Joseph Biel Art

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...

A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...

Antique American modernist abstract painting. Oil on board, circa 1940. Signed. Image size 22L x 30H. Housed in a period modern frame.

Self Portrait, c. 1940s, oil on canvas, 14 ¼ x 12 1/4 inches, signed lower left, presented in a newer frame This work is part of our exhibition America Coast to Coast: Artists of the 1940s. Daniel Celentano was an American Scene painter who is well known for depictions of his Italian neighborhood in East Harlem. The son of Italian immigrants, Celentano was born into a large family. As a child, he suffered from polio which impacted the use of his right leg. During this time of struggle and with the support of his parents, Celentano began to focus on art. Once recovered, he began to study painting at the age of twelve with Thomas Hart Benton. In 1918 Celentano won the first of several scholarships to study art at Charles Hawthorne's Cape Cod School of Art in Provincetown, the New York School of Fine and Applied Art in Greenwich Village, and the National Academy of Design. During the Great Depression, Celentano worked as an artist for Federal public works projects, receiving a commission in 1938 from the Treasury Department's Section of Painting and Sculpture for a mural entitled The Country Store and Post Office for the post office in Vidalia, Georgia. He also painted murals for two high schools, Andrew Jackson (1940) and St. Albans (1941), both in Queens, and a large mural called Children in Constructive Recreation and Cultural Activity in Public School 150 in Long Island City, as well as assisting William C...

Arthur Smith (American, 1897-1972) Untitled, 20th century Oil on board 8 x 9 7/8 in. Framed: 14 1/4 x 16 3/8 in. Signed lower left: A Smith Arthur Smith is a listed American paint...

Antique American school surreal composition painting. Oil on board, circa 1950. Unsigned. Image size, 8L x 12H. Housed in a period modern frame.

Antique American school modernist portrait painting. Oil on canvas, circa 1950. Signed . Framed. Image size, 26L x 32H.

Antique American school museum interior oil painting by Nathaniel E. Reich. Oil on board, circa 1940. Signed. Image size, 32L x 24H. Housed in a period wood frame.

Portrait of Young Girl is an artwork realized by Pietro Alimonti, 1969. Oil on Canvas. 49 x 39 cm ; 88 x 68 cm. Handsigned in the lower left margin. Good conditions!

Antique American modernist portrait oil painting by Salpi Miriam Mavian (Born 1908). Oil on canvas, circa 1930. Signed. Displayed in a giltwoo...

An Upper East Side of Manhattan New York city scene of bald guy reading newspaper on bench with East River and tugboat in background. The 1970s were the “glory days,” Huffaker says, for himself and a stable of talented illustrators whose work routinely found itself on the covers of the nation’s premier newsmagazines and in the pages of The New York Times. For the better part of that decade, Huffaker was among an elite breed of commercial artists—his hero and fellow Southerner Jack Davis, the legendary Mad Magazine illustrator, among them—working during a remarkable period when art directors routinely turned to illustration to give comic relief to the country’s deeply serious and dark problems. From civil rights and the women’s movement to Vietnam and Watergate, the gas crisis and inflation to the rise of Jimmy Carter, Huffaker mined a deep well of material ripe for his brand of visual wit and caustic satire. He sent his portfolio to children's book illustrator Maurice Sendak, the legendary “Where The Wild Things Are” illustrator to gauge his prospects, and when Sendak replied, “C’mon up, you’ll do all right,” SELECT HONORS: 2 Page-One Awards (from the New York Newspaper Guild), for work in Fortune Magazine and Sports Illustrated. Nominated 3 times for Cartoonist-of-the-Year by the National Cartoonists Society (illustration category). Desi Award of Excellence (Graphic Design Magazine). 20 Award of Merit citations from the Society of Illustrators. One-man show, Society of Illustrators. Illustrators 22 - annual national exhibition for the Society of Illustrators. SELECT MAGAZINE COVERS Time Magazine (6), Sports Illustrated (2), Business Week (12), Forbes, Saturday Review, New York Times Sunday Magazine, The New Republic, Family Weekly, Madison Avenue, New York Daily News Sunday Magazine (2), Junior Scholastic, ACLU, The Nation , and more EDUCATION BA, University of Alabama. Attended Pratt Graphic Center and The Art Students League, New York City. BOOKS WRITTEN AND ILLUSTRATED The Dispensible Man (M. Evans and Co.) and The Bald Book (M. Evans and Co.) BOOKS ILLUSTRATED White Is (Grove Press), The Begatting of a President (Ballantine Books), The Biggest Sneeze (Harper-Collins), H. Phillip Birdsong's ESP (Young Scott Books), Kids Letters to President Reagan (M. Evans), The Worlds Greatest Left-Handers (M. Evans), Does My Room Come Alive at Night (HarperCollins), The Man With Big Ears (HarperCollins), Jake Snake's Race (HarperCollins), and more POLITICAL CARTOONING Political cartoonist at The News and Obsever in Raleigh, NC and syndicated during the early 70's. Today, syndicated in 750 publications 3-times a week with Cagle Cartoons. FINE ART SHOWS Allied Artists of America, Salmagundi Club, Phillips Mill Annual (honorable mention), New Hope Shad Festival (grand Prize), Hunter Museum in Chattanooga ( one -man career retrospective), Santa Fe public library (one--man), Rosenfeld Gallery (Philadelphia), Potter...

Portrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Signed and dated lower right. Cole and Higgins (1874-1958), both lived in Lyme, Connecticut. Higg...