Art by Medium: Aquatint

Marc Chagall, Russian (1887 - 1985) - Poesie De Mots Inconnus (Ex-Libris), Year: 1949, Medium: Etching with Aquatint, Edition: 158, Image Size: 5 x 3.25 inches, Size: 13 x 10 in. (3...

Marc Chagall, Russian (1887 - 1985) - Die Begierde II, Year: 1925, Medium: Etching and Aquatint on wove paper, Edition: 300, Image Size: 4 x 3 inches, Size: 13 x 9.5 in. (33.02 x 24...

En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922 Unsigned as ...

Salvador DALI (1904-1989) The Madness of Don Quichotte (le coeur de la folie), 1980 Original etching with aquatint Signed in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (30...

Conrad Marca-Relli - Composition XI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: H.C. Size: 56 x 76 cm Condition: In very good conditions and n...

Conrad Marca-Relli - Composition IX Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 66/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Salvador DALI (1904-1989) Don Quichotte : the Sweetheart (la Dulcinée), 1980 Original etching with aquatint Signed in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (30 x 22 i...

Salvador DALI (1904-1989) Don Quichotte : the Fight (En route pour la bataille), 1980 Original etching with aquatint Signed in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm (...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Signed, titled and numbered by the artist. Image size: 4.75 x 4.5 inches Medium: aquatint and drypoint Year: 2014 Edition size: 50 Abstract image invoking scenery of the Mediterrane...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This blueprint for a commuter, with suspended wheels and pulleys shows Mann's enjoyment playing with the mechanics and exposed workings of imagined machines. Especially machines that...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. The letters on the background reflect up into t...

Artist: George Brookshaw (English, 1751-1823) Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX) Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits Year: 1808 (First edition) Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper Limited edition: Unknown Printer: T. Bensley, London, UK Publisher: George Brookshaw, London, UK Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295 Framing: Framed in a silver/gold moulding Framed size: 22.94" x 18.88" Sheet size: approx. 22.25" x 17.5" Image size: 16.25" x 12.25" Condition: Light toning to sheet. One unobtrusive foxmark lower center right. In otherwise very good condition Rare Notes: Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label lower center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...

Conrad Marca Relli - Composition XV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 47/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by...

Conrad Marca-Relli - Composition II Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 59/75 Size: 56 x 76 cm Condition: In very good conditions and ...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

Joe Durante - Metamorphosis. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inches, Size: 15 x 22 in. ...

Joe Durante - Five Pairs. Year: 1976, Medium: Intaglio Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 7 x 15 inches, Size: 15 x 22 in....

Joe Durante - Head over Heels. Year: 1976, Medium: Intaglio Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 11 x 8 inches, Size: 19 x 1...

Damien Hirst 'Ethidium Bromide Aqueous Solution' Spots Etching, 2005. Signed by the Artist on front. Edition of 65. Published by the Paragon Press, 2005. The iconic 'Spot Series' i...

Sonia DELAUNAY Composition 1970 Original etching Signed in pencil Numbered / 150 On Arches vellum 65.5 x 50 cm (c. 26 x 20 in) Excellent condition

Pioggia d'Oro (Golden Rain) Etching with aquatint in colors, on Fabriano paper. 1988 Signed in pencil lower right. Numbered in pencil lower left. From the signed and numbered editio...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - 3 Squares. Medium: Etching with Aquatint, signed and numbered in pencil, Edition: E.A., Size: 25.5 x 19.5 in. (64.77 x 49.53 cm), Desc...

Marie LAURENCIN Rider and dancer, 1949 Color etching Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11in) INFORMATION : Created by Laurencin and engraved by Lo...

Frank Stella Plutusia, from Imaginary Places II (Axsom & Schnitzer, 246), 1996 52 color lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade...

Etching and aquatint, 1994 Handsigned by the artist in pencil and numbered 26/99 Publisher : Heede & Moestrup Printer : Lacourière et Frélaut, Paris Catalog : [Agerup n°379] 71.50 cm...

Bertrand Dorny Paysage, no. 11, 1977 Etching and aquatint signed and numbered an edition of 50 the EA - artists proof 76 x 56 cm newly framed in mint condition

Joe Durante - Bottom Line. Portfolio: 300, Year: 1983, Medium: Intaglio Etching with Aquatint, signed, titled, dated and numbered in pencil, Edition: AP, Image Size: 15.25 x 29.75 i...

Joe Durante - Lunar. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 11.25 x 17.75 inches, Size: 15.75 x 22.5 in. (...

Joe Durante - Triangle. Year: 1983, Medium: Intaglio Etching with Aquatint, signed, titled, dated and numbered in pencil, Edition: AP, Image Size: 16.75 x 28 inches, Size: 20.25 x 2...

Joe Durante - Odyssey. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5 inches, Size: 15 x 22 in. (38.1 ...

Joe Durante - City Lights. Year: 1983, Medium: Etching with Aquatint on Arches, signed, dated, numbered and titled in pencil, Edition: AP, Image Size: 15.75 x 19.75 inches, Size: 22...

Lebadang (aka Hoi), Vietnamese (1922 - 2015) - Owl. Year: circa 1975, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 9/120, Image Size: 22.5 x 17.5 inches, Frame ...

Bertrand Dorny Triptych (A-B-C) 1986 Triptych, original etching (drypoint, engraving and aquatint) in 4 colors with embossing, signed in pencil by the artist. Ed. Aeblegaarden, Den...

Bertrand Dorny Composition, 1972 Etching and aquatint signed and numbered an edition of 50 the EA - artists proof 76 x 60 cm newly framed in mint condition

Bertrand Dorny Habitat Face Sud, 1972 Etching and aquatint signed and numbered an edition of 50 the EA - artists proof 76 x 60 cm newly framed in mint condition

Ed Ruscha, Billy Al Bengston, Ed Ruscha and Billy Al Bengston Zapata-Tiempo, hand signed by both Ed Ruscha and Billy Al Bengston, 1988 (Engberg & P. 168), 1988 Color etching and aqua...

Donald Baechler 2005: a set of 2 works: A set of two highly decorative signed limited edition Donald Baechler prints sure to standout in any setting. Included in the set: Donald Bae...

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

James Rosenquist (1933-2017) Just Desert (2nd State) (1979, 1979 Etching and aquatint on Pescia Italia paper Printed by Aripeka, Ltd., Aripeka. Published by Multiples, Inc., New York...

14" x 18" Framed Limited Edition Etching and aquatint on Hahnemühle Paper Hand Signed by Eric Fischl Please Contact Gallery for more artworks by Eric Fischl

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...