Abraham Cohen Art

The title of the painting, "African Radiant," captures the essence of the woman's beauty and spirit. She exudes a sense of joy and inner radiance that is infectious, and her confident gaze and proud stance suggest a deep sense of pride in her heritage and culture. Overall, "African Radiant: Celebration of Beauty and Joy" is a powerful celebration of the beauty and resilience of black African women. It invites viewers to revel in the richness and diversity of African culture and appreciate the strength and joy inherent in the African spirit. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. People are going through so much they are not courageous enough to speak about them because of societal prejudices. Our realities are no longer what it used to be! Often we are lost while trying to figure out ourselves and just in that moment, being lost could be a lovely place to find yourself. About Artist IDORENYIN UMANA...

The painting titled "Young, Gifted, and Black" portrays a beautiful black girl with a confident gaze, looking directly at the audience. The girl is depicted with a slight smile on he...

I stared at the man with keen interest, hoping to know more about what life has in store for me. The man looked at me sternly, and I couldn’t be more convinced he had seen everything, including my afterlife. A strange language jolted me back to reality as I realized the lady in the room had arrived at the intersection where "Malaicha" and other spirits were. I watched in confusion as the man quickly scribbled down what appeared to be an interpretation of the foreign tongue. My patience dwindled per second as the man kept penning down words. To shorten a long story short, the interpretation was presented in bold letters. My background was also written as additional proof of the veracity of the "spirit." I became eager to know the way forward. "Abeg, Sir, and Ma help my life." "I want to come out of my family's shackles and enemies," I pleaded. They exchanged a knowing look as if they’d been anticipating this moment. My pockets started running dry while my anxiety spiked. I was told to join their religion and denominations. Of course, it’s preferable to go from "God" to "God" in spiritual warfare. I wish to go back to the point of ignorance, where no one was after my life and every day was another day to conquer. A few months later, I realized that to see beyond any circumstances, we must be at ease and calm; we are better able to discern people’s motivations. To see beyond is to see with our inner eyes rather than filthy, unknown eyes. To see beyond is to remain steadfast in personal prayer and to hold out hope that your prayers will be heard. To see beyond is to see beyond the limitations of flesh, realizing that you are gods. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiola was born in 1992, in Odo-ona Elewe, Ibadan, Nigeria. He was trained and mentored by Mr. Tope Fatunmbi...

An oil painting by Theo Tobiasse from 1967. An expressionist-style textural painting of intensely dark and vivid color palette. Inspired from the artist's personal experiences of the...

"Freedom" is a mesmerizing composition that commands attention with its compelling portrayal of a woman's portrait. Theophilus masterfully captures the essence of liberation through the subject's confident and defiant gaze, radiating a sense of empowerment. The woman's facial expression and body language exude a combination of strength, self-assurance, and a resolute determination to be true to oneself. The artist employs a nuanced and skillful technique, bringing depth and dimension to the portrait. Each brushstroke seems to convey the emotions and experiences that have shaped the subject's journey toward freedom. Theophilus pays meticulous attention to the smallest details, rendering the textures of the woman's features with precision, giving her a palpable presence within the artwork. "Freedom" encapsulates the triumph of breaking free from societal expectations and norms. The woman's portrait serves as a symbolic representation of individuals who have found the strength to embrace their true selves and live authentically. Her expression reflects the liberation that comes with shedding external pressures, embracing personal identity, and embracing the inherent right to be free. The artwork's moniker, "Freedom," amplifies its central theme. It serves as a powerful reminder that true freedom lies not only in external circumstances but also within one's mind and spirit. Theophilus encourages viewers to explore the boundless possibilities that arise when individuals break free from societal constraints and allow their true selves to shine. "Freedom" by Adewuyi Theophilus...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

A child may suffer from "Daddy Issues", depending on the circumstances and the kind of behavior a father is projecting. In this piece "Daddy Issues" Rogers tries to portray how lonel...

An original oil on canvas diptych by American contemporary artist Mark Lavatelli created in 1996. 72" X 122"

CELSO LAGAR Spanish, 1891 - 1966 NATURE MORTE signed "Lagar" lower left oil on canvas 18-1/4 X 21-3/4 inches (46 X 55 cm.) framed: 23-3/8 X 27-1/8 (59 X 68.5 cm.) PROVENANCE Privat...

Jean Jansem (1920-2013) Le triomphe de la mort, 2000 Huile sur toile Signée en bas à gauche et à droite 150 x 200 cm Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: L’indigence d’après-guerre et la difficulté inhérente de trouver les matériaux adéquats et/ou habituels, telles les couleurs, très onéreuses alors, ont poussé les artistes figuratifs de l’après-guerre, en corrélation avec les préoccupations de l’époque, à redéfinir les paradigmes de la représentation. Il n’est plus question de chercher un sens mais bien pour les artistes d'étudier l’objet pour son intérêt formel, sa qualité intrinsèque. Le regard de l’artiste devient analytique et dépeint alors l’objet pour ce qu’il est et non plus pour son pouvoir évocateur ou symbolique. La nature morte n’est plus une invitation sensuelle à la ripaille, la pomme ou la pêche n’évoque aucune envie de croquer, la cruche aucune ivresse, la volaille...