Art by Medium: Graphite
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Medium: Graphite
Minimal, black and white, graphite drawing: 'PIECE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal, black and white, graphite drawing: 'CONVERGE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in market
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉
Green Cat, 1984
Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper
Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Category
1980s Pop Art Art by Medium: Graphite
Materials
Ink, Pencil, Graphite, Etching, Aquatint, Mixed Media
Minimal abstract, black and white sculpture: 'Cover'
By Judi Tavill
Located in New York, NY
My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graphi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'Couple'
By Judi Tavill
Located in New York, NY
My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graphi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Ceramic, Glaze, Varnish, Graphite, Paint
Minimal, black and white, graphite drawing: 'PICK'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal, black and white, graphite drawing: 'FIND'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
Minimal abstract, black and white sculpture: 'TWIST'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'ENTANGLE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'CENTRIC 3'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'TWIRL'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined grap...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white wall sculpture: 'TRAVERSE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Georgian c.1826 Graphite Drawing - Portrait of a Young Girl with Dog
Located in Corsham, GB
Acquired as a pair, this fine graphite drawing depicts a young Georgian girl petting a dog. Highlighted in watercolour on watermarked 'watman paper,1826'. The drawing has been well p...
Category
Early 19th Century Art by Medium: Graphite
Materials
Graphite
"Cronus Asleep in the Cave" Mixed Media Work on Paper by David Hare
By David Hare
Located in New York, NY
David Hare
Cronus Asleep in the Cave, 1971
Acrylic, ink wash, graphite, paper collage on paper on board
26 x 35 inches
“Freedom is what we want,” David Hare boldly stated in 1965, b...
Category
1970s Abstract Art by Medium: Graphite
Materials
Acrylic, Paper, Ink, Graphite
Minimal abstract, black and white sculpture: 'Enable'
By Judi Tavill
Located in New York, NY
My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graphi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Annual Edition, Lt. Ed. 1970s mixed media Op Art silkscreen on board hand signed
Located in New York, NY
Richard Anuszkiewicz
Annual Edition, 1970
Silkscreen on Masonite
Signed and dated in graphite pencil lower right recto. Edition of 100
8 × 5 1/10 × 1/5 inches
Unframed
Signed and dat...
Category
1970s Abstract Geometric Art by Medium: Graphite
Materials
Masonite, Screen, Graphite
Jim Dine Study of Pigs for the Oo La La portfolio box with Ron Padgett blue
By Jim Dine
Located in New York, NY
This drawing is a study for the portfolio box from the Jim Dine Oo La La portfolio of 15 lithographs printed offset from zinc plates. The portfolio was produced in collaboration with Ron Padgett and published by Petersburg Press, London. An image of the portfolio cover can be found in the listing photos.
The late 1960s and early 70s saw Dine’s interest in literary pursuits grow: he illustrated and published a book of his own poetry entitled Welcome Home Lovebirds (Trigram Press, 1969), and he provided drawings and photographs for the publications of Padgett and other New York School poets: Ron Padgett’s translation of Apollinaire’s "Le Poète Assassiné” (Holt, Rinehart, and Winston, 1968), Ron Padgett and Tom Clark’s Bun (Angel Hair, 1968), and Fragment, by Ted Berrigan (Cape Goliard Press, London 1969). Cape Golliard also published a stylish monograph in 1970 reproducing photographs and drawings titled "The Adventures of Mr and Mrs Jim and Ron".
In 1966, police raided a Jim Dine exhibition in London at the Robert Fraser Gallery. Fraser was charged under the Obscene Publications act and Dine was found to be indecent. After a meteoric rise to artistic prominence in New York, Dine had tired of the city’s intense art scene, and this incident was the final straw. He moved with his family to London in 1967 and began producing work at Petersburg Press, where he would become a longtime collaborator. As a student, Dine had cited the great American poets, Ron Padgett, Robert Creeley and Ted Berrigan, of the New York School as early inspirations, and in London, he eagerly took the opportunity to work with Padgett at Petersburg Press.
Jim Dine, Study of Pigs for the Oo La La portfolio box 1970
Unique unsigned drawing...
Category
1970s Pop Art Art by Medium: Graphite
Materials
Oil Pastel, Graphite
"Cronus View from the Cave" Abstract Mixed Media Composition by David Hare
By David Hare
Located in New York, NY
David Hare
Cronus View from the Cave, 1971
Graphite, Ink wash, Paper Collage on Paper on Board
25 x 33 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1970s Abstract Art by Medium: Graphite
Materials
Paper, Ink, Graphite
Reanimator
Located in Columbia, MO
Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...
Category
21st Century and Contemporary American Realist Art by Medium: Graphite
Materials
Archival Paper, Graphite, Watercolor
Minimal abstract, black and white sculpture: 'TWIXT'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Portrait of a Young Male, Graphite on paper sketch, 20th Century English Artist
Located in London, GB
Graphite on paper
Image size: 10 1/4 x 8 1/2 (26 x 22 cm)
Mounted
Drawing was at the heart of all of his artistic practice. A friend once recalled an anecdote that out on a walk he ...
Category
20th Century English School Art by Medium: Graphite
Materials
Paper, Graphite
Minimal, black and white, graphite drawing: 'CURL'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Graphite
View of Cornwall, Graphite Sketch, 20th Century English Female Artist
Located in London, GB
Graphite on paper
Image size: 5 1/4 x 8 inches (13 x 20.25 cm)
Mounted
Jane Ross
Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met...
Category
20th Century English School Art by Medium: Graphite
Materials
Paper, Graphite
"Cronus Dining" David Hare, Yellow and White Composition on Paper, Abstract
By David Hare
Located in New York, NY
David Hare
Cronus Dining, 1968
Graphite, acrylic, paper collage on board
44 x 34 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1960s Abstract Art by Medium: Graphite
Materials
Paper, Acrylic, Graphite
A Graphite & Colored Pencil Drawing by Henri Le Sidaner, "La Barrière, Gerberoy"
Located in Chicago, IL
A graphite & colored pencil drawing of La Barrière, Gerberoy, by important Post-Impressionist painter Henri Le Sidaner, titled "La Barrière, Gerberoy". Drawing accompanied with a ce...
Category
Early 1900s Post-Impressionist Art by Medium: Graphite
Materials
Graphite, Paper, Color Pencil
Minimal abstract, black and white wall sculpture: 'Encounter'
By Judi Tavill
Located in New York, NY
My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graphi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Larry Rivers "Stencilpack Camel (1978)"
By Larry Rivers
Located in Pembroke Pines, FL
Larry Rivers
Stencil Camel - each piece in the edition is unique
1978
Lithograph in colors/wove paper with pochoir & graphite/acetate
24 7/8 x 21 3/8 in. - 30 x 30 in. Framed
Signed,...
Category
1970s Art by Medium: Graphite
Materials
Crayon, Graphite, Lithograph, Screen
Minimal abstract, black and white sculpture: 'TWINE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'MIDST'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'MUDDLE'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'Fuse'
By Judi Tavill
Located in New York, NY
My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graphi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Epoxy Resin, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'CULTA'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
Minimal abstract, black and white sculpture: 'SPRAWL'
By Judi Tavill
Located in New York, NY
“My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness.
Building curvilinear ceramic sculpture and then drawing intertwined graph...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Clay, Paint, Varnish, Graphite
The Cemetery, Graphite Sketch, 20th Century English Female Artist
Located in London, GB
Graphite on paper
Image size: 7 x 5 inches (17.75 x 12.75 cm)
Mounted
Jane Ross
Little is known about Jane Ross apart from that she attended Heatherley's Art School. Here she met ...
Category
20th Century English School Art by Medium: Graphite
Materials
Paper, Graphite
Portrait of a Boy, Pastel Drawing, 20th Century English
Located in London, GB
Pastel and graphite on paper
Image size: 11 x 8 1/2 inches (28 x 21.5 cm)
Mounted
William Dring
Dring was born with the forenames Dennis William, but was known colloquially as Joh...
Category
Mid-20th Century Art by Medium: Graphite
Materials
Graphite, Pastel, Paper
Jawbreaker/Mouthful
Located in Columbia, MO
Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...
Category
21st Century and Contemporary American Realist Art by Medium: Graphite
Materials
Archival Paper, Graphite
Atonement
Located in Columbia, MO
Sean Lyman is a Professor of Painting and Drawing at Missouri State University, with an extensive list of international exhibitions and work in public permanent collections including...
Category
21st Century and Contemporary American Realist Art by Medium: Graphite
Materials
Graphite, Archival Paper
Seamed
Located in Columbia, MO
JENNIFER VIVIANO
Seamed
2018
Chalk pastel and graphite on paper
8 x 22 inches
Category
21st Century and Contemporary Minimalist Art by Medium: Graphite
Materials
Paper, Chalk, Graphite
Cracked
Located in Columbia, MO
JENNIFER VIVIANO
Cracked
2018
Chalk pastel and graphite on paper
8 x 22 inches
Category
21st Century and Contemporary Minimalist Art by Medium: Graphite
Materials
Paper, Chalk, Graphite
"Symbiotic String II" Paint on paper, nature soft shapes neutral curves contrast
Located in Hamburg, HH
“Symbiotic Strings” is a series of three small studies of acrylic on paper created in 2024 by Amanda Andersen.
Minimal forms grow into each other with a simplicity and serenity simi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Acrylic, Graphite
MB 018 (Figurative Life Drawing of Handsome Male Nude by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018"
graphite, Conte crayon and charcoal on Arches paper
30 x 19 inches unframed
Signed, lower right
...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Charcoal, Archival Paper, Graphite, Conté
"Edifice II" contemporary drawing, abstract geometric, natural architecture
Located in Hamburg, HH
“Edifice” is a group of small works on paper created in 2024 by Amanda Andersen.
This series of contemporary drawings explores architectural forms with elements of abstraction, sket...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Ink, Acrylic, Graphite
Out of the Woods
By Michele Zuzalek
Located in Washington, DC
Mixed media drawing on watercolor paper
Category
21st Century and Contemporary Abstract Art by Medium: Graphite
Materials
Graphite, Watercolor, Oil Pastel
Ammersee #2
Located in New York, NY
Walter Darby Bannard
Ammersee #2, 1975
Watercolor and acrylic painting on paper
Signed, titled and dated lower recto
This is a unique work
Frame included: elegantly floated and frame...
Category
1970s Abstract Expressionist Art by Medium: Graphite
Materials
Ink, Mixed Media, Acrylic, Watercolor, Graphite
Unique signed pastel & graphite work Geometric Abstraction Minimalist painting
Located in New York, NY
Charles Hinman
Untitled Geometric Abstraction (Hand Signed), 1980
Pastel & Graphite painting on Paper
Signed and dedicated to "Michael and Rene" in graphite by the artist on the fron...
Category
1980s Abstract Geometric Art by Medium: Graphite
Materials
Pastel, Pencil, Graphite
"Symbiotic String III" Paint on paper nature soft shapes neutral curves contrast
Located in Hamburg, HH
“Symbiotic Strings” is a series of three small studies of acrylic on paper created in 2024 by Amanda Andersen.
Minimal forms grow into each other with a simplicity and serenity simi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Acrylic, Graphite
"Symbiotic String I" Paint on paper, nature soft shapes, neutral curves contrast
Located in Hamburg, HH
“Symbiotic Strings” is a series of three small studies of acrylic on paper created in 2024 by Amanda Andersen.
Minimal forms grow into each other with a simplicity and serenity simi...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Acrylic, Graphite
MB 824 (Double-Sided Figure Drawing of Handsome Nude Men by Mark Beard)
By Mark Beard
Located in Hudson, NY
Figurative, academic style life drawing of male nude with charcoal and graphite by Mark Beard, "MB 824"
graphite, Conte crayon and charcoal on Arches paper
30.5 x 21 inches unframed
...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Charcoal, Conté, Graphite, Archival Paper
Free More, original Zabriskie Gallery & Reader's Digest Collection labels signed
By Pat Adams
Located in New York, NY
Pat Adams
Free More, 1989
Acrylic and encaustic painting with varnish on paper laid down on canvas
Hand signed and dated on the upper left front
Original artist's frame included
This...
Category
1980s Abstract Art by Medium: Graphite
Materials
Varnish, Encaustic, Acrylic, Mixed Media, Pencil, Graphite
Abstraction
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper, c. 1945
Signed on image left of center
Condition: Excellent
Sheet/Image size: 9 7/8 x 14 1/8 inches
Provenance: Estate of the Artist
...
Category
1940s Abstract Art by Medium: Graphite
Materials
Paper, Graphite
Multiply and Divide, Dandelions, Bunny Rabbit, Animal, Gray, White, Black
By Francine Fox
Located in Kent, CT
Graphite drawing on Bristol paper of a rabbit surrounded by floating bits of dandelions gone to seed against a dark black background. Fox's excellent use of material allow her to ble...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Archival Paper, Graphite
5745, for the Jewish Museum original signed/n abstract expressionist screenprint
By Nancy Graves
Located in New York, NY
Nancy Graves
5745, for the Jewish Museum, 1984
Silkscreen on paper
Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner
3...
Category
1980s Abstract Expressionist Art by Medium: Graphite
Materials
Graphite, Screen
"Edifice VI" contemporary drawing, abstract geometric, natural architecture
Located in Hamburg, HH
“Edifice” is a group of small works on paper created in 2024 by Amanda Andersen.
This series of contemporary drawings explores architectural forms with elements of abstraction, sket...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Ink, Acrylic, Graphite
Cloud (3)
Located in Montreal, Quebec
With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Graphite, Archival Paper
"Edifice IV" contemporary drawing, abstract geometric, natural architecture
Located in Hamburg, HH
“Edifice” is a group of small works on paper created in 2024 by Amanda Andersen.
This series of contemporary drawings explores architectural forms with elements of abstraction, sket...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Ink, Acrylic, Graphite
"Edifice III" contemporary drawing, abstract geometric, natural architecture
Located in Hamburg, HH
“Edifice” is a group of small works on paper created in 2024 by Amanda Andersen.
This series of contemporary drawings explores architectural forms with elements of abstraction, sket...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Ink, Acrylic, Graphite
"Edifice I" contemporary drawing, abstract geometric, natural architecture
Located in Hamburg, HH
“Edifice” is a group of small works on paper created in 2024 by Amanda Andersen.
This series of contemporary drawings explores architectural forms with elements of abstraction, sket...
Category
2010s Contemporary Art by Medium: Graphite
Materials
Paper, Acrylic, Graphite, Ink
Warm Beach (#108)
Located in Austin, TX
Acrylic and graphite on canvas. Signed and titled verso.
59 x 58.5 in.
61 x 60.25 in. (framed)
Custom framed in a maple floater with a polyurethane clear coat finish.
Provenance
B...
Category
1970s Post-War Art by Medium: Graphite
Materials
Canvas, Acrylic, Graphite
Graphite art for sale on 1stDibs.
Find a wide variety of authentic Graphite art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Victor Di Gesu, Howard Tangye, Kory Twaddle, and Robbie Cornelissen. Frequently made by artists working in the Contemporary, Post-Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite art, so small editions measuring 6 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $315 and tops out at $21,250, while the average work can sell for $9,950.
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