Figurative Prints on Sale

Original Edition Lithograph on wove paper. Edition: 1,500. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, XXe S...

Shepard Fairey Tear Flame (Mother Earth, Rebellious, Defiant, Guilt, When you dis your mother, you dis yourself) Screen print on thick cream White Speckletone paper Year: 2024 Size: ...

11 color screen print on 300 gsm somerset satin paper. Hand signed and numbered on front by the artist. Edition of 55. Frame size approx 35 x 28 inches. Artwork is in excellent co...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 305. Stretched. A...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Original Edition Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. No...

Shepard Fairey Lotus Angel (Hope, Compassion, Resilience) Offset Lithograph on thick cream Speckletone paper Year: 2023 Size: 36x24 inches Signed, dated by...

"Women" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availab...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Etching on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Prints of Paul Klee, 1945. Published by the Museum of Modern Art, New York and Cu...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 300. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

Ed Ruscha and Kenny Scharf Fun Vacation (200, Engberg), 1990 Lithograph in five colors on white Rives BFK paper (hand signed by BOTH Ed Ruscha and Kenny Scharf) 36 × 27 inches Hand-s...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate o...

Ed Ruscha EE-NUF! (hand signed by Ed Ruscha), 2020 Color lithographic poster on wove paper (hand signed by Ed Ruscha) Boldly signed by Ed Ruscha in black marker on the front 32 1/4 ×...

Shepard Fairey Gears of Justice (Star Gear, Empowerment, Industrious, Leveling the playing field) Screen print on thick cream White Speckletone paper Year: 2024 Size: 24x18 inches Ed...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 250. Stretched. All reasonable ...

Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 46. All reasonable offers will be considered.

Original Limited Edition Lithograph on vellum paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Not stretched. All reasona...

'The Fight' by Celestino Piatti The 30 x 45 inch poster was created by Swiss artist Celestino Piatti in 1971 to advertise the exclusive viewing in Harlem of the first Ali/Frazier fig...

Tomi Ungerer Nude Gun: a selection from Underground Sketchbook: First printing, 1965. Medium: Vintage poster. Dimensions: 23 in. x 29 in. (58.42 cm x 73.66 cm). Very good overall vi...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Canvas is not stretched. ...

David Hockney, Original print, A Retrospective Exhibition 1988, small poster. David Hockney ( B. 1937 ) is an English painter, draftsman, printmaker, stage designer, and photographer...

Title: Chanel Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 30 x 21 inches Condition: Excellent Inscription: Signed in the plate Notes: This special ...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

SALE ONE WEEK ONLY "As I opened fire" is a lithograph triptych by Roy Lichtenstein whose provenance is printed on verso: Coll. Stedelijk Museum Amsterdam. Editions were copyrighted by the Stedelijk Museum Amsterdam and corrected with the original and printed in the Netherlands. Each piece measures: 25 1/8" h x 20 5/8" w. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching atRutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Etching on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Prints of Paul Klee, 1945. Published by the Museum of Modern Art, New York and Cu...

ROMARE BEARDEN NOAH MEANS - A NEW DAY Year published - 1985 Commemorative Poster - Hofstra University - Noah Program Poster size - 34.5 x 21 inches, unframed, unsigned NOAH MEANS -...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies originales. Published by Tériade Editeur, Les Éditions Verve, Paris; printed by Mourlot Freres, Paris, 1950. Cirque was originally conceived as a collaboration between Fernand Léger and the novelist Henry Miller. At a time when the two were interested in working together, the publisher Efstratios Tériade Léger approached Leger to make prints for an artist’s book. Tériade hoped to publish a series of such books with the circus as the theme. Léger was a circus enthusiast who often used circus images in his paintings. He often went to the Cirque Médrano in Paris and the Ringling Brothers and Barnum and Bailey Circus...

Etching on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Prints of Paul Klee, 1945. Published by the Museum of Modern Art, New York and Cu...

Etching on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Prints of Paul Klee, 1945. Published by the Museum of Modern Art, New York and Cu...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies originales. Published by Tériade Editeur, Les Éditions Verve, Paris; printed by Mourlot Freres, Paris, 1950. Cirque was originally conceived as a collaboration between Fernand Léger and the novelist Henry Miller. At a time when the two were interested in working together, the publisher Efstratios Tériade Léger approached Leger to make prints for an artist’s book. Tériade hoped to publish a series of such books with the circus as the theme. Léger was a circus enthusiast who often used circus images in his paintings. He often went to the Cirque Médrano in Paris and the Ringling Brothers and Barnum and Bailey Circus...

Serigraph on paper. From Paris Nights Suite. Hand signed and numbered by the artist. Image size 18.5 x 15 inches. From the main edition of 275. Artwork is in excellent condition. ...

Faces of Dalí #4 is a serigraph on paper with an image size of 25 x 17 inches, signed 'Yvaral' lower right and numbered 160/200 lower left. From the edition of 263 (there were also 2...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Rare vintage Keith Haring exhibition poster published on the occasion of: ‘Paradise Garage: Keith Haring and Music, December 14, 2000-February 10, 2001, Deitch Projects, 18 Wooster ...

Original Limited Edition Lithograph on vellum paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Etching on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Prints of Paul Klee, 1945. Published by the Museum of Modern Art, New York and Cu...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Original Limited Edition Lithograph on vellum paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

Original Limited Edition Lithograph on Arches paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies originales. Published by Tériade Editeur, Les Éditions Verve, Paris; printed by Mourlot Freres, Paris, 1950. Cirque was originally conceived as a collaboration between Fernand Léger and the novelist Henry Miller. At a time when the two were interested in working together, the publisher Efstratios Tériade Léger approached Leger to make prints for an artist’s book. Tériade hoped to publish a series of such books with the circus as the theme. Léger was a circus enthusiast who often used circus images in his paintings. He often went to the Cirque Médrano in Paris and the Ringling Brothers and Barnum and Bailey Circus...