Art Deco

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Original vintage travel poster for Comersee Italien / Lake Como Italy featuring a stunning Art Deco scene of people in fashionable summer clothing and elegant swimming costumes in th...

A fine detailed watercolour on paper by Royal Academician William Dring who was a noted portrait artist of the 20th century. This portrait depicts a young woman in profile - and was painted circa 1937. A very evocative Art Deco portrait. In excellent condition and framed in gallery frame. A fine example of mid 20th century British portraiture...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Acte I, La Grande Duchesse Signed “Erté” (lower right) Inscribed "La Traviata / 1er acte / Entrée des invités / Composition orig...

This superb Art Deco portrait oil painting is by noted Scottish artist Cowan Dobson. Painted in 1923 it is a really light and bright portrait of a young boy. The light catching his white shirt and face illuminate him beautifully as his blue eyes gaze at the artist/viewer. The brushwork, for example on his hair and shirt are superb. This stunning portrait is finished off in a gorgeous original frame. A excellent example of Cowan Dobson's work. Signed and date (19)23 lower right. Provenance. Scottish estate. Condition. Oil on canvas, unframed size is20 inches by 16 inches and in good condition. Frame. Housed behind glass in a beautiful ornate gilt frame. Framed size is 28 inches by 24 inches and in good condition. David Cowan Dobson (1894–1980), referred to as 'Cowan' Dobson ARBA (1919), RBA (1922), was a leading Scottish portrait artist of his day. Dobson was born in Bradford, Yorkshire, the second son of the Scottish portrait painter Henry John Dobson (1858–1928).Dobson started his career in Scotland. He was educated at George Watson's College in Edinburgh and studied art in Edinburgh, London and Paris. In 1918 he was using his father's studio at Dalry. Around 1920 he moved to London and from then on he worked and resided mainly in London. Occasionally, he would work in and around Glasgow. He is said to have rented Kenmure Castle, in New Galloway, Kirkcudbrightshire, in the 1930s and 1940s to entertain and paint fashionable sitters. Dobson mainly worked in oils but also painted some fine water-colour scenes. He painted in the tradition of the academic nineteenth century with mostly a rather darker colour scheme, while his brother Henry, influenced by the Modernist movement in Edinburgh, painted more colourful portraits. Although he painted some fine portraits of well known men, like Earl Attlee, Earl Beatty and Harold Wilson, Dobson also portrayed "fashionable London ladies". Dobson was married to Phyllis Bowyer, who was the brains behind his financial success. She made Dobson one of London's leading society portrait painters. She herself sat for the photographer Alexander Bassano, the resulting portrait now being at the National Portrait Gallery, London. During World War I, Dobson was commissioned by the Royal Air Force section of the Imperial War Museum to paint portraits of three recipients of the Victoria Cross. Dobson painted portraits of Lt. Col. L.W. Brabazon Rees, Sgt Mottershead and Flight Lt. A.W. Beauchamps-Proctor. Dobson first exhibited at Royal Academy when aged only nineteen and began showing at the Royal Scottish Academy four years later. Dobson's works were also exhibited at the Royal Society of Arts, Royal Society of Water-colourers, Royal Society of Portrait Painters, Royal Society of British Artists, Royal Cambrian Academy, Fine Art Society and at the Walker Art Gallery in Liverpool. Dobson enjoyed significant commercial success and thirty-six of his paintings, almost all portraits, are held in UK public collections including Glasgow Museums, The National Galleries of Scotland, Imperial War Museum, Paisley Art...

Lovers and Idol was featured on the cover of Harper’s Bazar in August, 1917, a very early work in Erte’s collaboration with the magazine. In his sculpt...

Original vintage travel poster - Orient Line to Australia - featuring a great design by one of the most renowned poster artists of the 20th century Edward McKnight Kauffer (1890-1954...

This large stunning watercolour portrait was painted circa 1930 by noted British female artist Anna Airy. The portrait depicts a full length boy seated in a beautiful Art Deco interi...

This enigmatic portrait oil painting is by noted Slade School artist John Cecil Stephenson. In 1929, when Portrait of Elizabeth Allison was completed...

Original vintage travel advertising poster - Around the World Eastward or Westward with NYK Line - featuring a stunning streamlined Art Deco design by the Swedish artist Gosta Georgi...

Original vintage travel poster - Dans Tous Les Ciels Air France / In All Skies - featuring a stunning Art Deco design by Roger de Valerio (1886-1951) depicting a propeller plane flyi...

Original vintage travel poster for the Oberitalienische Seen / Northern Italian Lakes featuring a stunning Art Deco view past a tall tree and village on the coastline towards hills a...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Boucles d'oreilles en corail (Coral Earrings) Signed “Erté” (lower right) Inscribed “n°3544 / Boucles d'oreilles en corail et tu...

Philip Shelton Sears 1868-1953 was an American tennis player and sculptor. He was the son of Frederic Richard Sears and Albertina Homer Shelton. His brother Richard Sears, was also a...

Cold Painted Austrian Bronze Table Lamp and Sculpture of a lounging Arab man. Signed with one of Zach's pseudonyms "K. Salat" Size: 16 1/2 inches high Artist Bio: Bruno Zach (6 Ma...

Women of the Eastern Village. Andrée Karpelès (Paris, 1885 - Grasse, 1956). A charcoal drawing on paper, from the beginning of the 20th century, representing 3 peasant women dresse...

“After the Rain” continues the paintings from the series “City Parks." Calm, balanced hues. Raindrops are scattered on the surface of the canvas like beads. Cobalt blue and its shade...

This is a stunning French Art Deco bronze sculpture figurine. The statue features a stylized freestyle interpretation of Artemis or Diana the Huntress (Diane Chasseresse). The nude f...

"Willow Tree" (Bronze) by Erte Type: Sculpture Media: Patina on Bronze Image Dimensions: 24 3/4" x 12" x 5 1/2" Year Produced: 1989 Edition Size: 375 Numbered, I-L Roman Numerals, 37...

"Kiss of Fire" (Bronze) by Erte Type: Sculpture Media: Patina on Bronze Image Dimensions: 21" High Year Produced: 1984 Edition Size: 300 Numbered, 30 AP, 9 HC Condition: Excellent

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

Erté created many costumes and artworks inspired by his travels and experiences with the countries and cultures of the Asian world. In addition, the French music halls which were an ...

Erté originally created this image as a costume design for the "Fonds de la Mer," a presentation of the Folies Bergere in 1919. Catalogue - Erté: The Last Works (Dutton, pgs. 108, 2...

The Hunting is a sculptural interpretation of Autumn, a lithograph from Erté’s The Four Seasons. It represents a beautiful creature – half woman, half animal – wounded by a cruel hun...

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Nielson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.' Norah Neilson Gray...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Erté’s image of Helen of Troy also exists as a gouache painting and a serigraph. Known as "the face that launched a thousand ships" and as Zeus' daughter, her story is one that is intricately intertwined with many of the Greek gods and goddesses...

Motherhood is based on an image originally created as a costume design for Les Idoles at the Théâtre Sarah Bernhardt in 1924. Catalogue - Erté: The Last Works (Dutton, pgs. 179, 207...

Masquerade is based on an image Erté originally created as a fashion drawing for Harper’s Bazar in 1922. Catalogue - Erté: The Last Works (Dutton, pgs. 119, 207). From the total edi...

Erté first met the legendary beauty Ganna Walska in 1920 when she contacted him about creating designs for her nascent opera career. He created many desig...

Erté originally created this delightful image representing the feminine energy of Spring for a scene in “Les Rois des Legendes” at the Folies Bergère. Catalogue - Erté: The Last Wor...

An original silver gelatin black and white photograph was distributed by American Information Services in Paris. Panoramic view of San Francisco circa 1939. Features: Original silver...

Davis Kemp Early 20th century Red Chalk drawing of Art Deco nude women with Bob hair style. Very well drawn nude study of two women from 1928 in t...

Extending the Series This graphite pencil drawing ‘Neo Deco – 02-02-23’ follows one in the same series. However, for the last one I used my regular model. This time I got ye...

Reggatas day (tribute to Seurat), by Fabio Hurtado, is an oil painting on canvas which was created in 1995 and which obtained the Honorary Medal at the C...

In 1919, Erté began work with the greatest French music-hall star of her day, Gaby Deslys. It was for Ms. Deslys’ appearance in the production of Les Rois des Legendes that Erté crea...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La valse Signed “Erté” (lower right) Inscribed "No. 4096 / La Traviata / Acte I / Scenes II et IV / La Valse / Composition origin...

ORIGINAL LITHOGRAPH ON PAPER Brand: RIVE GAUCHE LITHO , INC. Title: L'EAU Type of Advertising: Drinks SIZE: 52" X 36 Date of Creation: 1990-1998 Country of Manufacture: France Origin...

Cornucopia pays homage to the great goddesses of abundance and fortune, with a modern twist – rather than showing the bounty of the earth overflowing from the horn, this Cornucopia o...

This striking Art Deco portrait oil painting is by female artist Jolan Polatschek Williams. Williams was born in Austria but settled in England in the 1920's where she remained. Pain...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Les filles final (The Final Girls) Signed “Erté” (lower right) Inscribed No. 18.340 (en verso) Gouache on paper An elaborate de...

UNDER AND ABOVE, NEW YORK CITY, 2021 Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond. Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing. 2 x Prints as One work of Art: 80 x 50 cm Framed 82 x 52 cm approx./ 32 x 20.5 inches approx. Unique Work Series: New York City Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity © Michael G Jackson...

Extraordinary garden torch with one burner insert on an untreated oak spot. Customization possible and designed in 2010. Also available to order in stainless steel. The included bur...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Alphabet Year: 1982 Medium: Offset lithograph on archival paper Size: 36 x 24 inches Condition: Excellent Inscription: Signed in in...

Au Japon Pochoir (Stencil Print), 1925 Signed by the artist in pencil lower right (see photo) Signed in the image lower left (see photo) Stamped verso: Made in France Note: The artist won a gold medal in Paris in 1925 for his porchoirs Condition: excellent Image size: 11 1/2 x 13 inches Sheet size: 20 x 25 3/4 inches The artist is Italian, Vittorio Accornero de Testa, working in Paris. The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's. Condition: Excellent, never matted or framed Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les travestis (The Transvestites) Signed “Erté” (lower right) Inscribed "No. 18.363 / Moi, j'aime le music-hall / Les Travestis" (en verso) Gouache on paper Erté’s costume...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'Esclave porteuse d'éventailThe fan-carrying slave Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°23 / L'Esclav...

En Espagne Pochoir (silk screen) printed in colors Signed by the artist in pencil lower right The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Excellent Image size: 11-1/2 x 13" Sheet size: 19 1/2 x 24 3/4"; The artist won a gold medal in Paris in 1925 for his porchoirs The artist is Italian, Vittorio Accornero de Testa, working in Paris. The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's. Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

To find more of these unusual woodblock prints by Royds scroll down to "More from this Seller" and below it click on "See all from this Seller." Mabel A. Royds (1874-1941) Colour woodblock print Signed in pencil Exhibited 1942 29 x 33cm (approx.) Born in Bedfordshire, Mabel Royds was a painter, printmaker and illustrator. She studied under Henry Tonks at the Slade, after which she travelled to Paris - where she worked in the studio of Walter Sickert - and to Canada, before starting to teach at the Edinburgh College of Art in 1911. In 1914 she married the printmaker Ernest Lumsden...

From the celebrated Alphabet Suite, this stunning Art Deco lithograph/serigraph was designed by the Russian-born French artist and designer known by the pseudonym Erté, and produced ...

American artist Henry R Rittenberg painted this lovely 1920's Art Deco portrait oil painting. The painting is a standing half length portrait of a lady in a black coat with a white f...

Riccobaldi's 1936 travel poster for 'Riva Torbole Lago di Garda' is a captivating glimpse into the serene beauty of Italy's Lake Garda. Created in collaboration with ENIT (Ente Nazionale Italiano per il Turismo), Italy's National Tourist Board, this poster evokes the tranquil allure of a lakeside getaway. Riccobaldi, a visionary travel artist, transported viewers to far-off destinations through his art. His depiction of Lake Garda's pristine shores, with sailboats and sunbathing figures, captures the essence of this idyllic retreat. The poster's color palette mirrors...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Salade de fleurs de lotus (Lotus Flower Salad) Inscribed “n°1.497” (en verso) Gouache on paper In 1929, Erté embarked on the cr...

In 1935, the Italian artist Brunelleschi Umberto harnessed this power in his original poster for "L'art italien XIXe XXe siècles," a celebration o...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Arthémis Signed “Erté” (lower right) Inscribed No. 4.8 (en verso) Gouache on paper This original gouache from the creative mind...

A superb pastoral oil painting by British listed artist Frederick George Swaish and painted in 1923. He was a noted British artist of the inter war period and a regular exhibitor at ...

In the realm of travel advertising and design, Albert Solon's 1934 original travel poster for 'Air France Réseau Aérien Mondial' stands as a timeless testament to the allure of globa...

Bogota's Glory by Henri Bouchard (1875-1960) Sculpture in bronze with a nuanced yellow-brown patina Signed "H. Bouchard" on the base Cast by "Siot" (stamp) France circa 1927 height...