Han Cao Art

Each mat is a Unique hand-stitched using the fabric from life vests abandoned on the Mediterranean beaches. The mats were designed by the world-renowned artist, Banksy and fabricated...

Louise Bourgeois I Have Been to Hell and Back Handkerchief, 2007 Embroidery on 100% Cotton Handkerchief With the artist's silkscreened initiala Han...

Tracey Emin Be Faithful To Your Dreams, 1999 Limited Edition Embroidered Cotton Handkerchief with embroidered signature and accompanying card Embroidered date and signature, Edition of 500 16 × 16 inches Unframed (folded in packaging) Rare vintage collectible...

Jane Reichle is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. This is not the case f...

"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009. "Shop", by ...

Jane Reichle is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. This is not the case f...

Untitled, 2012 by Ana Seggiaro From the series "Cartographies" Embroidery on paper 25 cm H x 36 cm W Unframed In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through embroidery and painting. In these works she finds the universe of cartography, using maps as supports for the construction of imaginary geographies. This search leads her to tackle larger works. Thus, she recovers old school maps...

"Swans," 2013. Found materials collage. Figurative, abstract, pattern, swans, yellow, orange, red, purple, black, blue, and white.

Photography and Fiber Art: Hand Embroidery on Medium Format Photograph Printed on Rives 100% Cotton Paper featuring dancer Katherine Crockett Dimens...

A. K. Douglas - Loosing Fear of the Consequences Series Mixed Media, 15 x 11 inches, 2020 Born in India1979, 2015: MFA from Prachin Kala Kendra, Chandigarh, India. Show / workshops/ symposium /biennale • 2020: Solo Show at SPC kunstrum gallery, Copenhagen Denmark. • 2020: Group show CALTART Caltabellotta Contemporary Art Project,Sicily. • 2020: Open Studio with marc Rayner, Sweden. • 2020: Group show, Galerie 6, Mairie de Montreuil, France. • 2020: Open 7,International art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: Group show-University Art museum Chungcheongbuk-do South Korea. • 2019: De Colore. Leonardo e l”interpretazionecontemporane, Milano Italy. • 2019: Kaleidoscope, international art exhibition, at magazzini Dell Art contemporanea, Trapani Italy. • 2019: 9th Biennale de SarriaSalon International d'Art,Spain • 2019: International artist residency for River Democracy, MahakumbhMela, PrayagrajIndia. • 2019: Group Show of Vasudhaivakutumbakam at Allahabad Museum India. • 2019: International coordinator for Dhanbad Art Fair, Dhanbad India. • 2018: 2nd Bodhgaya Biennale, Bodhgaya India. • 2018: Group show, Governor House Patna, in association with Govt. of Bihar (workshop)& Bihar Museum,India. • 2018: Group show,Gallerie Sonia Monti, Paris, France. • 2018: Arthshila International Artist Symposium Group Show, Bihar Museum Patna, India. • 2017: AMP TWOFOUR54, group show, October & November edition, Abu Dhabi,UAE. • 2017: 9th Biennale de SarriaSalon International d'Art,Spain. • 2017: ZeeArts, M gallery, The Retreat Hotel Palm Jumeirah. Dubai, UAE. • 2017: Group show, Magnetikzone International Art Project, Polo Museale “A.Cordici” Italy. • 2017: New media group show, Korean culture centre New Delhi, India. • 2017: Collective exhibition in Erice, Italy. • 2017: New media group show, Schema Art Museum Cheongju, South Korea. • 2017: Konst pa vag group show, Sweden. • 2017: Dual show,lugar 34 & Circa, TromsoNorway. • 2017: Dual show,Magazzinidell'ArteContemporanea,TrapaniSicily. • 2017: Group show, Anima Mundi at OrtoBotanico di Napoli, NaplesItaly. • 2016: Open studio with Marc Rayner, Sweden. • 2016: Magnetic zone, International Art Project, at MuseoCivico di Torre di Ligny, Trapani Italy. • 2016: Art Dubai, Mojo art gallery Dubai. • 2016: Landscape at SpazioPorta Mazzini Viale G, Mazzini 1, Rome, Italy. • 2015: International art camp, exhibition- The Al Asmakh Art Symposium, Qatar. • 2015: Biennale D’ArteContemporanea di Trapani secondaedizione, Italy. • 2015: Salon Generations, Hanger Art Center- Opera House Cairo- Egypt. • 2015: UpCycled Art Festival, Aviation Industry, Art Takes Wing, Art Hub Liwa, UAE. • 2015, 14, 13: Project Director for VashudhaivaKutumbakam artist residency. •2011, 17: Project manager for Buddha Enlightenment art...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...