Alfred MANESSIER Art

PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (2e planche). Color lithograph, 1898. 600x488 mm; 23 5/8x19 1/4 inches, full margins. Edition of 200. With the second printed signature in the stone, lower left. Printed by Auguste Clot, Paris. Published by Vollard, Paris. A very good impression of this important lithograph with strong colors. Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard. Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography. Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir...

AGNES MARTIN Paintings and Drawings 1974-1990: Stedelijk Museum, Amsterdam, 1991 The complete set of 10 lithographs in colours, on vellum parchment paper, with full margins, the shee...

3 lithographs on vellum (from the portfolio of ten) Edition of 2500 (reported) Not signed or numbered Artwork in mint condition. Minor imperfections on original packaging. Sold in or...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition with center fold, as issued by the publisher; never framed or matted. Notes: From the volu...

Serigraphy on Fabriano paper, edited in 1983 limited edition, numbered in lower left corner as pda ( artist proof ) signed in pencil by artist paper size: 68 x 68 cm excellent condit...

Original Limited Edition Lithograph on Vellum Paper. Edition: 5,000. Paper Size: 12.5 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never frame...

Derriere le Miroir Cover is an original artwork realized by Alexander Calder in 1968. Original mixed colored lithograph. The artwork was th...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...

La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Litógrafo I. Published by Ediciones Poligrafa, ...

Limited edition of 100 prints, hand signed and numbered.