litho Signed and numbered 10/150 in pencil, lower margin. Etching, 13.5” x 9.75”. Framed 21.25” x 17.25”. Pulled in 1975. Belle of 14th Street After two successful television shows on CBS, Barbra's manager, Marty Erlichman told the press, “We don't intend to go to the well once too often. The next special will have other performers. However, Barbra will never become just another hostess for just another musical variety show. Whatever we decide to do in the future shows, she will dominate in a unique fashion.” Barbra’s third television special for CBS and her sponsor, Monsanto, was titled The Belle of 14th Street . In February 1966, shortly after finishing up Color Me Barbra , Streisand and husband Elliott Gould took a second honeymoon in Paris. The trip was financed by her television corporate sponsor, Chemstrand. Barbra told the press, “I’m here to purchase the wardrobe for my next TV special. Cost is no object because my sponsor is picking up the tab.” At that point the theme of her third TV show would be fashion, and Paris offered many couture choices. Barbra was seen at a Dior fashion show wearing not the designer’s clothes, but a jaguar suit and hat she had designed herself. In all, it is said Barbra chose nine Dior outfits at a cost of $150,000. However, Barbra Streisand's third television special for CBS was postponed. In March 1966, Barbra flew to London to appear at the Prince of Wales Theatre in Funny Girl . Shortly after beginning her run in London, Barbra announced her pregnancy. Not only did that cause her concert tour to be abbreviated, but Barbra’s television special was postponed as well. Barbra told the BBC in July 1966: “I also can’t do my third television show, which I was supposed to do here [London].” Returning to the States, Barbra performed four concert dates, and then retired to enjoy the rest of her pregnancy and give birth to her son, Jason, in December 1966. CBS and Chemstrand wanted a new special by the end of 1967, therefore production on the show picked up momentum in March 1967. (Barbra was due in Hollywood in May to begin shooting the Funny Girl film.) The format and theme of the television show had changed, too. Instead of centering on fashion, Barbra’s next special would be situated in a 1900’s Vaudeville theater. “We were all determined that the show not be just a variety format,” director Joe Layton said. “We wanted something different. So we hit upon the idea of restaging a vaudeville performance. All the acts, songs, skits and specialties had to be derivative of the period between 1895-1912.” Barbra’s creative collaborators did meticulous research on Vaudeville — “We even called George Burns in Hollywood and Jack Pearl,” said Barbra’s manager, Marty Erlichman. Entitled The Belle of 14th Street , the new special would allow Barbra to play several different characters but not have to shoulder the burden of carrying another one-woman show—this time Streisand would be accompanied by guest stars: Broadway actor Jason Robards; Vaudeville veteran John Bubbles; and Lee Allen...

"Shirasuka Rokuro" - Mid 19th Century Figurative Japanese Woodblock Print Beautiful mid 19th century figural Japanese woodblock print of a samurai named Shirasuka Rokuro by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). The samurai is holding a spear, standing under a tree with full blossoms. He is wearing an elaborate outfit, including two swords. Artist's signature and chop are in the lower left corner of the piece. Presented in a wood frame with a cream mat. Frame size: 21.5"H x 16.5"W Image size: 13.75"H x 9.5"W During his lifetime Kunisada Utagawa was considered to be the best print designer by his contemporaries. He was more popular than Hiroshige, Hokusai or Kuniyoshi. And Kunisada was extremely productive. His total output is estimated at more than 20,000 designs, many made by his students. Kunisada was born near Edo (today Tokyo) as the son of an affluent merchant with a ferry boat license. At the age of fifteen he joined the famous art school of Utagawa Toyokuni and took the name Kunisada. In 1807 the young artist produced his first illustrated book. And in 1808 his first actor prints were published. His fame grew fast. While other artists like Kuniyoshi Utagawa or Hiroshige had to fight for recognition for years, he was successful from the beginning. He should become the most commercially successful of all woodblock printmakers ever. His early success may not have had a good influence on his personality. He had a reputation for his conceited personality. Kunisada designed a wide spectrum of traditional ukiyo-e subjects like kabuki themes, beautiful women, historical events and quite a few shunga...

Yvonne Jacquette EAST 15th Street (Faberman 8), 1974 Lithograph in five colors on Arches Cover paper Hand signed by the artist on lower right front This is a rare pencil signed proof, aside from the regular edition of 125. Printed by Paul Narkiewicz and Chip Elwell; published by Brooke Alexander, Inc. (to benefit the Horace Mann School in NYC) 17 3/8 × 21 1/8 inches Unframed Other examples of this exquisite work are in major museums and collections such as the Whitney Museum of American Art. Literature: Aerial Muse: The Art of Yvonne Jacquette by Hilarie Faberman (2002-01-29), 8. Yvonne Jacquette Biography: Yvonne Jacquette (1934 - 2023) was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. She continued to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting with an aerial perspective, East River View At Night (1978), inspired a lasting exploration of the effects of bright lights, reflections, and indistinct objects set against surrounding darkness. The city of New York was a special focus of Jacquette’s. In the 1980s and 1990s, she chartered planes from Teterborough Airport in New Jersey to circle the city while she sketched the scene below. She also worked from the Empire State Building, and, from 1974 through early 2001, often used empty offices or an enclosed deck at the World Trade Center. Jacquette painted aerial landscapes across the country, as well as city views in San Francisco, Chicago, Minneapolis, Philadelphia, Vancouver, Tokyo, and New Orleans. After a trip to Hong Kong in 1990, she began incorporating composite viewpoints into her work, realizing that she could better express the city’s many layers of complexity by creating new spatial configurations through multiple perspectives. Since then, she continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective. As she approached the rendering of space with greater freedom, her paintings became both more inventive and disjunctive, combining aspects of observation, memory, and imagination.  Jacquette participated in her first group show in New York City in 1962 and has been exhibiting steadily since. In 1965 she had a one-person exhibition at Swarthmore College, PA. In 1983, the St. Louis Art Museum organized her first major museum exhibition. A comprehensive retrospective, Aerial Muse: The Art of Yvonne Jacquette, originated at the Cantor Center for Visual Arts, Stanford University, CA in 2002 and traveled to Colby College Museum of Art, Waterville, ME; Utah Museum of Fine Arts, Salt Lake City; and the Hudson River Museum, Yonkers, NY. In 2008, the Museum of the City of New York organized Under New York Skies: Nocturnes by Yvonne Jacquette, which was shown concurrently with Street Dance, an exhibition of photography by her late husband, Rudy Burckhardt...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 15 x 20.9 in. (38 x 53 cm.) Edition of 200 ID: BA...

Kenny Scharf 1997-1998: A set of 2 individual hand-signed Kenny Scharf exhibition catalog's published on the occasion(s) of: Kenny Scharf Tony Shafrazi Gallery, New York 1998: 100+ pages with bold, bright colors & superb overall print quality; features essays by Carter Ratcliff & Robert Farris Thompson; interview and texts by Tony Shafrazi, Dennis Hopper & Kenny Scharf. A definitive survey of the artist's early work & life. Hand-signed, inscribed & dated '98 by Scharf on the interior 1st page. 1st edition, 1998. Limited edition of 2000. Kenny Scharf Pop Surrealist: Salvador Dali Museum...

Luis Miguel Valdes (Cuba, 1949) 'La Paleta III', 2014 woodcut, watercolor on paper Velin Arches 300 g. 12.1 x 15.8 in. (30.5 x 40 cm.) ID: VAL-3G2014-333 Hand-signed by author ______...

A Christmas Cottage IX is a popular Thomas Kinkade series. This large painting titled "A Holiday Gathering, 25.5” x 34” edition size is limited in Standard Numbered to 6950 S/N on ...

This piece is a limited edition, pencil signed by the artist on the print and in the plate. It is part of my private collection of artists from the School of Paris era. It is in very...

Curtis Kulig Love Me screen-print: Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown "Love Me" signature. At...

Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...

Hand signed, dated and numbered in black marker by the artist. Littmann p.61. Artwork size 31 x 23.5 inches. Image size 25.25 x 12 inches. Co-published by Galerie Bernd Klüser, ...

Screen print on arches cover paper. Hand signed, dated and numbered on front by Frederick J. Brown. From the edition of 175. Artwork is in excellent condition. Certificate of au...

Pablo Picasso (1881-1873) Le Chevre au Grillage Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000

Artist: After Jim Dine (1935) Title: Hands, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by the ar...

Jewish Wonderwoman Fine Art print on Hahnemuhle Photorag 308 gsm paper Size: 11.7 x 16.5 inches Signed, numbered, and embossed by the artist Edition of 75

Artist: After Jim Dine (1935) Title: Four Hearts, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by ...

Hand signed, numbered, and dated by the artist. Color lithograph on BFK Rives paper, with full margins. Image size: 8.5 x 12.25 inches. Sheet size: 11 x 14.75 inches. Published by Ma...

Shepard Fairey Green Power Factory Set (Blue & Red) (Energy Transition, Renewable Energy, Climate Change, Fossil Fuels) Screen prints on thick cre...