Diego Ascencio Art
Mexican, b. 1989
Diego Ascencio Fuentes was born in 1989 in Guadalajara, Mexico, where he currently lives and works. He graduated from the School of Architecture of the Instituto Tecnológico y de Estudios Superiores de Occidente (ITESO).
Ascencio Fuentes's work starts from architecture as a physical and pictorial element and through this he explores color and time and how they are related, configured, reconfigured and transformed.
His work explores the visual relationship of certain defined elements with their abstract counterpart, being a translation of what is built, considering color as a language.
On the other hand, Ascencio Fuentes presents in his work, a way of stopping time and physically deforming it, usually lengthening specific moments, and creating a utopian idea in the permanence of memory, which he defines as ‘Chromatic Memories’.(Biography provided by Estudio Actual)
to
1
2
2
2
2
Overall Height
to
Overall Width
to
4
4
4
6,996
3,348
2,513
1,213
4
4
4
2
2
Artist: Diego Ascencio
The Last Lost Continent, Contemporary Art, Abstract Painting, 21st Century
By Diego Ascencio
Located in Mexico City, MX
Stretching Landscapes Series: The Last Lost Continent (Nice)
Set of 3 works
Work 1: Acrylic on canvas
Work 2: Photography in cotton paper premium quality 300gr
Work 3: Acrylic on can...
Category
2010s Abstract Diego Ascencio Art
Materials
Canvas, Acrylic, Photographic Paper
Color Studies II, Contemporary Art, Abstract Painting, 21st Century
By Diego Ascencio
Located in Mexico City, MX
Color Studies II : Torres de Satelite 68
Acrylic on concrete
50x50cm
Edition 1/5 + AP
Framed
Category
2010s Abstract Diego Ascencio Art
Materials
Concrete
Stretching Landscapes Uruapan, Contemporary Art, Abstract Painting, Photography
By Diego Ascencio
Located in Mexico City, MX
Stretching Landscapes Series: Nobody, not even the rain (Uruapan, Mexico)
Set of 2 works
Work 1: Photography in cotton paper premium quality 300gr
Work 2: Acrylic on canvas
17x11in e...
Category
2010s Abstract Diego Ascencio Art
Materials
Canvas, Acrylic, Photographic Paper
Color Studies, Contemporary Art, Abstract Painting, 21st Century
By Diego Ascencio
Located in Mexico City, MX
Color Studies: Torres de Satelite
Acrylic on concrete
50x50cm
Edition 1/5 + AP
Framed
Category
2010s Abstract Diego Ascencio Art
Materials
Concrete
Related Items
Aigua Viva - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Diego Ascencio Art
Materials
Concrete
H 47.25 in W 31.5 in D 1.19 in
Explotion of Life
Located in West Palm Beach, FL
A series of polaroid's shot by Jordi Molla during lockdown in which he painted over them. The sale of this art piece goes towards the benefit of the Ann Norton Sculpture Garden.
Category
2010s Abstract Diego Ascencio Art
Materials
Mixed Media
“Video Editing Keyboard 1 - 2 - 3” (Archeology series) Video Keyboard Sculpture
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso.
Art measures 7 x 7 x 1.75 in (each)
The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape.
Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
Category
2010s Contemporary Diego Ascencio Art
Materials
Concrete
Dubtes - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Diego Ascencio Art
Materials
Concrete
H 23.63 in W 15.75 in D 1.19 in
Unforgotten Series #6 - Handpainted photography, colorful abstract, graphic pink
By Alberto Sanchez
Located in Dallas, TX
"Unforgotten Series No 6" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful abstract artwork with text and pink ba...
Category
2010s Contemporary Diego Ascencio Art
Materials
Resin, Birch, Wood Panel, Archival Paper, Photographic Paper
H 10.24 in W 25.6 in D 0.4 in
No. 1, Cubes (Abstract Digital Photograph in Earth Toned Palette, Framed)
By Birgit Blyth
Located in Hudson, NY
Abstract digital print on black/white photo paper
25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass
These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space.
About the artist and work:
Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology.
Artist Resume:
Born: Kousted, Denmark
Resident in U.S.A. since 1963
Education:
Denmark and U.S.A.
Project, Inc., Cambridge MA (Photography)
DeCordova Museum School, Lincoln MA (Printmaking)
Maine Photography...
Category
Early 2000s Contemporary Diego Ascencio Art
Materials
Photographic Paper, Digital
H 25.5 in W 21.5 in D 1.5 in
No. 2, Cubes (Abstract Cameraless Photograph with checknboard motif, Framed)
By Birgit Blyth
Located in Hudson, NY
Abstract digital print on black/white photo paper
25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass
Pairs well with Ref: LU2272395053
These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space.
About the artist and work:
Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology.
Artist Resume:
Born: Kousted, Denmark
Resident in U.S.A. since 1963
Education:
Denmark and U.S.A.
Project, Inc., Cambridge MA (Photography)
DeCordova Museum School, Lincoln MA (Printmaking)
Maine Photography...
Category
Early 2000s Contemporary Diego Ascencio Art
Materials
Photographic Paper, Digital
H 25.5 in W 21.5 in D 1.5 in
“Pen Decline 1 - 2 - 3 in Black” (Archeology series) Computer Keyboard Sculpture
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...
Category
2010s Contemporary Diego Ascencio Art
Materials
Concrete
H 8.75 in W 30 in D 1.25 in
"January on the foreshore" abstract acrylic , marble, sand, 140x80cm.
By Emmanuelle Vroelant
Located in Roscoff, FR
In this artwork titled 'January on the Foreshore,' the artist explores textures and nuances of abstraction using acrylic, marble powder, and sand on a 140x80 cm linen canvas, shipped...
Category
2010s Abstract Impressionist Diego Ascencio Art
Materials
Marble, Concrete, Sandstone
H 31.5 in W 55.12 in D 1.19 in
Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink)
By Birgit Blyth
Located in Hudson, NY
Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink)
Abstract photograph, chromoskedasic monoprint
20 x 16 inches
28 x 24 inches framed, custom black wood,...
Category
2010s Abstract Diego Ascencio Art
Materials
Photographic Paper, Monoprint
Ellen Hackl Fagan_Seeking the Sound of Cobalt Blue_Paver 2_2020_found object
By Ellen Hackl Fagan
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014.
Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home.
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...
Category
2010s Arte Povera Diego Ascencio Art
Materials
Concrete
Paradox, Hand-painted photography, bold colorful abstract New York urban scene
By Alberto Sanchez
Located in Dallas, TX
"Paradox" is a wildly colorful, abstract painting layered on top of a black and white photographic print. This is a wonderful bold abstract urban New York inspired scene.
The piece ...
Category
2010s Contemporary Diego Ascencio Art
Materials
Epoxy Resin, Mixed Media, Acrylic, Photographic Paper
H 55.12 in W 47.25 in D 2.76 in
Diego Ascencio art for sale on 1stDibs.
Find a wide variety of authentic Diego Ascencio art available for sale on 1stDibs. You can also browse by medium to find art by Diego Ascencio in acrylic paint, paint, synthetic resin paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Diego Ascencio art, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Mauricio Cervantes, Victor Raphael, and Alfonso Pragliola. Diego Ascencio art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $995 and tops out at $2,125, while the average work can sell for $1,223.