Nude Prints
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Nude Prints For Sale
QUATRE NUS AU HAREM
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category
1980s Cubist Nude Prints
Materials
Lithograph, Paper
Georges Braque Nude 1957 Collotype “Nu Aux Feulles”
Located in Dallas, TX
Collotype after a 1928 drawing by Georges Braque (French, 1882-1963), "Nu Aux Feuilles"
Art Deco, Art Nouveau nude of a woman.
From the “Braque Espace” portfolio by Daniel Jacomet 19...
Category
1950s Art Deco Nude Prints
Materials
Paper
No title (No 10) Photography Edition of 18 47" x 38" in by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 10) Photography Edition of 18 47" x 38" in by Yevgeniy Repiashenko
Year photo was taken: 2015
This artwork is part of "Spirit" series.
The picture shows a frozen movem...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Pigment
Derain, Deux femmes nues et nature morte, André Derain entre 1935-1949 (after)
By André Derain
Located in Auburn Hills, MI
Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...
Category
1970s Modern Nude Prints
Materials
Lithograph
Akt Podwòjny - Lithograph by Moise Kisling - 1930s
Located in Roma, IT
Akt Podwòjny is an modern artwork realized by Moïse Kisling.
Black and white lithograph.
Signed in plate.
Polish painter (Krakow 1891 - Sanary-sur-Mer, Var, 1953), naturalized Fre...
Category
1930s Modern Nude Prints
Materials
Lithograph
Kate II - Oversize limited edition - Kate Moss
Located in London, GB
Kate II - Oversize limited edition - Kate Moss
Beautiful archival pigment print of the supermodel and fashion icon
by the London based contemporary pop art
image creator and artist...
Category
2010s Pop Art Nude Prints
Materials
Black and White, Archival Pigment
Untitled (Nr. 2473) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
By Ben Cope
Located in Culver City, CA
Untitled (Nr. 2473) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmina...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Archival Pigment
Nude with a Small Bouquet Nu au petit bouquet - French Russian Flowers Bouquet
By Marc Chagall
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.
It is also hand numbered in pencil from the edition of 50, at the...
Category
1980s Nude Prints
Materials
Lithograph
Futura 2000 New York 1984 (Futura graffiti artist)
By Futura
Located in NEW YORK, NY
Futura 2000 NYC 1984:
A rare 1980s Futura announcement card published on the occasion of:
FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY.
Offset printed annou...
Category
1980s Pop Art Nude Prints
Materials
Offset, Lithograph
serenite orange
By Emile Bellet
Located in Warren, NJ
This is an Emile Bellet Giclee on canvas embellished “serenite orange”. In good condition measures 45x21.
Category
2010s Nude Prints
Materials
Giclée
Challenge, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 100. Male nude etching by Trevor Southey.
Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afri...
Category
1990s Contemporary Nude Prints
Materials
Etching
Amleto dalla Costa, Untitled, original pencil drawing, hand signed
Located in Chatsworth, CA
Amleto dalla Costa
Untitled
1980
Unique pencil drawing on paper
Hand signed and dated "1980"
Category
1980s Contemporary Nude Prints
Materials
Charcoal
Small Nude /// Philip Pearlstein Etching Figurative Female Post-War New York Art
Located in Saint Augustine, FL
Artist: Philip Pearlstein (American, 1924-2022)
Title: "Small Nude"
*Signed and dated by Pearlstein in pencil lower right
Year: 1976
Medium: Original Soft-Ground Etching on German Et...
Category
1970s Contemporary Nude Prints
Materials
Etching
Amleto dalla Costa, Anatomy+Suite, original silk screen, hand signed
Located in Chatsworth, CA
Amleto dalla Costa
Anatomy+Suite
1979
Original silkscreen
hand signed and numbered from an edition of 325
Category
1970s Contemporary Nude Prints
Materials
Screen
Young Rabbit, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 125. Portrait of a young Rabbit against an abstract background.
Trevor Southey was born in Rhodesia, Africa (now Zimba...
Category
1990s Contemporary Nude Prints
Materials
Etching
Mujer en Rojo, Surrealist Lithograph by Byron Galvez
By Byron Gálvez
Located in Long Island City, NY
Title: Mujer en Rojo
Date: 1980
Medium: Lithograph on Arches paper, signed and numbered in pencil
Edition: 100
Dimensions: 30 x 22 inches
Category
1980s Surrealist Nude Prints
Materials
Lithograph
Salvador Dali - Girl With Torch - Original Etching on Silk
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Girl With Torch - from "Les Amours de Cassandre"
Original Etching
From the suite on Silk made for editions 9 to 34
Dimensions: ...
Category
1960s Surrealist Nude Prints
Materials
Etching
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
The Bathers in Provence - Lithograph, 1971
By Paul Cézanne
Located in Paris, FR
Paul Cezanne
The Bathers in Provence, 1971
Lithograph and stencil (Jacomet workshop)
Unsigned
Numbered / 225
On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in)
Image...
Category
1970s Modern Nude Prints
Materials
Lithograph, Stencil
Mel Ramos, Original Exhibition Poster, 1972, Galerie Bischofberger
By Mel Ramos
Located in Hamburg, DE
Original poster for the exhibition "Mel Ramos" at Galerie Bischofberger in Zürich in 1972.
Category
20th Century Pop Art Nude Prints
Materials
Offset
Return, O Shulamite
Located in London, GB
Original Etching from the series ‘The Song of the Songs of King Solomon’ in colours with stencil on Arches wove paper.
signed and numbered by the artist
Paper size: 57.1 x 38 cm
Edi...
Category
1970s Surrealist Nude Prints
Materials
Etching
LADIES WITH PARROTS Signed Lithograph, Asian Women, Birds, Fans, Kimonos
By Walasse Ting
Located in Union City, NJ
LADIES WITH PARROTS is an original hand drawn lithograph printed using hand lithography techniques on archival Somerset printmaking paper, 100% aci...
Category
1980s Contemporary Nude Prints
Materials
Lithograph
Pool Boy - Fluro, Figurative art print, Pop art, David Hockney style art
By Gavin Dobson
Located in Deddington, GB
Pool boy – Fluro by Gavin Dobson [2021]
Limited Edition
CMYK screen-print
Signed by artist
Edition number 40
Image size: H:50 cm x W:35 cm
Complete Size of Un...
Category
2010s Pop Art Nude Prints
Materials
Paper, Mixed Media, Screen
Untitled (Nr. 7584) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
By Rowan Daly
Located in Culver City, CA
Untitled (Nr. 7584) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmina...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Archival Pigment
Guéridon et Guitare, Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Guéridon et Guitare". The original painting was completed in 1920. In the 1970's after Picass...
Category
1980s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x...
Category
1940s Nude Prints
Materials
Lithograph, Stencil
Le Peintre et son Modele, Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Le Peintre et son Modele". The original painting was completed in 1955. In the 1970's after P...
Category
1980s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Body
Located in London, GB
Archival digital print on Hänemuhle etching paper. This piece is part of a limited edition of 250 prints.
Category
2010s Contemporary Nude Prints
Materials
Archival Pigment, Digital Pigment
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
Vintage Abstracted Nude Print by Lanny Lasky
Located in Larchmont, NY
Lanny Lasky (1923-2011)
Untitled, c. 1970s
Print (lithograph?)
Sight: 22 1/4 x 17 1/2 in. (image)
Framed: 30 1/2 x 22 1/2 x 1 1/2 in.
Signed lower right, numbered lower left: 113/120
Lasky was as passionate about making art accessible to all as she was about creating it. She devoted much of her time to art education — as an education director for the Hudson River Museum, at the Lincoln Center Institute and the Bronx Council on the Arts. She was a consultant to the New York State Council on the Arts and the Connecticut State Department of Education and worked in many capacities, including director at the Museum of Modern Art’s education department from 1986 to 2001.
Lasky brought art to countless Riverdale children and senior citizens through her work with Riverdale Neighborhood House.
“Throughout her life she was always committed to her work as an artist, but she was also seriously committed to art education and that was important,” her son, Michael Lasky, said.
“She worked toward innovative art programs and had the kids paint...
Category
1970s Abstract Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
2 Renee Ritter Nude Figure Studies
By Renee Ritter
Located in Larchmont, NY
Renee Gaylin Ritter (American, b. 1935)
1. Untitled, 1974
Print (lithograph?)
Sight: 16 x 20 in.
Framed: 21.25 x 25 x 1 in.
Signed and dated lower right
2. Untitled, c. 1970s
Print...
Category
1980s Contemporary Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Petite Fille a la Robe Verte, Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Petite Fille a la Robe Verte (Paloma Picasso)". The original painting was completed in 1956. ...
Category
1980s Modern Nude Prints
Materials
Lithograph
Le peintre et son modele, Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
Seated beside her likeness, the nude model in this Pablo Picasso print stares at the painter while he contemplates the portrait he has rendered on the canvas. Both nude, the figures ...
Category
Late 20th Century Cubist Nude Prints
Materials
Lithograph
Tete, Framed Cubist Lithograph by Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Mari...
Category
1980s Modern Nude Prints
Materials
Lithograph
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco Nude Prints
Materials
Woodcut
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Raymond Pettibon Black Flag punk flyer (Raymond Pettibon Punk)
Located in NEW YORK, NY
Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...
Category
1980s Pop Art Nude Prints
Materials
Offset
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
MONICA LYING ON HER BACK, KNEES UP
Located in Aventura, FL
Five color lithograph and linocut on arches white paper. Hand signed and numbered by Tom Wesselmann. Edition HC 5/12 (the main edition was 100 plus 6 artist's proofs). Published by Aimee DeLittle for Mémoire de la Liberté, Paris.
Artwork is in excellent condition. All reasonable offers will be considered.
About the Artist: Tom Wesselmann (1931–2004) was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. Often isolating segments of the body—red lips with a cigarette, a single nipple, or a stylish shoe—his artworks aim was to seize a viewer’s attention. “The prime mission of my art, in the beginning, and continuing still, is to make figurative art as exciting as abstract art,” he once said of his work. Born on February 23, 1931 in Cincinnati, OH, he was drafted into the US Army to serve in the Korean War in 1952. Returning home after the war, he studied drawing at the Art Academy of Cincinnati before working as an illustrator of comic strips and men’s magazines...
Category
1990s Pop Art Nude Prints
Materials
Linocut, Lithograph
Magnus Gjoen, SAMUEL, 2022
By Magnus Gjoen
Located in Manchester, GB
Magnus Gjoen, Samuel, 2022
Archival pigment ink on cotton rag paper
Sizes Available:
Small : 40 x 100 cm (15.74 x 39.37 in)
Limited edition of 25
Large: 70 x 170 cm (27.55 ...
Category
2010s Contemporary Nude Prints
Materials
Archival Pigment
Femme nue se couronnant de fleurs
Located in Wien, 9
- Edition 250
- cat.raisonné Bloch 135
- published by A. Vollard, Paris
Category
1930s Modern Nude Prints
Materials
Etching
Torso, Nude Signed Etching by Leonard Baskin
Located in Long Island City, NY
Torso
Leonard Baskin, American (1922–2000)
Date: 1967
Etching, signed and numbered in pencil, dated in the plate
Edition of HP
Image Size: 10 x 8.75 inches
Size: 20 x 15 in. (50.8 x ...
Category
1960s Nude Prints
Materials
Etching
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
1890s American Impressionist Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Composition érotique (Dutel 2511), 30 et quelques attitudes..., Jean Dulac
Located in Auburn Hills, MI
Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...
Category
1950s Modern Nude Prints
Materials
Lithograph
Le Divan, Nude Lithograph by Daniel Gelis
Located in Long Island City, NY
Le Divan
Daniel Gelis, French (1942)
Lithograph, signed and numbered in pencil
Edition of 29/170
Image Size: 15.25 x 19.75 inches
Size: 17.75 x 24 in. (45.09 x 60.96 cm)
Category
Late 20th Century Nude Prints
Materials
Lithograph
"Syrens No3" Photography 35" x 25" in Edition of 15 by Larsen Sotelo
Located in Culver City, CA
"Syrens No3" Photography 35" x 25" in Edition of 15 by Larsen Sotelo
Not framed. Ships in a tube
Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish
Comes w...
Category
21st Century and Contemporary Modern Nude Prints
Materials
Archival Ink, Rag Paper, Giclée
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