Charles MacLellan Art
to
4
4
3
1
3
1
Overall Height
to
Overall Width
to
4
4
2
1
1
1
1
1
1
1
4
3
1
4
6,996
3,348
2,513
1,213
4
4
3
3
1
Artist: Charles MacLellan
Boy Drying Dishes, The Saturday Evening Post cover
By Charles MacLellan
Located in Fort Washington, PA
Signed & Dated Lower Left by Artist
The Saturday Evening Post cover, October 18, 1913
Category
1910s Charles MacLellan Art
Materials
Oil
Saturday Evening Post Cover, September 13, 1913
By Charles MacLellan
Located in Fort Washington, PA
Signature: Signed Lower Right
Medium: Oil on Canvas
This illustration was a Saturday Evening Post cover, September 13, 1913.
Category
1910s Charles MacLellan Art
Materials
Oil, Canvas
Quilting
By Charles MacLellan
Located in Fort Washington, PA
Date: 1911
Medium: Oil on Canvas Laid on Wooden Board
Dimensions: 22.00" x 18.00"
Signature: Signed and Dated Lower Center
Category
1910s Charles MacLellan Art
Materials
Oil, Canvas, Board
Slipping into her Shoes
By Charles MacLellan
Located in Fort Washington, PA
Medium: Oil on Canvas Laid on Panel
Signature: Signed and Dated Lower Left: Chris. A. MacLellan - 34
Sight Size 30.00" x 24.80", Framed 37.00" x 32.00"
The Saturday Evening Post cov...
Category
1930s Charles MacLellan Art
Materials
Panel, Canvas, Oil
Related Items
Early 20th Century Figurative -- The Paper Boy and His Comics
By Louise Miller Clark
Located in Soquel, CA
Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...
Category
1940s American Impressionist Charles MacLellan Art
Materials
Cardboard, Canvas, Oil
H 24 in W 18 in D 1 in
Portrait of a young girl
Located in BELEYMAS, FR
Louis Joseph César DUCORNET
(Lille 1806 – Paris 1856)
Portrait of a young girl
Oil on canvas
H. 92 cm; L. 73 cm
Signed upper left, dated 1837
When he came into the world in Lille in...
Category
1830s French School Charles MacLellan Art
Materials
Canvas, Oil
In the Meadow, Springtime Dutch
By Cornelis Bouter
Located in Hillsborough, NC
Springtime, 'In the Meadow' by Cornelis Bouter (1888-1966) is a Dutch painting with figures and landscape in an impressionist style with early spring blossoms. Idyllic scene by a river under tree blossoms, this fine oil on canvas painting is very well presented in an original frame. Children play while mother peels apples in a pleasant afternoon setting. Sure to please this Easter!
Imported by Saltire...
Category
Early 20th Century Impressionist Charles MacLellan Art
Materials
Canvas, Oil
Seascape with Flock of Ducks
Located in Soquel, CA
Tranquil seascape with a large flock of migrating Redhead ducks in flight by California artist Dan Findlay (American, 20th Century). Signed "Dan Findlay" lower right. Presented in a ...
Category
1970s American Impressionist Charles MacLellan Art
Materials
Canvas, Oil, Cardboard
1940s New York Interior -- An Evening Scene of Artist and His Wife
Located in Soquel, CA
1940s New York Interior -- An Evening Scene of Artist and His Wife
Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...
Category
1940s Ashcan School Charles MacLellan Art
Materials
Oil, Canvas, Cardboard
H 15.5 in W 19.5 in D 0.75 in
Barcelona view urbanscape oil painting Spain spanish
By Josep Marfa Guarro
Located in Barcelona, Barcelona
Josep Marfa Guarro (1928-2014) Barcelona Spain Oil
Oil on canvas glued to cardboard.
Oil measures 23x28 cm. Frameless.
Josep Marfa Guarro (1928-2014)
Josep Marfa Guarro was a Cata...
Category
1990s Impressionist Charles MacLellan Art
Materials
Canvas, Oil, Cardboard
"Bantam Rooster w/Hen and Chick" by Matthieu Theeuwes van Ginneken (1811-1888)
Located in SANTA FE, NM
"Bantam Rooster w/Hen and Chick"
Matthieu Theeuwes van Ginneken (1811-1888)
Oil on canvas mounted on wood panel
11 x 9 1/2 (18 x 16 1/2 x 3 inches frame) inches
Matthieu Theeuwes v...
Category
1860s Realist Charles MacLellan Art
Materials
Canvas, Oil, Wood Panel
"Parisian City Street Scene" Town & Figures Mid-20th Century Oil Painting Canvas
Located in New York, NY
This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...
Category
Mid-20th Century Post-Impressionist Charles MacLellan Art
Materials
Panel, Canvas, Oil
Sketch of a dandy portrait
Located in BELEYMAS, FR
French school circa 1840
Sketch of a dandy portrait
Oil on canvas mounted on cardboard
H. 21 cm; L. 20.5 cm
Category
1830s French School Charles MacLellan Art
Materials
Canvas, Oil
She Didn’t Like It
By Donald Roller Wilson
Located in Rancho Santa Fe, CA
Dated: 1987/55
Signed and dated upper edge
Provenance:
The artist
Coe Kerr Gallery, New York
Wright Gallery, New York
Private collection, New York (Purchased from above, 1995)
This...
Category
1980s Realist Charles MacLellan Art
Materials
Canvas, Oil, Wood Panel
Portrait of Gentleman, Thomas Bruce, Earl of Elgin c.1638 Manor House Provenance
Located in London, GB
Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo).
This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this time gone are the complicated layers of fabrics, and now replaced with understated elegance of plain silk (satin and taffeta were most popular), with only a couple of focal points as accessories. There is an abundance of the accessory par excellence – pearls, and they are worn as a necklace, on her attire, and as earrings; the pear-shaped earrings are called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth.
The portrait is thought to represent Thomas Bruce (1596-1654), Earl of Elgin. The physiognomy and features in our portrait strongly correlate to a portrait of the Earl, by Cornelius Johnson (1593-1661), painted circa 1638, and is held at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to ours and is thought to represent the Earl’s wife, Diana Cecil, 1st Countess of Elgin (c.1603-1654) - it appears to have derived from Cornelius Johnson’s depiction of the Countess circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. There are also other portraits by Johnson of the sitter with very similar facial features to that of the sitter in ours. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson.
Thomas Bruce, 1st Earl of Elgin, was a prominent Scottish nobleman who held titles such as the 3rd Lord Bruce of Kinloss. He resided at Houghton House in Bedfordshire and played a significant role in the political and social landscape of his time. His legacy as an Earl and Lord continues to be remembered in history.
Thomas Bruce, born in Edinburgh in 1599, inherited the Scottish peerage title as the 3rd Lord Bruce of Kinloss at the age of 13 following his brother's untimely death in a duel. The family's estates, including Whorlton Castle and manor, were granted by King James I of England to Thomas's father, with the wardship of Thomas and the estates entrusted to his mother until he reached the age of 21. He maintained a strong connection with King Charles I's court during the Personal Rule, receiving titles of honour and prestigious roles throughout the years.
Thomas Bruce was married twice in his lifetime. His first marriage was to Anne Chichester in 1622. Ann died in 1627, the day after giving birth to their only child, Robert Bruce, who later became the 1st Earl of Ailesbury. On 12 November 1629, Thomas Bruce married Lady Diana Cecil, the daughter of William Cecil and widow of Henry de Vere. The marriage was childless, but Diana brought significant estates with her. Thomas Bruce died on 21 December 1663 at the age of 64.
This oil on panel portrait has been well cared for over its life, which spans almost four centuries. Having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel.
Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare.
Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone.
Presented in a fine period frame.
Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility.
Provenance
Richard Hill...
Category
17th Century Old Masters Charles MacLellan Art
Materials
Oil, Wood Panel
H 18.9 in W 16.15 in D 1.58 in
"Pilgrimage" - Mid Century Figurative Landscape
By Mary Miller
Located in Soquel, CA
"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W.
Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...
Category
1950s American Impressionist Charles MacLellan Art
Materials
Canvas, Oil, Cardboard
Charles Maclellan art for sale on 1stDibs.
Find a wide variety of authentic Charles MacLellan art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Charles MacLellan in oil paint, paint, canvas and more. Not every interior allows for large Charles MacLellan art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Jack Lorimer Gray, Curtis Cutshaw, and Paul Fournier. Charles MacLellan art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,600 and tops out at $129,000, while the average work can sell for $69,000.