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Artist: Joseph Solman
Oil Painting Interior Scene Chair w Chinese Rug Joseph Solman American Art WPA
By Joseph Solman
Located in Surfside, FL
Joseph Solman (1909-2008),
Chair with Chinese Rug,
oil paint on masonite, initialed JS on recto, titled and signed "J.S." verso,
Dimensions 14" x 10" Framed to 21 X 17
Provenance...
Category
20th Century Modern Joseph Solman Art
Materials
Oil, Board
Monotype Print Painting Garden Scene Table Chair Joseph Solman American Art WPA
By Joseph Solman
Located in Surfside, FL
Monotype Painting Title: Table and Chairs, 1980
Medium: monotype or monoprint painting
Size: image 13 x 9.5,overall with frame 23 x 20
Hand signed and dated lower right
Provenance...
Category
20th Century Modern Joseph Solman Art
Materials
Monotype
1936 Woodblock Print Venus of 23rd St. Skid Row Woodcut NYC Great Depression WPA
By Joseph Solman
Located in Surfside, FL
A great New york City street scene in a modernist realist style. done in the the great depression period.
Mat is 17.5x14, sheet measures 13x10 image is 10x4.75
Joseph Solman (Janua...
Category
20th Century Modern Joseph Solman Art
Materials
Woodcut
Studio Interior Mid 20th Century American Scene Modern WPA Still Life Realism
By Joseph Solman
Located in New York, NY
Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism
The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...
Category
1930s American Realist Joseph Solman Art
Materials
Oil, Board
The Red Beard
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - 2008)
Title: The Red Beard
Medium: Oil on Canvas, signed
Size: 20.25 x 12 inches
Frame Size: 30 x 22 inches
Category
1960s Color-Field Joseph Solman Art
Materials
Oil
"Man Portrait"
By Joseph Solman
Located in Warren, NJ
Oil painting on canvas
In good condition
Unframed
Measures 20x16
All international buyers must cover shipping expense
Category
Mid-20th Century Joseph Solman Art
Materials
Canvas
Old Fire Wagon, Monotype
By Joseph Solman
Located in Surfside, FL
Joseph Solman (1909-2008), a New York expressionist painter, hovered near the leading edge of the avant garde through most of his career, yet his works never departed entirely from r...
Category
20th Century Modern Joseph Solman Art
Materials
Monotype
John Begg Jr., Expressionist Portrait by Joseph Solman
By Joseph Solman
Located in Long Island City, NY
In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Jr., the son of the mid-century nuclear family...
Category
1960s Expressionist Joseph Solman Art
Materials
Oil, Masonite
Marian Begg, Expressionist Portrait by Joseph Solman
By Joseph Solman
Located in Long Island City, NY
In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of Marian Begg, the mother in the mid-century nuclear family...
Category
1960s Expressionist Joseph Solman Art
Materials
Masonite, Oil
John Begg Sr., Expressionist Portrait by Joseph Solman
By Joseph Solman
Located in Long Island City, NY
In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Sr., the patriarch of the mid-century ...
Category
1960s Expressionist Joseph Solman Art
Materials
Oil, Canvas
WPA American Scene Modernism 20th Century NYC Industrial "Cellar with Horseshoe"
By Joseph Solman
Located in New York, NY
"Cellar with Horseshoe" WPA American Scene Modernism 20th Century NYC Industrial
Joseph Solman (1909-2008) "Cellar with Horseshoe," 16 x 20 inches, oil on canvas
circa 1938, initial...
Category
1930s American Modern Joseph Solman Art
Materials
Canvas, Oil
"Rail Yard" Urban Industrial WPA American Scene Drawing NYC Mid-Century
By Joseph Solman
Located in New York, NY
"Rail Yard" Urban Industrial WPA American Scene Drawing NYC Mid-Century. Initialed "JS" upper right
Solman was a pivotal figure in the development of 20th century American art. He ...
Category
1930s American Modern Joseph Solman Art
Materials
Gouache, Paper
Monhegan Cove, Gouache Painting by Joseph Solman 1937
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - )
Title: Monhegan Cove
Year: 1937
Medium: Gouache on black paper, signed and dated l.c.
Size: 8.5 x 12 inches
Frame Size: 18 x 22 inches
Category
1930s Color-Field Joseph Solman Art
Materials
Gouache
Provincetown Dock, Gouache Painting by Joseph Solman 1962
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - )
Title: Provincetown Dock
Year: 1962
Medium: Gouache on black paper, signed and dated l.c.
Size: 9 x 11.5 inches
Frame Size: 19 x 22 inches
Category
1960s Color-Field Joseph Solman Art
Materials
Gouache
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Jim's Steaks -- Original Oil Painting -- Please watch attached video
By Mark Schiff
Located in Boca Raton, FL
Please see accompanying video.
We are a 1stdibs Platinum Seller with 100% 5-star reviews.
One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways!
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When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees.
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About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica.
Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism.
Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete.
Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad.
Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics.
Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting.
Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack.
Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American.
Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State.
ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas.
He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers.
But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style.
It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint.
Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari.
Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method.
Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful.
Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...
Category
Early 2000s American Realist Joseph Solman Art
Materials
Canvas, Oil
H 24 in W 36 in D 2 in
Modern British, Interior with an old record player, port decanter and glass
Located in Woodbury, CT
Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects.
His styles have varied and include iconic cityscapes of London, New York, Venice, Hong ...
Category
1970s Modern Joseph Solman Art
Materials
Board, Oil
Colin RuffellModern British, Interior with an old record player, port decanter and glass, circa 1970
Free Shipping
H 10.5 in W 12.5 in
PRIVATE READINGS - Angelo Granati Italian Figurative Oil on Canvas Painting
By Angelo Granati
Located in Napoli, IT
Private readings - Angelo Granati Italia 2013
This is his reinterpretation of a greatest old master painting "Comparisions"by Sir Lawrence Alma-Tadema. ...
Category
2010s Old Masters Joseph Solman Art
Materials
Bronze
Free Shipping
H 5.91 in W 9.85 in
An American Still Life of an Apple, Pear and Grapes circa 1880s
Located in SANTA FE, NM
An American Still Life of an Apple, Pear and Grapes
Oil on canvas on board
Signed illegibly
circa late 1800s
9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches
This is an example of late 19...
Category
Late 19th Century American Realist Joseph Solman Art
Materials
Canvas, Oil, Board
ENOCH SEEMAN (circle of) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY
By Enoch Seeman
Located in York, GB
ENOCH SEEMAN (circle of) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY
A very fine 18th century portrait of Sir Francis Seymour as a boy,oil on canvas housed in a gilt frame, circle of Enoch Seeman
The size of the painting is 49 x 39.5cm (19¼ x 15½ in.) whilst overall the size is 65 cm x 56 cm
The painting is in very good condition, the Canvas has been relined, and recently cleaned.
Provenance: Anonymous sale, Christie's, 19 January 1945, lot 34 Anonymous sale, Crewkerne, Somerset, 24 April 2009, lot 1947
SIR FRANCIS SEYMOUR
Francis Seymour, 1st Baron Seymour of Trowbridge (c. 1590 – 12 July 1664), of Marlborough Castle and Savernake Park in Wiltshire, was an English politician who sat in the House of Commons at various times between 1621 and 1641 when he was raised to the peerage as Baron Seymour of Trowbridge. He supported the Royalist cause during the English Civil War.
In June 1611 he was accused of abetting the escape of his brother William Seymour and his wife Arabella Stuart, but protested his innocence. He was knighted by King James I at Royston on 23 October 1613. In 1612 was settled on him by his grandfather the manor of "Puriton with Downend" in Somerset, formerly one of the many possessions of his great-grandfather the 1st Duke of Somerset.
In June 1642, Seymour signed the declaration that the king had no intention of war. He followed the King to York, offering to raise twenty horse in his cause, and Parliament accordingly declared him a delinquent. In autumn 1642 he went with his brother, the Marquis of Hertford, into the Westcountry to organise the royalist forces and suppress the parliamentary militia. He crossed the Bristol Channel...
Category
18th Century Realist Joseph Solman Art
Materials
Oil
[Bruce Sargeant (1898-1938)] Three Bathers by the Water
By Mark Beard
Located in New York, NY
[Bruce Sargeant (1898-1938)] Three Bathers by the Water
Signed in red, recto
Oil on canvas
96.25 x 67 inches (244.5 x 170.2 cm)
$15,000 + $900 framing
This work is offered by Cla...
Category
Early 2000s Contemporary Joseph Solman Art
Materials
Canvas, Masonite, Oil
Les Aventures du Baron de Munchausen - Rare Book Illustrated by G. Dorè - 1862
By Gustave Doré
Located in Roma, IT
Les Aventures du Baron de Munchausen is an original modern rare book written by Rudolf Erich Raspe (March 1736 – 16 November 1794) and illustrated by Gustave Doré (Strasbourg, 1832 – 23 January 1883) in 1862.
Published by Charles Furne, Paris.
Original First Edition. Translated in French by Théophile Gautier...
Category
1860s Modern Joseph Solman Art
Materials
Woodcut
H 11.62 in W 8.08 in D 0.04 in
Portrait of Gentleman, Thomas Bruce, Earl of Elgin c.1638 Manor House Provenance
Located in London, GB
Titan Fine Art present this picture which formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This painting hung in The Great Hall (see photo).
This charming portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. The sitter has been depicted wearing a low-cut silk dress with the wide billowing sleeves typical of the late 1630’s. The simplicity of the ensemble is reinforced by the absence of lace on either the collar or cuffs. At this time gone are the complicated layers of fabrics, and now replaced with understated elegance of plain silk (satin and taffeta were most popular), with only a couple of focal points as accessories. There is an abundance of the accessory par excellence – pearls, and they are worn as a necklace, on her attire, and as earrings; the pear-shaped earrings are called ‘unions excellence’ reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. There is a splendid display of gold, diamond and pearl jewellery which is an obvious sign of her wealth.
The portrait is thought to represent Thomas Bruce (1596-1654), Earl of Elgin. The physiognomy and features in our portrait strongly correlate to a portrait of the Earl, by Cornelius Johnson (1593-1661), painted circa 1638, and is held at Kenwood House, London. Another painting from Ombersley Court, also with Titan Fine Art, is contemporaneous to ours and is thought to represent the Earl’s wife, Diana Cecil, 1st Countess of Elgin (c.1603-1654) - it appears to have derived from Cornelius Johnson’s depiction of the Countess circa 1638, also at Kenwood House. During the 1630’s Johnson painted a number of portraits, obviously influenced by Van Dyke. Here, Theodore Russel, who worked in the studios of both Van Dyle and Johnson, and later specialised in small scale reproductions of his master’s works, modelled the head, with the striking large dark eyes, on Cornelius Johnson, and the attire on Anthony van Dyke. There are also other portraits by Johnson of the sitter with very similar facial features to that of the sitter in ours. Theodore Russel and Cornelius Johnson also had a family connection as it is thought that Russel’s step-mother was a sister of Johnson.
Thomas Bruce, 1st Earl of Elgin, was a prominent Scottish nobleman who held titles such as the 3rd Lord Bruce of Kinloss. He resided at Houghton House in Bedfordshire and played a significant role in the political and social landscape of his time. His legacy as an Earl and Lord continues to be remembered in history.
Thomas Bruce, born in Edinburgh in 1599, inherited the Scottish peerage title as the 3rd Lord Bruce of Kinloss at the age of 13 following his brother's untimely death in a duel. The family's estates, including Whorlton Castle and manor, were granted by King James I of England to Thomas's father, with the wardship of Thomas and the estates entrusted to his mother until he reached the age of 21. He maintained a strong connection with King Charles I's court during the Personal Rule, receiving titles of honour and prestigious roles throughout the years.
Thomas Bruce was married twice in his lifetime. His first marriage was to Anne Chichester in 1622. Ann died in 1627, the day after giving birth to their only child, Robert Bruce, who later became the 1st Earl of Ailesbury. On 12 November 1629, Thomas Bruce married Lady Diana Cecil, the daughter of William Cecil and widow of Henry de Vere. The marriage was childless, but Diana brought significant estates with her. Thomas Bruce died on 21 December 1663 at the age of 64.
This oil on panel portrait has been well cared for over its life, which spans almost four centuries. Having recently undergone a treatment to remove an obscuring discoloured varnish, it can be fully appreciated, and attributed to Theodore Russel.
Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare.
Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone.
Presented in a fine period frame.
Theodore Russell, or Roussel, was born in London in 1614. His father came from Bruges to England and was the Royal Stuart jeweller. His apprenticeship was spent in the studio of his uncle, Cornelius Johnson, with whom he lived for about nine years. Sometime after 1632, he is said to have worked as an assistance to Van Dyck. He executed numerous copies of portraits by his famous master and other notable painters, also painting original works. He is particularly remembered for his portraits of Charles II at Woburn Abbey and James II at the Palace of Holyrood. His son, Antony Russel (c.1663–1743) was also a portrait-painter and is said to have studied under John Riley. Several of his copies were in the Royal Collections, and among the nobility.
Provenance
Richard Hill...
Category
17th Century Old Masters Joseph Solman Art
Materials
Oil, Wood Panel
H 18.9 in W 16.15 in D 1.58 in
The Discussion - Oil on Board - 19th Century
Located in Roma, IT
The Discussion is an original oil on canvas realized in the 19th Century by an italian artist.
Original oil tempera on board.
Gilded wood Frame is included. 30.5 x 34.5 x 34.5 cm
...
Category
19th Century Joseph Solman Art
Materials
Board, Oil
Previously Available Items
Woman Reading the Newspaper on Subway, Gouache Painting by Joseph Solman
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - 2008)
Title: Woman Reading the Newspaper on Subway
Year: circa 1960
Medium: Gouache on Racing Form, Signe...
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By Joseph Solman
Located in Surfside, FL
A great New york City street scene in a modernist realist style. This is done on a racing form background.
it is hand signed from the edition of 100. It depicts a rider on the subway...
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Located in Long Island City, NY
In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of Barbara Begg, the young daughter in the mid-century nuclear family...
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1960s Expressionist Joseph Solman Art
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By Joseph Solman
Located in New York, NY
Joseph Solman (1909 - 2008)
Call Me Bill
Gouache, watercolor, and pencil on racing form
15 1/4 x 10 inches
Initialed lower right: J. S.
Joseph Solman was a Jewish-American painter a...
Category
1960s Abstract Expressionist Joseph Solman Art
Materials
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Man with Mustache on Subway, Gouache Painting by Joseph Solman
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - 2008)
Title: Man with Mustache
Year: circa 1965
Medium: Gouache on Racing Form, Signed 'JS' l.l.
Size: 14 in. x 8 in. (35.56 cm x 20.32 cm)
Fr...
Category
1960s Color-Field Joseph Solman Art
Materials
Gouache
Reading Lady on Subway, Gouache Painting by Joseph Solman
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - 2008)
Title: Reading Lady on Subway
Year: circa 1960
Medium: Gouache on Racing Form, signed 'JS'
Size: 15 in. x 10 in. (38.1 cm x 25.4 cm)
Fra...
Category
1960s Color-Field Joseph Solman Art
Materials
Gouache
1936 Woodblock Print Venus of 23rd St. Skid Row Woodcut NYC Great Depression WPA
By Joseph Solman
Located in Surfside, FL
A great New york City street scene in a modernist realist style. done in the the great depression period.
Mat is 17.5x14, sheet measures 13x10 image is 10x4.75
Joseph Solman (Janua...
Category
20th Century Modern Joseph Solman Art
Materials
Woodcut
Old Fire Wagon, Monotype
By Joseph Solman
Located in Surfside, FL
Joseph Solman (1909-2008), a New York expressionist painter, hovered near the leading edge of the avant garde through most of his career, yet his works never departed entirely from r...
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20th Century Modern Joseph Solman Art
Materials
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Modernist Beach Scene, 1976 Monotype
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Located in Surfside, FL
This Scene by Joseph Solman is a monotype that was created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image.The inks used may b...
Category
20th Century Modern Joseph Solman Art
Materials
Monotype
VENUS OF 23RD STREET
By Joseph Solman
Located in Portland, ME
Solman, Joseph. VENUS OF 23RD STREET. Linocut, 1936. Artist's Proof
(edition size, if any, not known). Inscribed "A.P., dated and signed
in pencil. 9 1/2 x 5 inches, 243 x 128 mm....
Category
Joseph Solman Art
Materials
Linocut
Reading Lady
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - )
Title: Reading Lady
Year: circa 1965
Medium: Gouache on Racing Form, signed l.l.
Size: 14 in. x 10.5 in. (35.56 cm x 26.67 cm)
Frame ...
Category
1960s Color-Field Joseph Solman Art
Materials
Gouache
Joseph Solman art for sale on 1stDibs.
Find a wide variety of authentic Joseph Solman art available for sale on 1stDibs. You can also browse by medium to find art by Joseph Solman in paint, oil paint, gouache and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Joseph Solman art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Michael David, Judith Kruger, and Martin Canin. Joseph Solman art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,200 and tops out at $75,000, while the average work can sell for $7,500.