George Morton-Clark Art

Winking Cat, is an experimental piece combining mixed medias, abstract forms, hints of pattern and gesture. A one off, original by the artist, this painting is a unique venture for Higgins and brings a playful, energetic pop like feel to a space. Matt Higgins b. 1987 is an artist and art professor who lives and works in Philadelphia, Pa. He maintains a regular studio practice in the Fishtown neighborhood focusing primarily on abstract styles of painting...

This piece depicts a Tiger done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. Its composition and bold collag...

This piece is a collaboration between Angel Ortiz (LAII) and Cindy Shaoul. They began collaborating in 2010 with their iconic "Street Cars" series, depicting cars with Angel's signature graffiti calligraphy surrounding them. This piece depicts a pink spider...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Oluw...

The essence conveyed by the artwork is evident: vocalizing one's convictions and taking a firm stance becomes less daunting in the presence of a circle of supportive companions. In a...

At the heart of "Last Shot" is a young woman, the central character of this evocative piece. She is fully absorbed in the game of snooker, her posture and facial expression revealing intense concentration and determination. The artist has deliberately obscured all the colored snooker balls, leaving only the white ball visible. This compositional choice draws the viewer's attention to the player's anticipation of her "last shot." The backdrop of "Last Shot" is a dimly lit snooker hall, creating an atmosphere of suspense and intrigue. The faint glow of overhead lights accentuates the drama of the moment, casting shadows that add depth and complexity to the scene. The absence of details surrounding the white ball and the player's narrowed focus on it contributes to the overall feeling of precision and concentration. "Last Shot" is a visual metaphor for life's critical moments—those decisive occasions when everything hinges on a single move. By obscuring the colored balls and leaving only the white ball visible, the artwork symbolizes the importance of making the right choices, even when faced with uncertainty and obscurity. The young woman's unwavering focus on her last shot encourages viewers to consider their own pivotal moments in life. It prompts reflection on the significance of each action and the consequences that follow, reminding us that sometimes, a single move can determine the course of our journey. "Last Shot" by Akinboye Akinola Peter...

We are please to announce that our gallery is now representing the larger collectible works on canvas of Chris RWK. That being said, we are offering several small works this week so ...

"Nothing to be Ashamed of (Body Positivity)" by Oluwatosin Ogunniyi is a remarkable artwork that beautifully captures the transformative power of self-...

"Nothing to be Ashamed of (Body Positivity)" by Oluwatosin Ogunniyi is a remarkable artwork that beautifully captures the transformative power of self-...

Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best street art of 2012 Complex art and Design : top 10 street artist to watch (2013)...

This large scale 76" x 90" mixed media canvas painting by XVALA features a Basquiat-style large red creature predominantly placed on the canvas against a light blue background. Other colors include varying blues, golds and black. Acrylic paint, spray paint and oil stick were used on a linen canvas. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

The central figure in Afobaje is a majestic and regal woman, representing the embodiment of motherhood. She exudes an aura of wisdom, strength, and grace. Adorned in traditional Afri...