Portrait Paintings

Giuseppe Nogari (Venice 1699 - Venice 1763) - San Rocco. 54.5 x 43.5 cm without frame, 69.5 x 59.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden fram...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Rebecca Venn's (US based) "Untitled" is an original, handmade oil painting on canvas paper that depicts a nude female model laying on her back. This is ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

I want to take the evening train to Kyiv-Simferopol. Wake up in the morning and watch as we pass through the tunnel. Get off at the platform in Simferopol and breathe in the Crimean ...

Matt Talbert's "Stillness" (2024) is an oil painting on linen, measuring 21 x 14 inches (53.34 x 35.56 cm). The unframed artwork features a nude female figure seated beside a window,...

The Candlelit Violinist, dated 1914 George Percy JACOMB-HOOD (1857-1929) Large 19th Century English street scene of a candlelit Violinist, oil on canvas by George Percy Jacomb-Hoo...

Circle of Antoine Pesnes 1725 Margravine of Bayreuth Old Master Portrait A delightful portrait of a young noble woman ascribed on a label verso as la margravine de Bayreuth, 1725. P...

Painting oil on canvas measuring 100 cm x72 cm without frame depicting a noblewoman. Fascinating and complex painting from an artistic and psychological point of view. Sound, intac...

Diogo Barros Pires What I Lacked She Had Ten Fold Crayon, soft pastel, and pastel on cardboard 154 x 105 cm "What I Lacked She Had Ten Fold" by Diogo Barros Pires is an evocative pi...

Saint Peter Cutting The Ear Of Malchus, 17th Century School of CARAVAGGIO (1571-1610) Large 17th century Italian Old Master depiction of Saint Peter cutting the ear of Malchus, oil...

This sculptural painting, part of Natasha Lelenco's Currency Exchange series, depicts the figure of an anonymous wooden face inscribed with a Dutch phrase, "Nu ik een beetje mijn ple...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interactions with concepts such a...

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By follow...

CAROLINA GOMEZ Ruby II from the Mirror Stone series (Portrait Painting ) 48 x 48 inches - Unique OIL ON CANVAS Carolina Gomez’s works have become known for the powerful questions th...

Up for sale is a beautiful Antique 19-century or earlier original oil painting on canvas depicting a a young woman in a rustic setting, captured in a moment of contemplation. She lea...

CAROLINA GOMEZ Diamond from the Mirror Stone series (Portrait Painting - Audrey Hepburn) 48 x 36 inches - Unique OIL ON CANVAS Carolina Gomez’s works have become known for the power...

CAROLINA GOMEZ Ruby II from the Mirror Stone series (Portrait Painting ) 48 x 48 inches - Unique OIL ON CANVAS Carolina Gomez’s works have become known for the powerful questions th...

Study Of Lions, 18th/19th Century by M C FEHR (German) Large 18th 19th Century German School study of Lions before their den, oil on canvas by M C Fehr. Excellent quality and condi...

Rockstars Series 60" x 36" Unframed Original Acrylic on Canvas Hand signed by Stickman

Rock Stars Series 24" x 35" Unframed Original Acrylic on Canvas Hand signed by Stickman

In her portraits, Paulina Archambault (1976, lives and works in Viriginia/USA) searches for the purest human emotions. To do so, she likes to reach back to her childhood. By being as...

Portrait of Richard I King Of England, Richard Cœur de Lion (1157-1199), 16th Century Important Early Oil On Copper Large 16th century English portrait of King Richard I, know as ...

"Peter" is an oil on masonite painting made by Alex Katz in 1995. The artwork size is 15 7/8 x 7 1/8 inches. The framed sized is 18 7/8 x 10 1/4 x 1 1/2 inches. The painting is signe...

Portrait of Henry IV, King of England (1367-1413), 16th Century English School Portrait - Early Oil On Panel Large 16th Century court portrait of Henry IV, King Of England (1367-14...

I stopped doing portrait commissions a while ago because it was too nerve-wracking. I used to try to fulfill all the clients' wishes, but over time I realized it brought more stress ...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

PROVENANCE (Possibly) The Hon. Frederick Henry North, Frank T. Sabin Galleries by 1914, Likely acquired from the above by Sir Gilbert Eliott, 10th Bt. of Stobs, Thence by descent ...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Jean-Baptiste Valadié Young girl with green eyes, 1960 original oil on canvas Signed and dated bottom right On canvas size 65 x 46 cm (c. 21 x 13 in) Very good condition

Up for sale is a beautiful Antique 19-century original oil painting on canvas depicting a female portrait . This painting is a classic portrait of a woman, set within an oval fram...

RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...

"Music is a wonderful way to erase thoughts, bad and not so good, the best and the most ancient."

"INVITATION" Oil Painting 36" x 36" inch by Khoren Keshishyan Khoren Keshishyan is a celebrated American-Armenian painter and artist whose unique blend of architectural sensibilitie...

Italian painter (18th century) - Portrait of a gentleman with an aphorism. 92 x 68cm. Oil on canvas, unframed. - Iscribed on the book: "In the world there are more crazy men than ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Thanks to her father-artist, Irinka Talakhadze (b. 2000, lives and works in Tbilissi, Georgia) received art from a very early age. Since his death, she has continued to pursue her ar...

Rich Seated 2 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is t...

‘The Enchantress’ by Nathaniel Sichel (1843-1907). This large fine 19th century oil on canvas, depicting a dark-haired beauty wearing a crown of holly, is signed by the artist and ha...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Original Oil Painting by David Kassan David Kassan (b. 1977, Little Rock, AR) received his BFA from Syracuse University and continued his studies at the National Academy School of Fi...

In her portraits, Paulina Archambault (1976, lives and works in Viriginia/USA) searches for the purest human emotions. To do so, she likes to reach back to her childhood. By being as...

Half-length portrait of Emperor Leopold I (born 1640, reigned 1658-1705) of Habsburg and later Emperor of the Holy Roman Empire in armor with imperial cloak. Around his neck he wears...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

The Penitent Saint Peter, 17th Century attributed to Donato Creti (1671-1749) Large circa 1700 Italian Rococo portrait of the Penitent Saint Peter, oil on canvas attributed to Dona...

Rogues Series 36" x 24" Unframed Original Acrylic on Canvas Hand signed by Stickman

Rockstars Series 48" x 36" Unframed Original Acrylic on Canvas Hand signed by Stickman

Marsia Prima Della Sfida Oil Painting on Canvas Mythology Myth In Stock - Size 50 x 35 cm . Size with Frame 71 x 56 cm Giovanni Tommasi Ferroni (1967, Rome) descended from an artis...

Marie Louise Bion (Swiss, *1858 ; † 1939) • Portrait of a young Woman • Oil on canvas • Stretcher ca. 56 x 46 cm • Original 19thC frame ca. 68 x 59 cm • Signed and dated ‘ 7/85 ’ ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Françoise by Jean-Pierre Cassigneul (b. 1935) Oil on canvas 55 x 46 cm (21 ⁵/₈ x 18 ¹/₈ inches) Signed lower left, CASS...

Portrait Of Julia Copley, 18th Century circle of Sir William Beechey (1753-1859) Large 18th century English School portrait of Julia Copley in her wedding dress, oil on canvas. Exc...