Jesus Nodarse Art

Academic style figurative oil painting on canvas 48 x 24 inches unframed 58 x 32 x 3 inches in gold leaf wood frame This vertical, contemporary figurative painting of Le Martyr de Saint Sebastian was made by Mark Beard under his fictitious artistic persona, Hippolyte-Alexandre Michallon. Painted in a modern Academic style, Beard paints this Christian saint with dramatic detail and emotional gravity. The scene is a common artistic depiction of Sebastian who according to traditional belief, was killed during the Roman emperor Diocletian's persecution of the Christians. Here the artist depicts a nearly nude Saint Sebastian standing stoically while tied to a rustic brown post. A lush green forested terrain decorates the background while a white neo-classical building sits in the distance, which is perhaps the tomb where Saint Sebastian's remains were laid to rest. Saint Sebastian's pale blue-grey, stone-like stone tone is characteristic of Mark Beard's work who often portrays muscular young men similarly to Greek statues. The vertical Academic style figurative oil painting is complimented with a vintage style gold leaf wood frame. The painting is signed 'H. A. Michallon 1872' in red oil paint in the lower right corner. The gold frame is also signed and inscribed with black oil paint in several places (please see images). Mark Beard is a contemporary artist who made this work under the pseudonym Hippolyte A. Michallon who painted during the late 1800's so slight wear (see images) is intentionally staged to align with the factitious artist's purposed history. About the artist: Mark Beard is perhaps the most literal example of an artist pulled in so many different directions that he chose to “invent” six different personae in which to channel his overflowing energy and need for expression. Each painting style is radically different from the next, so it remains entirely believable that the work could stem from six completely different people of different time periods and different schools of thought. With a background in set design, Beard has always been one who could conjure total magic with anything available. Mark Beard has exhibited with Carrie Haddad Gallery for nearly twenty years and there has never been a dull moment. Mark Beard, born in 1956 in Salt Lake city, now lives in New York City. His works are in museum collections worldwide, including the Metropolitan Museum of Art, New York City; the Museum of Modern Art, New York City; the Whitney Museum of American Art, New York City; the Boston Museum of Fine Arts; and the Harvard, Yale, and Princeton University Art Museums; among many others. We would not be the least bit surprised to see new ‘personas’ emerge in the coming years. About: Hippolyte - Alexandre Michallon, 1849 -1930 The long and peripatetic artistic career of Hippolyte-Alexandre Michallon began in a conventional fashion. The only son of prosperous bourgeois parents in Tours, he first studied drawing with his mother, an accomplished amateur painter of insects. His father, an undertaker who appreciated his son's talent and supported his ambition to become a painter, sent him to Paris at age sixteen to enroll in the studio of Francois-Edouard Picot (1786-1868), an eminent history painter and professor at the Ecole des Beaux-Arts, with whom he studied for three years, until Picot's death. Under his aging teacher's guidance and tutelage, Michallon entered the preliminary stages of the Prix de Rome contest at the Ecole three times, winning an Honorable Mention in 1869 for his composition entitled The Solider of the Marathon. For the next twenty years Michallon regualarly exhibited paintings on historical and biblical themes at the Paris Salon, as well as commissioned portraits. By his own account, the most ambitious work of Michallon's career was a thirty-foot canvas depicting Noah's Ark, which he exhibited in the Salon in 1875. Michallon began painting atmospheric but zoologically correct images of exotic animals in the wild. These achieved a certain popularity among French and foreign collectors alike, providing Michallon with financial security for the first time in his career. Michallon moved to England in 1893. His outstanding technical skills easily earned him a position on the faculty of the Slade School of Art in 1900. The craze for animal paintings proved short-lived. He continued to teach at Slade for the next two decades, but his classes gradually dwindled in size as the academic approach and methods he espoused went from outmoded to downright unpopular. Finally in 1922, finding himself reduced to a single pupil, the talented young American Bruce Sargeant, he retired from Slade, persuading Sargeant to leave with him and undergo private instruction at home. Several years later he retired to a cottage at St. Ives, Cornwall, where he lived quietly until his death in 1930, forgotten by all but a few former students, among them Edith Thayer Cromwell...

Mango has always been my favorite fruit; it's soft and looks like a heart. I still love it. Two women hold on to it, and the trees around them spread like ribs. Sometimes, feelings t...

A stunningly dramatic and well-rendered oil on canvas painted by French artist Antoine Marie Roucole in 1884. With the ornate antique gilt plaster frame, and with its size, it has t...

The Education of Achilles by the Centaur Chiron Signed and dated "A.C. Chrétien 1861" (lower right) Oil on canvas A masterpiece of French N...

Echoes 3 Composition with Two Male Nudes, oil on canvas, 35.5x19.5in / 90x50cm Part of Wings of Gods solo show, April 2024. Shipped as it is, stretched, directly from the artist...

Beautiful female nude in profile. European, ca. 1920-30. Oil on canvas, 31.5 x 35.75 inches; 35.5 x 39.75 inches framed. Sign indistinctly upper right. A few areas of paint loss (v...

FRANZ VON MONTFORT "NU ASSIS" OIL ON CANVAS, SIGNED BELGIUM, DATED 1928 39.5 X 32.5 INCHES Franz Von Montfort 1889 –1980 Von Montfort was a Belgian...

David van der Linden 'Don't let the sun blast your shadow'' 100 x 100 cm Oil on canvas framed in a black wooden frame (included in price) 115x115 cm David van der Linden is a Dutch...

"Parisian Model" is an oil on canvas painting by Max Weber painted in 1908. The work is signed and dated, lower right, "Max Weber Paris 1908". The painting size is 35 1/2 x 19 5/8 inches. The framed size is 43 x 27 x 2 1/4 inches. "Parisian Model" was painted in 1908, when Weber participated in a life class in Matisse's studio in Paris and painted several nudes. Weber was influenced toward a more Cubist styler after seeing Cezanne's work in the 1906-07 Salon in Paris, and he consorted within avant-garde circles in Paris as early as 1905. After returning to the US in 1909, Weber was credited with showing American audiences Cubism based on his firsthand knowledge of the key players and the style. Several drawings of Weber's from this time are in museum collections at The Met, the Smithsonian, and MoMA and show a similar style and stocatto gesture. Parisian paintings by Max Weber are extremely rare as there are hardly any that have sold publicly. Provenance: Estate of the Artist Gerald Peters Gallery...

Colton Waugh was a third generation American Artist. He was mostly known for his Marine paintings, still life paintings, and cartoons. As he attended the Art Students League, this painting may have been executed in one of his classes there being that it is a figure nude. This painting is a very rich celebration of color and texture. It can be noted that the artist was fond of using the pallet knife, and in this painting, we can see great executions of this. The brilliant contrasts are highlighted to great depth, as we can almost feel that this painting has a sculptural effect. This piece is truly inviting with beautiful details, as the figure is portrayed whimsically and gracefully. This painting is signed lower left and comes displayed in a wonderful gold tone wood frame. This painting measures 19 x 14 in Framed measures 24.25 x 19.4 in Coulton Waugh was born in 1896 in Cornwall, England. He was an American visual artist, son of maritime painter Frederick Judd Waugh, and his grandfather was the Philadelphia portrait painter Samuel Waugh. In 1907 his family moved to the United States, he grew up in Provincetown, Massachusetts and later made his home in Newburgh, New York. Over there Waugh was enrolled at New York's Art Students League where he studied with George Bridgman, Frank Dumond, and John Carlson. By 1916 Coulton was employed as a textile designer. In 1921 he moved to Provincetown, Massachusetts where he operated a model ship and hooked rug shop for 11 years. As a part of an artistic family, Waugh was a painter, comic strip artist and author. As he lived in New York he is often known for the artistic work in marine scenes, still life compositions and cartoons. Also was one of the main artists who worked on the famous “Dickie Dare” comics, created by Milton Caniff. He was working on the strip for more than 20 years, from 1933 until 1957, and there is where Waugh met his future wife, Odin, after hiring her to work on the strip as an artist and letterer. In 1945, he created “Hank” which only ran a short time. From 1947 on, Waugh divided his time between painting, teaching art and writing a seminal history of cartooning called “The Comics” in 1947 as a reference on the history of comics, which became one of the first serious examinations of the medium, as well as instructional books on cartooning and palette-knife painting. In Provincetown, he created other pictorial maps or decorative maps, including ones of Provincetown of 1924, Cape Cod of 1926 and Newburgh, New York in 1958. His map of California of 1948 was a collaboration with his wife Odin Burvik (Mabel Burwick). His paintings were displayed at New York's Hudson Walker Gallery, and he also was known for his pictorial maps and hand-colored lithographs, like the one exhibited of a Cape Cod map...

Looking Out by Vadim Zang is an oil painting that is 18" x 14"". This is painted in the style of Impressionism. Vadim Zanginian was born in Armenia in 1965. He is a graduate from A...

Janis Rozentāls was born in 1866 in Saldus, Latvia, to a family with modest means. The son of a blacksmith, Rozentāls faced economic challenges in his early life, prompting him to mo...