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Charles François DaubignyBords de l'Yonne1867
1867
About the Item
"Bords de l'Yonne" also referred to as "Le Canal"
Oil on canvas, signed in the bottom left corner, 33x41cm, circa 1867
Origin:
-Sotheby's sale July 05-06 1961, lot no. 131
-Walter Goetz collection, then passed down to his descendants.
Litterature:
-M-Fidell-Beaufort & J Bailly-Herzberg, "Daubigny La vie et l'oeuvre", Paris 1975, no. 111, under the tite "Le Canal"
-R. Hellebranth's reasoned catalogue, 1976, page 146, no. 455.
Born into a family of painters, Daubigny is initiated at a young age by his fathern Edmé François Daubigny. He Was also of student of both Jean-Victor Bertin and Jacques Raymond Brascassat.
Moving to Barbizon in 1843, where he worked in the middle of nature, changed his way of painting. Meeting Camille Corot was decisive in his life: on his boat (christened "Le Botin") which he transformed into a painting studio, he painted as he followed the current of the Seine and the Oise. From 1852, the influence of Gustave Courbet on Daubigny directs his art to pre impressionism.
In 1866, Daubigny visits England, and flees there again in 1870 because of the Franco-Prussian war. He meets Claude Monet in London, with whom he travels to the Netherlands. Back in Auvers sur Oise he makes the acquaintance of Paul Cézanne aas well as other impressionists. Modern scholars agree that Dubigny was amongst the influences of this new generation of painters.
Daubigny is made a Knight of the Legion d'Honneur in 1857, then an officer in 1874, and by the end of his career he is both appreciated and sought after as an artist.
Critiques were favorable to him: his technical qualities, his sincerity, the life and freshness of his tones, the fluidity of the atmosphere he created, the simplicity of motifs, the novel greenery, the transparency of water...
Museums :
Amsterdam – Avignon – Bayonne – Berlin – Béziers – Bordeaux – Carcassonne – Châlons-sur-Marne – Chantilly – Chartres - Copenhague – Detroit – Evreux - Glascow – La Haye – Helsinki – Kassel – Laval - Liège – Lille – Limoges – Londres – Lyon – Marseille – Montréal – Moscou – Nantes – Paris (Louvre – Musée d’Orsay) – Pontoise – Reims – Rouen
- Creator:Charles François Daubigny (1817 - 1878, French)
- Creation Year:1867
- Dimensions:Height: 13 in (33 cm)Width: 16.15 in (41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Barbizon, FR
- Reference Number:1stDibs: LU904113416602
Charles François Daubigny
Charles-François Daubigny, (15 February 1817 – 19 February 1878), Daubigny was born in Paris, into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny. Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Isère). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cézanne, another important Impressionist. It is assumed that these younger painters were influenced by Daubigny. Daubigny's finest pictures were painted between 1864 and 1874, and these for the most part consist of carefully completed landscapes with trees, river and a few ducks. It has been said that when Daubigny liked his pictures he added another duck or two, so that the number of ducks often indicates greater or less artistic quality in his pictures. He was named by the French government as an Officer of the Legion of Honor. Daubigny died in Paris in 1878.
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