Jose Maria Sicilia Art

The sandbox, 2019, 140x140 cm

New Warning, 2020 Contemporary Art, Abstract Painting Acrylic and oil on canvas 130x130cm Signed and dated About the artist Adrian Gonzalez (Mexico, 1987). He graduated in Visual Arts from the Faculty of Arts and Design, UNAM (Universidad Autonoma de Mexico) in 2011. His work is part of the Sebastian Foundation Collection, Grupo Reforma and various private collections. He was a beneficiary of the FONCA “Young Creators” program in the specialty of Painting in the 2015/2016 edition. SOLO EXHIBITIONS 2020 - Dance Till U Drop. Pared Space. Galería Virtual. 2018 - SCROLL. Galería Plomo. México, D.F. 2016 - El aire de lo eventual. Galería Alterna. México, D.F. 2015 - Escenarios para habitar el mundo. Galería Luis Adelantado México. México, D. F. - El fin de la apariencia. Galería Central de la ENPEG La Esmeralda, CENART. México, D.F. 2012 - Patrones de la Realidad. Centro Cultural Periodista. México D. F. GROUP EXHIBITIONS 2021 - El Fin. The End Project Space. EU. Atlanta. 2019 - La Causa de las Causas. Museo de Arte Moderno. México, CDMX. 2018 - Pensamiento Especulativo. Fundación CALOSA. México, Guanajuato. - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Fotomuseo Cuatro Caminos. México, D.F. 2016 - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Capilla del Arte de la UDLAP. México, Puebla. - X Bienal Nacional de Pintura y Grabado “Alfredo Zalce”. MACAZ. México, Michoacán. - Parámetro 02. Arte Lumen. Museo de la Ciudad de México. México, D. F. - JUSTMAD 7. Feria de Arte Emergente. LASEDE/ Colegio Oficial de Arquitectos de Madrid. España, Madrid. - Efectos Especiales. Galería DIAGRAMA. México, D. F. 2015 - XI Bienal de pintura Joaquín Clausell...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

A large semi-abstract structured mixed media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structures and layers. Acrylic mixed media. The structure aspect and metallic colors come alive with directional lighting and create beautiful shadows and shine which give the artwork a life of its own and changes throughout the day in changing light situations. Because of the interaction of colors, structures, and different textures, each painting is unique and unrepeatable. The colors of the photograph might be slightly different from the original painting. The artwork is titled on the back and signed on the side and also comes with a certificate of authenticity. Please feel free to ask any questions if needed. „I create windows and doors with depth and harmonic vibration which let peace, harmony, stillness, serenity, and love in your life .“ Vera Hoi Vera Hoi is a nature-inspired artist. Her paintings are an expression of emotions, experiences, thoughts, and dreams. She gets her inspiration from the beauty that surrounds us and painting art for her is a way to express this beauty on the canvas and share it with the world. Her Art is mostly derived from visions She has while in sleep or a contemplative state of mind. Her purpose as an artist is to create windows and doors with depth and harmonic vibration, that opens the heart to peace, harmony, stillness, serenity, and love. She tries to transcend the physical world, inspiring the viewer to reach a higher ground and perceiver the light that is within us all. Vera invites the viewer to a way to discover a sense of oneness with ourselves, the world, and nature. Her work focuses mostly on textured compositions of various colors and shapes depicting water (sea, lake, waterfall). For this, she uses acrylic and oil paints, various structure pastes, ink, and other artistic materials. The image of water relaxes, calms down, and gives aesthetic pleasure. The energy of peace, harmony, stillness, and serenity helps to slow down and relax. Vera invites the viewer to do some self-reflection and connected to their inner self to realize what really matters. ** Artistic professionalism, non-standard original technique. ** 100% original and handmade ** Canvas already stretched on a gallery wooden frame, high quality ** Ready to hang, sides are painted ** Liquitex colors, high luminosity, without fading, non-toxic ** Eco-friendly painting, buying it you help our planet ** Fast worldwide shipping in secure packaging. Black abstraction, black and blue abstraction, black and gold painting...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

MARIA HELENA VIEIRA da SILVA (1908 - 1992) UNTITLED, 1960-70 Intaglio, signed and numbered XVII/XXXXV. 9 1/4 x 6 inches. Generally good condition, very slight light stain around mat opening, mat burn on verso. From Wikipedia: Vieira da Silva was born in Lisbon, Portugal. At the age of eleven she had begun seriously studying drawing and painting at that city's Academia de Belas-Artes. In her teen years she studied painting with Fernand Léger, sculpture with Antoine Bourdelle, and engraving with Stanley William Hayter, all masters in their respective fields. Vieira da Silva also worked with Fauve artist...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

José Manuel Broto - IRIS 4 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over this period, he created several series of intricately rendered figurative works, illustrating whimsical scenes featuring animals, plants and nubile winged figures. Boxer had, however, been making drawings of this nature throughout his career, and he insisted they were closely connected to his abstracts, made with similar gestures and motivation. The Tate Museum received twenty-five of Stanley Boxer’s prints as a gift of Kenneth Tyler from Tyler Graphics, comprising a complete portfolio of Ring of Dust in Bloom, 1976, an incomplete portfolio of Carnival of Animals, 1979, and two individual prints. This work is from Carnival of Animals, a portfolio of fourteen intaglio prints on handmade paper. Tate holds eleven of the prints from this portfolio (Elephants, Swan and Fossils are not in Tate’s collection). Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller, director of the University of Richmond's Harnett Museum of Art, describes his evolution as an artist: You can see the shift from working with figurative imagery in the 1940s and early '50s to abstraction in the late '50s. The abstraction in the late '60s and '70s was more derived from color-field issues. In the 1980s, Boxer really hit his stride in larger works with lots of thick paint and splashes of color. He sold a lot, and his success in the art world in the 1980s gave him the freedom to do what he wanted to do most. He was married to painter and artist Joyce Weinstein. The Boca Raton Museum of Art in Florida hosted an exhibition entitled Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection. At the time the museum issued a statement that said in part: "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John...

Jean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...

Thomas Nozkowski Untitled #1, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...