Andrew Erdos Art

signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An act...

'Wa-Kal-La' Archival photographic triptych. Limited Edition of 25. Hand signed and numbered, unframed. _________________ Reflected in the rippling surface of the Merced river, the ...

Black and white fine art landscape photography print. Bent tree in fog in the fairy forest on the island of Madeira, Portugal. Archival pigment ink print, edition of 5. Signed, title...

Everts Township Schoolhouse, Summer, 1992 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on ...

'The Optimism of Spring' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Offline," a thought-provoking photograph by Anne Valverde, we are presented with a tranquil coastal scene at twilight. The neon text 'off line' glows softly amidst the wild grasses at the forefront, suggesting a deliberate disconnection from the digital world and an immersion into natural serenity. The horizon blends sea and sky in a gradient of blues, symbolizing the vastness and depth of the world beyond our screens. The pristine environment, with its calm waters and untouched sands, encourages viewers to consider the peacefulness that comes with being 'offline' and reconnecting with the environment around us. The placement of the phrase 'off line' within the serene landscape invites the viewer to reflect on the concept of presence and the importance of disconnecting from the constant flow of information and connectivity that defines modern life. It's a gentle nudge to step back, to breathe in the fresh air, and to take in the moment without the distraction of technology. "Offline" is not just a visual experience; it is a statement on the balance we seek between the digital and natural worlds. It's a call to occasionally break away from the tether of our devices and to indulge in the beauty that exists when we do. This image captures that fleeting moment of dusk when the world slows down, and we can find solace in the simple and profound beauty of nature. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

GOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco skyline in Northern California's atmospheric morning light 58 x 110 inches ( 147 ...

© Gerald Berghammer - Limited edition of 7. Archival fine art pigment print. Printed to order and signed, titled, dated and numbered by artist to order. Certificate of authenticity ...

Black and White Fine Art Photography - Mystical curved tree in the fog on the island of Madeira, Portugal, edition of 8. Signed, titled, dated and numbered by artist. Certificate of ...

Limited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. The photograph titled "You Are Here" by Anne Valverde exhibits a minimalistic seascape where the vastness of the sea meets the expansive sky. The crisp horizon line divides the image into two broad swaths of muted color, imparting a sense of calm and infinity. The foreground is a textured white that looks almost like a continuation of the sea's surface, adding depth and grounding the photograph in a tangible reality. Against this serene backdrop, the phrase "You Are Here" is superimposed in a style reminiscent of neon signage. The contrast of the modern, human-made font with the natural setting plays on the idea of place and presence. It serves both as a marker of physical location and a philosophical statement about being present in the moment, offering a dual commentary on geography and consciousness. The artwork’s essence lies in its call for contemplation. In a world often dominated by haste and distraction, Valverde’s work is a gentle prompt to acknowledge and savor the present. The text acts as an anchor, pulling the viewer back from wherever their mind might wander, back to the 'here' that is not just a point in space, but a moment in time. The composition and the inclusion of the text work together to evoke a reflection on solitude and connectivity. In the absence of any human figures or traces of civilization other than the text, the image suggests isolation, yet the words imply a connection to the viewer. It is this paradox that enriches the photograph, encouraging a deeper engagement with the layers of meaning behind the simplicity of the captured scene. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...