Chuck Krause Art

"From the series- “Visions from a White Hole” (small)" is an original an original ceiling-hanging luminous sculptural work made of PVC and light element measuring approximately 11" x...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Unique hand painted resin sculpture. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Pablo Picasso A.R. 542 Wood Owl 1968 11.8” x 8.8” Edition of 500 White earthenware clay, decoration in engobes under partial brushed glaze, black patina Ramie 542 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

Pablo Picasso A.R. 142 Ice Pitcher 1952 12.6” x 21.6” Pitcher Edition of 100 White earthenware clay, decoration in oxides, knife engraved on white enamel Ramie 142 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

'Teeth of Life' is an original found (unpainted) cardboard and foamcore wall-hanging sculpture by Ryan Sarah Murphy measuring 32"h x 24"w x 1"d. Ryan Sarah Murphy is a visual artist living and working in New York. Her collage-based work is process-driven and incorporates the use of found and repurposed materials. From 2012-2014 she held a studio residency at The Elizabeth Foundation for the Arts and is the recipient of a 2014 Fellowship Grant from the New York Foundation for the Arts. Her work has been shown in solo and group exhibitions across the US including Platform Gallery (Seattle), Lesley Heller Workspace (NY), Mixed Greens (NY), Liliana Bloch Gallery (Dallas), Radiator Arts (Long Island City, NY) and ODETTA Gallery...

Made from a real pizza nestled in its original box opened using high-chromium stainless steel, the piece measures 16" x 16" x 21", weighs approximately 80 pounds and is an Artist Proof. The artist sees his creation as a reflection of the cultural distortions represented by memes, a statement he has expressed perfectly in his reflective, yet unevenly textured, medium. "You look at your reflection [in the piece], and it's distorted in the stainless steel." The piece was born in 2007, just as the social internet was beginning to explode out of the digital back rooms and onto the world stage under the watchful eyes of Myspace, Facebook, YouTube, Reddit, Twitter, Tumblr, and other popular platforms. But Big Sausage Pizza was conceived well before that, in the Wild West days of the internet when few truly public forums existed and media of every kind was most commonly shared via email. In those days one never knew what to expect from a link or an attachment and each click had equal odds of either brightening your day with a dancing baby or posing a risk to your computer, your dignity, or your relationships... and that was half the fun. Every recipient of these images, videos, or audio files suddenly had the means not only to pass them along to as many people as they pleased, but to change and individualize them before sending them on. In this way, the media very quickly mutated and were distributed around the globe. In other words, they became true memes. Pizza has evolved in much the same way. Like the internet, it started as an artifact of a specific culture, but today both are so common throughout the world that most of us can barely remember a time when they were special and exotic. Just as the internet simply IS, pizza also simply IS. We used to make pizza at home, or at least buy it in a place where they were handmade and offered a limited list of toppings. Today, the meme that is pizza is brought to our tables by an almost entirely mechanized process, and it's so wildly mutated that each individual has the ability to create a new twist on the old...

PROVENANCE Private J.E. Collection, Bavaria, 1960s