Leo Brooks

Sleeping Nude

Born in Barranquilla, Colombia in 1923, Knox Martin moved with his family to New York City in 1927. He attended The Art Students League of New York from 1946 to 1950 under the GI Bil...

This dynamic work by noted 20th century Italian artist Aldo Colo employs bold brushwork and an expressive style and technique to depict two beautifully painted figures adjusting a dr...

"The Dance" by Ludovico Lipparini is a beautifully rendered work on paper in the classical tradition using graphite and gouache and created in the f...

Bruno Martini was born in Murano, Italy in 1911, and studied at the Academy of Venice. In the 1930s and 40s Martini exhibited in numerous solo and group regional and international ex...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

William Henry Cotton was born in Newport, Rhode Island, in 1880. He studied painting with Joseph DeCamp and Andreas Anderson at the Cowles Art School in Boston, and then at the Académie Julian in Paris with Jean-Paul Laurens. Cotton was a founder of the National Association of Portrait Painters and a member of the Newport Art Association. He exhibited at the National Academy of Design, New York City; the Corcoran Gallery of Art, Washington, DC; the Art Institute of Chicago; the Pennsylvania Academy of the Fine Arts and the Saint Louis Art Museum. He was among a number of American artists invited by the government of France to exhibit at the Musée du Luxembourg. After a successful career as a portrait painter, Cotton worked for Vanity Fair from 1931 to 1936 as an illustrator. Eleanor Roosevelt called his drawing of her for Vanity Fair, "her favorite character picture." Beginning in 1932, he was an illustrator for the New Yorker. In 1931 the New York Repertory Company produced a comedy Cotton wrote, "The Bride the Sun Shines On." He also painted mural decorations for New York City theaters...

The artist renders the image of a sitting woman using delicate contour lines similar to Matisse. The artist avoids use of color, light and shadow emphasizing the contour of the figure.

'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in fair vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided. Dimensions with Frame: H 75 cm / 29.5" W 61 cm / 24" Dimensions without Frame: H 56 cm / 22" W 42 cm / 16.5" About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...

Female Nudity is an pencil drawing on ivory paper made by Herta Hausmann (1892-1972). China Ink drawing on paper. In good condition.This is an origina...

Provenance: Hinckley & Brohel Gallery Jonathan Shahn, Born 1938 has been making sculpture, drawings and prints of the human figure since the early 1960s. He teaches at the Art Studen...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Abstract nude figurative drawing by George Giusti, (Italian 1908-1990). India ink on gesso patterned drawing paper created in 1949. Signed “George Giusti 1949” in the lower right corner. Presented in a distressed giltwood frame with glass and a light pink and grey mat. Image size: 15.75”H x 10”W This extraordinary artist was born in 1908 in Milan, Italy, of a Swiss father and an Italian mother. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. He studied architecture in Milan and worked at it from time to time, producing stunning examples of contemporary design. For more than four decades in America, and before that in Italy and Switzerland, George Giusti’s graphic designs have graced the covers of Time, Fortune, Holiday and other major magazines, as well as most of the publications of the United States Information Agency, and Giusti had a twelve-year design association with Geigy Pharmaceuticals. He has done advertising and graphic designs, illustrations, trademarks, client and employee publications, package designs for major corporations, and drawings. He has succeeded to the extent that his designs are consistently ahead of their time. It is Giusti’s expressed intention to build a bridge between fine art and art for commercial use. He disdains the terms “fine” and “commercial” as defining a distinction which should not exist. Art is art, he believes, whatever its purported use. Exhibitions: George Giusti’s work has been exhibited in America’s large cities and in most of the capitals of the world. His portfolio has been published in Graphis, Switzerland, Idea, Japan, Gebrauschsgraphik, Germany, Pagina Art, Italy, and Communication Art, and The United States. Awards and Affiliations: Over the years, Giusti has garnered more than ten gold and silver medals and eighty other awards and citations. He is a member of the American Institute of Graphic Arts, Alliance Graphique Internationale, International Center for Graphic Art (Typographic Art...