Jean Sariano Art
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Artist: Jean Sariano
Who Caire, Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Who Caire
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching, signed and numbered in pencil
Edition of 300
Size: 16 x 29 in. (40.64 x 73.66 cm)
Category
1970s Jean Sariano Art
Materials
Intaglio, Etching
The Chase Manhattan Band, Aquatint Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
The Chase Manhattan Band
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 300
Size: ...
Category
1970s Jean Sariano Art
Materials
Etching, Aquatint, Intaglio
Keys Largo, Aquatint Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Keys Largo
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching and Aquatint, signed and numbered in pencil
Edition of 300
Size: 24 in. x 21 in. (60.96 cm x 53.34 cm)
Category
1970s Jean Sariano Art
Materials
Etching, Aquatint, Intaglio
Working Proof
By Jean Sariano
Located in Long Island City, NY
Artist: Jean Sariano
Title: Working Proof
Year: 1979
Medium: Intaglio Etching with Aquatint, signed and numbered in pencil
Edition: 300
Paper Size: 25 x...
Category
1970s Pop Art Jean Sariano Art
Materials
Etching
Eye Witness Mews, Pop Art Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
Eyes Witness Mews
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 23 x 27 in. (58.42 x 68.58 cm)
Category
1970s Pop Art Jean Sariano Art
Materials
Aquatint, Intaglio
Crazy Eight (Tennis), Pop Art Intaglio Etching
By Jean Sariano
Located in Long Island City, NY
Crazy Eight
Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 31 x 20.5 in. (78.74 x 52.07 cm)
Category
1970s Pop Art Jean Sariano Art
Materials
Intaglio, Aquatint
Thanksgiving, Pop Art Intaglio Etching by Jean Sariano
By Jean Sariano
Located in Long Island City, NY
"Thanks, Going" by Jean Sariano, Algerian/American (1943)
Date: 1979
Intaglio Etching with Aquatint, signed and numbered in pencil
Edition of 300
Size: 21.5 in. x 27 in. (54.61 cm x ...
Category
1970s Pop Art Jean Sariano Art
Materials
Intaglio, Aquatint
McGraw Editions Poster-Embossed. Published by Bruce McGraw Graphics, NYC 1981
By Jean Sariano
Located in Clinton Township, MI
JEAN SARIANO (Algerian-American, b.1943). McGraw Editions Poster-Embossed. Published by Bruce McGraw Graphics, NYC 1981. Measures 25 x 28 inches Unframed. Good Condition.
Category
1980s Jean Sariano Art
Materials
Lithograph
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Artist: Mark Catesby (English, 1638-1749)
Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62)
Portfolio: Natural History of Carolina, Florida & the Bahama Islands
*Monogram signed by Catesby in the plate (printed signature) lower right
Year: 1771-1810 (third edition)
Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper
Limited edition: Unknown
Printer: Unknown
Publisher: Benjamin White, London, UK
Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing
Matted size: 18.88" x 22.38"
Sheet size: 13.75" x 21.13"
Platemark size: 10.25" x 13.75"
Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition
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Notes:
Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right.
Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals.
Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent.
Biography:
Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
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Limited edition: approx. 50 impressions
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Publisher: the artist Zorn himself, Mora, Sweden
Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192
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Sheet size (irregular margins): 16.5" x 11"
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Condition: A strong impression in very good condition
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Limited edition: approx. 180
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Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming.
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Artist: John James Audubon (American, 1785-1851)
Title: "Red Phalarope" (Plate CCLV - 255; part No. 51)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, UK
Publisher: John James Audubon, London, UK
Sheet size: 22.25" x 29"
Platemark size: 15.75" x 22.63"
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Condition: One small tear upper left in margin which has been professionally repaired. In excellent condition with clean paper and strong colors
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Notes:
Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). "J. Whatman 1834" watermark upper left.
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Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract Expressionist
By Stanley Boxer
Located in Surfside, FL
Elephants. 1979
edition 2/20
Hand signed and dated
Framed 24.5 X 28. Sheet 23 X 26
This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation.
The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection).
Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts.
Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included
Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color."
In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most.
He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection.
At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...
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Medium: Aquatint and soft-ground etching.
Sheet size: 27 x 34 inches.
Edition of 35 (30 + 5 artists proofs).
Hand-signed, dated and numbered on bottom of sheet.
Printed on Hanhnemuhle paper.
Unframed.
Acquired directly from publisher.
Artist Biography:
Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...
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Jean Sariano art for sale on 1stDibs.
Find a wide variety of authentic Jean Sariano art available for sale on 1stDibs. You can also browse by medium to find art by Jean Sariano in etching, intaglio, aquatint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Pop Art style. Not every interior allows for large Jean Sariano art, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Claudio Cintoli, Bob Pardo, and Joan Melnick. Jean Sariano art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $175 and tops out at $520, while the average work can sell for $350.