Anastasia Samoylova Figurative Photography

Sarah 2 - Signed limited edition archival pigment print - Edition of 5 Photographed in Brighton, England in 1989 This image was captured on film. The negative was scanned creati...

Altstadt Rêveries #06, 2008 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE, Hand signed & numbered by the artist, edition of 7 - nr 02 Unmounted. Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

'Portal' 2019, Edition 1/10 plus 2 Artist Proof, 20x20cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signature label and certificate. Lisa T...

Paris Romance - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1994 in Paris, Champs-Elysées front o...

Stockings - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1982. The negative was scanned creating a digital file which was ...

Kampos Project #6 (Two women in a Bathtub), 2016 Archival pigment print on Hahne Muehle 200 gm Edition of 7 20 x 35 cm - $1200 40 x 60 cm - $1900 70 x 90 cm - $2900 Stratis Vogiatz...

Ghost Story - 2021 50x40cm, Edition of 10 plus 2 Artist Proof. Archival Print based on an original Polaroid on Hahnemühle photo rag paper. Signature label and certificate. Not mou...

Sunspots - Signed limited edition archival pigment print - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free ...

Run - 2018, Edition 1/10 plus 2 Artist Proof, 50x50cm. Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. Ariel Shelleg ...

24"x30" will photograph, signed and editioned on reverse. (edition of 5) This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern...

Julian Lennon (England, 1963- ) "Someone we all know" U2 in concert Edition 25/25, Figurative Black and White Photograph signed and numbered in Pencil, 19.50 x 25 (Image: 13 x 18), 21st-Century, 2010 Colors: Black and White Julian Lennon has always felt that he has observed life differently, perhaps because his path through life has been so unusual. Nothing could be more apparent, as he reveals to the viewer his keen eye for composition and his gift for capturing an intimate moment. Julian seeks to depict his personal journey as an artist in the midst of unique life experiences. Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent gift for playing musical instruments. Those abilities would soon broaden into the cinematic and visual arts. As an observer of life in all its forms, Julian developed his personal expression through such mediums as music, documentary filmmaking, philanthropy, and now photography. ‘Timeless,’ his first photo exhibition, staged in Manhattan in September 2010, debuted Julian’s considerable talents behind the camera, as seen in photographs of U2 and his painterly landscapes. Since then, he has had multiple exhibitions throughout the US and Europe, many of which have included his ‘Alone’ collection, followed by his most recent ‘Horizon’ which reconciled photography with philanthropy, the results of a Charity: Water and White Feather Foundation initiative, bringing critically needed clean drinking water to parts of Africa. During these travels through Kenya and Ethiopia, Julian captured a wide variety of images with the intention of inspiring viewers to learn about unique indigenous cultures, meanwhile raising awareness of their plights. Empathy, notes Julian Lennon, is the bond that unites the planet. He offers, “We are all in this together...

'Lunar Sea' 2019, Edition 1/10 plus 2 Artist Proof, 20x24cm. Art Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted. ...