John Ferneley Senior Art

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

The Military Encampment Dutch School, 17th century circle of Philips Wouwermans (Dutch 1619-1668) oil painting on canvas, in 18th century gilt frame canvas measures: 19.5 x 17 inches...

Daniel CLOWES (1774-1829) after George Stubbs Mares and Foals in a Landscape oil on canvas 29 x 33 inches, inc.frame Daniel Clowes lived and worked in Chester all his life and ...

A fine oil on canvas painting of a horse and rider with hounds. This traditional country scene shows the rider wearing his red hunting jacket, identified as Mr Mackenzie riding "dut...

Horse and Sulky reminiscent of Currier and Ives by George Christopher Horner (1821-1881), British artist, imported by Saltire Gallerie. Signed and da...

19th century Dutch romantic painting of animals resting in their pasture by Jan Van Ravenswaay Jan van Ravenswaay was a prominent Dutch paint...

This stunning British Old Master oil painting is attributed to circle of noted bird painter Marmaduke Cradock. Painted circa 1690 it is an excellent example and the sort of collection of birds he loved to paint - a peacock, wild turkeys, a jay in the foreground and doves, all set in a beautiful landscape. A variant of this painting is now in The Tate collection. Unlike many artists, he preferred to paint live birds with all their passions, joys and quarrels. The artist has perfectly capture the dynamics between this group, especially the dove and jay, as they all begin to settle down in the twilight. The colouring and brushwork are superb making this a fantastic British Old Master bird oil painting in a stunning carved gilt frame. Provenance. London estate. Condition. Oil on canvas, 42 inches by 39 inches and in good condition. Frame. Housed in a magnificent complementary period carved and gilded frame, 50 inches by 47 inches and in good condition. Marmaduke Cradock (1660-1716) was an English painter of birds and animals. Some older sources give his first name as Luke. Cradock was an English painter, noted for his depictions of birds, dead game, and other animals. He was born in Somerton, Somerset and moved to London, where he served an apprenticeship to a house-painter. He was, however, self-taught as an artist, becoming skilled in the depiction of birds and animals. Horace Walpole wrote that "I have seen some pieces by his hand which he painted with a freedom and a fire that entitled them to more distinction". According to Walpole, Cradock deliberately shunned aristocratic patronage. He worked in general by the day, and for dealers who retailed his works; possessing that conscious dignity of talent which made him hate to be employed by men whose birth and fortune confined his fancy, and restrained his freedom. According to the RKD his work as a still life and bird painter was influenced by Melchior d'Hondecoeter, Peter Frans Casteels, and Jakob Bogdani. Sketches in the collection of the British Museum indicate that he based at least some of the birds in his paintings on drawings from life. He tended to paint domestic birds and common wild species, rather than the exotic varieties favoured by some other artists. He sometimes introduced elements of drama such as attacks by predatory animals into his bird paintings, a feature shared with the works of Francis Barlow...

This charming early 19th-century English school oil painting depicts a bay horse before a picturesque landscape. The British aristocracy has always had a passion for equestrian acti...

Francis Sartorius British, (1734-1804) Bay Hunter & Groom Oil on canvas, signed Image size: 24.25 inches x 29.25 inches Size including frame: 32 inches x 37 inches A wonderful spor...

This lovely British Old Master oil painting is by noted Exeter born artist Thomas Mogford of Exeter. Painted in 1834 it is a portrait of a white hunter horse i...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

17th century Flemish Old Master - Orpheus charming the animals with his music The present painting is full of delightful details, such as the unicorn galloping in the distance, the pair of storks in the air, the shiny feathers of the peacock, ... . In ancient Greek mythology, Orpheus was celebrated for his extraordinary musical talent and his ability to charm and enchant all living creatures with the melodies of his lyre. Legend has it that wherever Orpheus traveled, he was accompanied by a menagerie of animals drawn to the uplifting strains of his music.In lush forests and verdant meadows, Orpheus would sit beneath the shade of ancient trees, strumming his lyre and filling the air with melodies that stirred the hearts of all who heard them. Birds would perch on branches, their songs blending harmoniously with Orpheus's own, while deer and rabbits emerged from their hiding places to listen, their eyes shining with wonder and delight.Even the fiercest of beasts, such as lions and wolves, would approach Orpheus with caution, only to be soothed by the gentle rhythms of his music. They would lie down beside him, their wild instincts tempered by the tranquility of the melodies, creating scenes of rare harmony and peace in the natural world.Orpheus's ability to connect with animals through his music was a testament to the universal power of art and creativity. His story serves as a reminder of the profound bond that exists between humans and the natural world, and the transformative impact that music and beauty can have on our lives. Jacob Bouttas, born in Antwerp, Belgium, in 1660, hailed from a family of artists with a rich artistic tradition. Like his father and teacher Frederic Bouttats II and his grandfather Frederic Bouttats I, he was strongly influenced by Jan Bruegel the Elder and the Brueghel-spirit echoes through his oeuvre. He specialized in painting landscapes with biblical and mythological scenes populated by small figures and animals (visible in, amongst other collections, Munich, Alte Pinakothek; Dijon, Musée des Beaux-Arts). A series of twelve coppers dedicated to the creation of the world according to the Genesis story, from the separation of light and darkness to the descent of Adam is preserved in the Museum of Navarra. Provenance: Private collection France Measurements: 75 * 95 cms. Framing options available. Antwerp hands panelmark visible verso, indicating a date of creation of the panel in the first half of the 17th century, after 1620. Panels were expensive at the time, especially this size and approved by the Antwerp panelmalers guild. A similar composition (measuring ca. 73 * 105cms) was offered at a leading auction house in Vienna in 2003 as attributed to Jacob de Backer...