LOURIER-DREYFUS Jeanne Art
to
1
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
1
1
6,996
3,348
2,513
1,213
1
1
Artist: LOURIER-DREYFUS Jeanne
Painting Early 20th Century Landscape Garden and Characters
By Jeanne Lourier-Dreyfus
Located in Saint-Ouen, FR
LOURIER-DREYFUS Jeanne (1873-1955)
Gardeners at Saint Cloud's Park
Oil on canvas signed low right
Frame by Gault : (Paris Fbg St Honoré)
Dim canvas : 81 X 100 cm
Dim frame : 109 x 129 cm
LOURIER-DREYFUS Jeanne (1873-1955)
French School 20th century
Post-impressionist
Disciple of Pierre Eugène Montézin, Jeanne Lourier was a pupil of workshop who assimilated the features and environment of the Master.
Her artistic education also passed by the workshop of Jules Adler...
Category
1930s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil
Related Items
Children's game in a garden by the sea, original oil on canvas, Pointillist
By Eugène Bégarat
Located in Nutfield, Surrey
This original, oil on canvas of a women and her children on a quay in Venice is a beautiful picture of motherhood and femininity that was painted about 50 years ago by the French Artist Eugene Begarat...
Category
Late 20th Century Pointillist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Canvas
"Notre Dame Place du Parvis" Parisian Street Scene with Notre Dame Oil Painting
By Emile Thysebaert
Located in New York, NY
This painting is a tremendously vivid and alive street scene of the Place du Parvis in Paris from the 20th Century by Emile Thysebaert. We can see the figures and cars fill the stree...
Category
Mid-20th Century Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Panel
1960's French Oil Oxen & Cart in Sun Scorched South of France Landscape
Located in Cirencester, Gloucestershire
The Oxen Cart
French Impressionist artist, 1960's
signed oil on canvas, framed
dated 68'
framed: 19 x 28 inches
canvas: 15 x 23 inches
provenance: private collection, France
conditio...
Category
Mid-20th Century Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil
Walking the Dogs
By Louis Eilshemius
Located in Long Island City, NY
Louis Eilshemius', American (1864 -1941), early works were influenced by the Barbizon School and Corot among others. This oil on canvas painting from 1890-1910 is from the era when h...
Category
Early 20th Century Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Canvas, Oil
Sunflowers"summer, yellow, oil cm. 115 x 105
By Georgij Moroz
Located in Torino, IT
Sunflowers, summer, yellow, van gogh,Ukraine
Offer Free Shipping
Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015)
1937: he was born in Dneprodzerzinsk, Ucraina....
Category
Early 2000s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Canvas, Oil
Femmes Maroccaines by Marcel Dyf - River scene painting
By Marcel Dyf
Located in London, GB
Femmes Maroccaines by Marcel Dyf (1899-1985)
Oil on canvas
60.5 x 73 cm (23 ⁷/₈ x 28 ³/₄ inches)
Signed lower left, Dyf
1957
Category
1950s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Canvas
1950's French Mid Century Signed Oil Fishermen South of France Habour with Boats
Located in Cirencester, Gloucestershire
The Fishing Harbor
French School, mid 20th century
signed oil on canvas, framed in original frame
framed: 22 x 18.5 inches
canvas: 18 x 15 inches
provenance: private collection, Fran...
Category
Mid-20th Century Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Canvas
Barques de Peche - Post Impressionist Landscape Oil by Henri Le Sidaner
By Henri Le Sidaner
Located in Marlow, Buckinghamshire
Signed post impressionist landscape oil on canvas by French painter Henri Le Sidaner. This stunning piece depicts two fishing boats moored in a fishing village at sunset. The last l...
Category
1890s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Canvas
Bathers
By John Edward Costigan
Located in Sheffield, MA
John Edward Costigan, N.A.
American, 1888-1972
Bathers
Oil on canvas
Signed ‘J.E. Costigan N.A.’ lower left
20 by 24 in. W/frame 26 by 30 in.
John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters.
At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions.
A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century.
John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934).
Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.)
During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution.
John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career.
This painting depicts one of the artist's favorite themes --the farm family bathing...
Category
1950s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil
La Rivière by PAULÉMILE PISSARRO - Post Impressionist Landscape Painting, River
By Paul Emile Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
La Rivière (The River) by PAULÉMILE PISSARRO (1884-1972)
Oil on canvas
92 x 73 cm (36 1⁄4 x 28 3⁄4 inches)
Signed...
Category
1930s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Canvas
Woman and Child
By John Edward Costigan
Located in Sheffield, MA
John Edward Costigan, N.A.
American, 1888-1972
Woman and Child
Oil on canvas
Signed ‘J.E. Costigan N.A.’ lower left
24 by 30 in. W/frame 32 by 38 in.
John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters.
At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions.
A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century.
John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934).
Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.)
During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution.
John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career.
This painting depicts one of the artist's favorite themes --the farm family bathing...
Category
1940s Post-Impressionist LOURIER-DREYFUS Jeanne Art
Materials
Oil
"Forains sur la Plage", 20th Century Oil on Canvas by Artist Celso Lagar
By Celso Lagar
Located in Madrid, ES
CELSO LAGAR
Spanish, 1891 - 1966
FORAINS SUR LA PLAGE
signed "Lagar" (lower right)
oil on canvas
11-1/2 x 16-1/8 inches (29 x 41 cm.)
PROVENANCE
Private French Collector
Celso Laga...
Category
1950s Fauvist LOURIER-DREYFUS Jeanne Art
Materials
Oil, Canvas
Lourier-dreyfus Jeanne art for sale on 1stDibs.
Find a wide variety of authentic LOURIER-DREYFUS Jeanne art available for sale on 1stDibs. You can also browse by medium to find art by LOURIER-DREYFUS Jeanne in oil paint, paint and more. Much of the original work by this artist or collective was created during the 1930s and is mostly associated with the Post-Impressionist style. Not every interior allows for large LOURIER-DREYFUS Jeanne art, so small editions measuring 51 inches across are available. Customers who are interested in this artist might also find the work of Louis Hayet, Alexandre Louis Jacob, and Antoine Blanchard. LOURIER-DREYFUS Jeanne art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $9,856 and tops out at $9,856, while the average work can sell for $9,856.