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International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Tunnel /Target
By June Wayne
Located in Santa Monica, CA
JUNE WAYNE (1918 - 2011) THE TUNNEL II, 1951 (B.69; G.14; Conway 67) Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target. Edition 35. 15 3/4 x 19 3/4 inc...
Category

1950s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

'En Plein Soleil' from the French Set, 'Douze eau-fortes d'apres Nature'
By James Abbott McNeill Whistler
Located in Myrtle Beach, SC
James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres Nature), etching, 1858, edition 61, 4th state of 4, Kenn...
Category

1850s Impressionist International Fine Print Dealers Association Art

Materials

Etching

Untitled
By Sam Francis
Located in London, GB
67.3 x 88.9 cms (26.5 x 35 ins) Edition of 50 Signed lower right, numbered lower left. Published by Nantenshi Gallery, Tokyo. Printed by Harumi Sonoyama at Gendai hanga Kobo Co...
Category

1980s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Color, Lithograph

The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
By Joseph Mallord William Turner
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category

1820s Old Masters International Fine Print Dealers Association Art

Materials

Mezzotint

Cranes and Concrete (in the 80s, a boom saw buildings racing into the sky?
By Frederick Mershimer
Located in New Orleans, LA
"Cranes and Concrete" is Frederick Mershimer's mezzotint of the construction scene on Broadway between 13th and 14th streets. Mershimer is no strang...
Category

1980s Contemporary International Fine Print Dealers Association Art

Materials

Mezzotint

ACADEMIC MALE NUDE FIGURE STUDIES
Located in Portland, ME
Michallet (attributed). ACADEMIC MALE NUDE FIGURE STUDIES. Four Charcoal drawings, each on heavy wove paper, 19th Century. 24 1/2 x 19 1/8 inches (s...
Category

Mid-19th Century Academic International Fine Print Dealers Association Art

Materials

Charcoal

Of Youth —after Gustav Mahler's 'The Song of the Earth'
Located in Myrtle Beach, SC
Arthur Paunzen, 'Von der Jugend' (Of Youth) from the suite 'Song of the Earth', etching, aquatint, and drypoint, 1920. Signed and titled in pencil. Signed in the plate, lower left. A fine, richly-inked impression, on cream, wove Japan paper; the full sheet with margins (2 1/4 to 4 1/4 inches), in good condition. Image size 12 1/4 x 9 1/16 inches; sheet size 19 3/4 x 13 5/8 inches. Matted to museum standards, unframed. ABOUT THIS WORK Pauzen’s suite of six etchings 'Das Lied von der Erde' (The Song of the Earth), published in 1920, was inspired by Gustav Mahler...
Category

1920s Vienna Secession International Fine Print Dealers Association Art

Materials

Etching, Drypoint, Aquatint

'Salient in February' — Mid-Century Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Salient in February', color serigraph, 1945, edition 25, Ryan 166. Signed in pencil. Titled, dated, and annotated 'ED. 40' in pencil. A fine impression, with fresh colors, on cream, wove paper; with full margins (1 3/4 to 2 5/8 inches, top sheet edge deckle); in excellent condition. Image size 9 x 11 inches; sheet size 12 3/4 x 16 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...
Category

Mid-20th Century American Modern International Fine Print Dealers Association Art

Materials

Screen

'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus International Fine Print Dealers Association Art

Materials

Woodcut

'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK). ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus International Fine Print Dealers Association Art

Materials

Woodcut

Angry Skies (Andante Cantabile) — Central Park, New York City
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Robert Ker Porter
By Robert Ker Porter
Located in Storrs, CT
Mezzotint after the painting by Robert Ker Porter (1777-1842). 25 1/4 x 17 (plate). Text: 'Robert Ker Porter pinx.t. W.Say sculp.t. London Published as the Act directs, June 19 1802, by John P. Thompson, Printseller to his Majesty and their Royal Highness's the Duke and Duchess of York...
Category

Early 19th Century Victorian International Fine Print Dealers Association Art

Materials

Mezzotint

New Year’s Eve and Adam
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...
Category

1910s Ashcan School International Fine Print Dealers Association Art

Materials

Etching

Standing Nude with Japanese Lanterns
By William Sommer
Located in Fairlawn, OH
Standing Nude with Japanese Lanterns Ink drawing on wove paper, mounted on wove paper support, c. 1916 Signed with the estate stamp B Provenance: Esta...
Category

1910s American Modern International Fine Print Dealers Association Art

Materials

Ink

ARC EN CIEL (RAINBOW)
By Henri Riviere
Located in Portland, ME
Riviere, Henri. ARC EN CIEL (RAINBOW). Lithograph in colors, 1901. Plate 3 from the suite "La Feerie Des Heures." Signed within the printed image. 9 1/2 x...
Category

Early 1900s International Fine Print Dealers Association Art

Materials

Lithograph

Bad Gastein Church, Austria
By Luigi Kasimir
Located in Fairlawn, OH
Bad Gastein Church, Austria Soft ground etching & aquatint, c. 1930 Signed in pencil by the artist (see photo) Image: 18 1/2 x 13 3/4" Condition: Very good...
Category

1930s Realist International Fine Print Dealers Association Art

Materials

Etching

Culture
By Ben Shahn
Located in New York, NY
Ben Shahn created this 1968 serigraph entitled “CULTURE” in black ink with red calligraphy. This is an UNSIGNED impression. Provenance; Shahn estate, private collector, The Old Print Shop...
Category

1960s Modern International Fine Print Dealers Association Art

Materials

Screen

Splashes of Ohio City (No. 3)
By Darius Steward
Located in Fairlawn, OH
Splashes of Ohio City (No. 3) Watercolor on Yupo paper, 2012 Signed lower right (see photo) Titled and dated on verso Part of a series of watercolors commissioned by the Cleveland Cl...
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Watercolor

Design No. 102 in Document Blue Fabric Sample
By (after) Frank Lloyd Wright
Located in New York, NY
Original large format fabric sample for Wright's Schumacher fabric line. The line was designed in the 1950's by Wright and reissued in fresh colorways in the 1980s. Linen with edges...
Category

1980s Modern International Fine Print Dealers Association Art

Materials

Linen

East Gloucester, Massachusetts — 1930's watercolor
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor, with fresh, undiminished colors, on off-white w...
Category

1930s Impressionist International Fine Print Dealers Association Art

Materials

Watercolor

Patitcha
By Henri Matisse
Located in London, GB
Henri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...
Category

1940s Modern International Fine Print Dealers Association Art

Materials

Aquatint

Unknown title (castle with wall, stream and footbridge)
By David Cox
Located in Fairlawn, OH
Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...
Category

1840s Romantic International Fine Print Dealers Association Art

Materials

Watercolor

The Lake
By Udo Claassen
Located in New Orleans, LA
German artist Udo Claassen created a dramatic landscape of this Icelandic scene in 1985 in an edition of 40. This is #33. Claassen was born in Itzehoe in the state of Schleswig-Hol...
Category

Late 20th Century Contemporary International Fine Print Dealers Association Art

Materials

Mezzotint

Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category

Late 19th Century Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

'Peking - Paifang Gate' — Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted. Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches. ABOUT THE IMAGE A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings. This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China. ABOUT THE ARTIST Cyrus Leroy Baldridge...
Category

1920s Showa International Fine Print Dealers Association Art

Materials

Woodcut

UNTITLED
By Yaacov Agam
Located in Portland, ME
Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 165, signed with marker, and numbered 164/165. 18 1/2 x 47 3/4 inches, 470 x...
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Screen

L'Eventail (Anaïs) also called The Fan.
By Gerald Leslie Brockhurst
Located in Storrs, CT
L'Eventail (Anaïs) also called The Fan. 1921. Etching. Fletcher 22. Final state. 6 3/8 x 4 7/16 (sheet 11 1/2 x 9 1/4). Edition 76. An extremely rich, tonal impression printed on cr...
Category

1920s Modern International Fine Print Dealers Association Art

Materials

Etching

Comus In a Drunken Stupor
By Hernan Bas
Located in Berkeley, CA
Color softground and flatbite etching, spitbite and soapground aquatints, and unique inking.
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Etching

Atlas Cornice Drawings 2 —Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...
Category

1920s Vienna Secession International Fine Print Dealers Association Art

Materials

Pencil

Untitled (Rendez-Vous) — 1920s modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Rendez-Vous), lithograph, edition 250, 1929. Signed in pencil. Signed in the stone, lower right. From a suite of 10 lithographs published by the artist ...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Charles Lindbergh Over Paris
By Frank Lemon
Located in New York, NY
Lemon, Frank. Flights: Unforgettable Exploits of the Air. This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927. Wright Aeron...
Category

1920s International Fine Print Dealers Association Art

Materials

Paper

Moon ( from the artist's Lunar Series)
By Ted Kincaid
Located in New Orleans, LA
An image from Kincaid lunar series. An edition of 10 Over the course of three decades, Ted Kincaid has systematically subverted the notion of an objective photographic record and examined the play between painting and photography. Kincaid has created multiple series...
Category

2010s International Fine Print Dealers Association Art

Materials

Film, Digital

Untitled
By Sam Francis
Located in London, GB
114.3 x 70.5 cms (45 x 27.76 ins) Edition of 50
Category

1980s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Color, Lithograph

Floater State II
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20. Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history. Floater State II, a meditating skeleton poised above surging waves, was done from memory after a 19th century Japanese painting...
Category

Early 2000s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Harlem Beauty (Negress, Negro Girl, Black Girl)
By Werner Drewes
Located in Myrtle Beach, SC
'Harlem Beauty' ('Negress', 'Negro Girl', 'Black Girl'), woodcut, 1930, edition 30, Rose lll.42. Signed, dated, numbered '1 - XXX', and titled 'Negress' in ...
Category

1930s Expressionist International Fine Print Dealers Association Art

Materials

Woodcut

Plate X, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate X, Le Cocu Magnifique Etching & aquatint, 1968 Unsigned Edition: From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 im...
Category

1960s French School International Fine Print Dealers Association Art

Materials

Aquatint, Etching

River of Ponds I
By Frank Stella
Located in London, GB
Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles, sheet: 96.5 x 96.5 cm....
Category

1970s Minimalist International Fine Print Dealers Association Art

Materials

Lithograph

Modernist Nude — Atelier 17
Located in Myrtle Beach, SC
Russell T. Limbach, 'Untitled (Modernist Nude)', etching and aquatint, no known edition, c. 1930. Signed in pencil. A fine impression, on cream wove paper, with full margins (1 7/8 to 2 3/4 inches), in excellent condition. Image size 8 15/16 x 5 15/16 inches; sheet size 13 3/8 x 10 1/4 inches. Extremely rare. Matted to museum standards, unframed. Probably created when Limbach was in Paris (1928-1934), where he was exposed to modernist printmaking explorations at Stanley William Hayter’s 'Atelier 17'. ABOUT THE ARTIST Born in Massillon, Ohio, Russell Limbach...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Etching

Shipping
By Kerr Eby
Located in Myrtle Beach, SC
Kerr Eby 'Shipping' also 'Shipping, Connecticut', etching and sandpaper ground, 1932, edition 100, Giardina 171. Signed in pencil and titled 'Shipping' in the bottom left sheet edge. A superb, atmospheric impression, with skillfully controlled plate tone, on heavy, cream wove paper; the full sheet with wide margins (2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 3/8 x 17 1/4 inches (316 x 176 mm); sheet size 13 7/16 x 8 3/8 inches (341 x 213 mm). The scene depicted was on the Connecticut coast...
Category

1940s American Impressionist International Fine Print Dealers Association Art

Materials

Etching

Brussels Griffon Painting
Located in New York, NY
Original Brussels Griffon gouache, probably Belgian, done as a design for a series of matchboxes.
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Board, Gouache

DUELO (Duel)
Located in Santa Monica, CA
FRANCISCO MORA (1922 - 2002) DUELO (Duel) c. 1945 Lithograph signed in pencil. Published by the TGP Taller de Grafica Popular. Label on verso. 9 5/8 x...
Category

1940s Realist International Fine Print Dealers Association Art

Materials

Lithograph

Tree Peonies
By Chao Chung
Located in Storrs, CT
Tree Peonies. Watercolor and sumi ink on paper mounted on silk. Image: 29 x 11 1/2. Signed with the artist's red seal. Text: "You can smell the fragrances with the spring breeze touc...
Category

Late 20th Century Showa International Fine Print Dealers Association Art

Materials

Ink, Watercolor

Rittersporn und Fingerhut (Larkspur and Foxglove)
Located in Fairlawn, OH
Rittersporn und Fingerhut (Larkspur and Foxglove) Color woodcut, printed on wove paper with mica flecks, 1916 Signed lower right (see photo) Inscribed lower left (see photo) Reference: Merx 276 Condition: good-very good One spot of staining on the far left edge of the composition (see photo) Color very fresh and vibrant Full sheet as issued Image size: 19 x 13 3/8 inches Carl Thiemann...
Category

1910s Vienna Secession International Fine Print Dealers Association Art

Materials

Woodcut

OBSEQUIO á el MAESTRO (‘A gift for the master’)
By Francisco Goya
Located in Santa Monica, CA
FRANCISCO de GOYA y LUCIENTES (1746 -1828) OBSEQUIO á el MAESTRO (‘A gift for the master’) Plate 47 from the 1st edition of Los Caprichos (Blas, ...
Category

1790s Old Masters International Fine Print Dealers Association Art

Materials

Etching, Aquatint

The Basque Boy also called Boy with Beret and Fabian.
By Gerald Leslie Brockhurst
Located in Storrs, CT
The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/8 x 13 7/8). Edition 10. Printed on countermarke...
Category

Mid-20th Century Modern International Fine Print Dealers Association Art

Materials

Lithograph

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist International Fine Print Dealers Association Art

Materials

Etching, Drypoint

Black Cathedral
By Robert Motherwell
Located in London, GB
Robert Motherwell Black Cathedral 1991 Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper, Edition of 40 170.2 x 119.4 cms (67 x 64 ins) RM17876 Siri Engberg and Joan Bana...
Category

1990s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Lithograph

Wild Pilgrimage, No. 26
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. Matted to museum standards, unframed. Scarce. Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

Blue Mussels Print
By Mathurin Meheut
Located in New York, NY
Plate number 8, Moules sur schistes de Duon, from "Étude de la Mer" by Mathurin Meheut. Heliochrome print. Paris, Éditions Albert Levy, 1924.
Category

1920s International Fine Print Dealers Association Art

Materials

Paper

California Salmon.
Located in New York, NY
Kilbourne, S.A. Game Fishes of the United States. This plate: California Salmon. New York, Scribner & Sons, 1878-81. Original chromolithograph.
Category

Late 19th Century International Fine Print Dealers Association Art

Materials

Paper

The River Barge
By David Cox
Located in Fairlawn, OH
The River Barge Pen and ink on paper on laid paper, mounted in English drum mount , c. 1810 Unsigned Condition: Slight sun staining to sheet and mount in th...
Category

1810s Romantic International Fine Print Dealers Association Art

Materials

Ink

UNTITLED
By Ynez Johnston
Located in Portland, ME
Johnston, Ynez (American, 1920-2019). UNTITLED. Color woodcut, not dated. Edition size, if any, not known. Inscriibed "Trial Proof" in the left margin, and signed in pencil in the lo...
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Lithograph

'Varietesoubrette, Schwalbennest' also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full s...
Category

1920s Bauhaus International Fine Print Dealers Association Art

Materials

Drypoint

Grande masque
By Henri Matisse
Located in London, GB
Henri Matisse Grande Masque 1948 Aquatint on Marais paper, signed in pencil and numbered 11/25, there were also 5 artist’s proofs. Signed, dedicated "à Nadia Sednaoui" and inscribed ...
Category

1940s Modern International Fine Print Dealers Association Art

Materials

Aquatint

An Indian Fortune Taller
By Marius Bauer
Located in Storrs, CT
An Indian Fortune Teller. 1926. Etching. Wisselingh 265. 4 x 4 3/4 (sheet 8 x 8 3/8). Edition 100, #29. A rich impression printed on Japanese mulberry paper. Signed and numbered in p...
Category

Early 20th Century Modern International Fine Print Dealers Association Art

Materials

Etching

Our Gang
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20. Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history. Our Gang...
Category

Early 2000s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Map of Chatham, Cape Cod
Located in New York, NY
Original map of Chatham, Cape Cod, with recent hand-coloring, 1938. Light toning to edges; has original holes punched in left edge. From "Massachusetts Cit...
Category

1930s International Fine Print Dealers Association Art

Materials

Paper

Erinnerung (Remembrance) — Turn-of-the Century Romantic Etching
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung (Remembrance)', etching and aquatint, 1896. A fine, richly inked impression, on off white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in excellen...
Category

1890s Post-Impressionist International Fine Print Dealers Association Art

Materials

Aquatint, Etching

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