Lisa Palomino Art

"On April 24th, 2018 my studio was flooded in the middle of the night. While excavating the ruins, I uncovered several catalogues of drenched, non-archival small prints. I separated ...

"On April 24th, 2018 my studio was flooded in the middle of the night. While excavating the ruins, I uncovered several catalogues of drenched, non-archival small prints. I separated ...

David Levinthal is a central figure in American postmodern photography. Since the early 1970’s, he has photographed dolls and toys in settings that explore the fantasies, myths and e...

"On April 24th, 2018 my studio was flooded in the middle of the night. While excavating the ruins, I uncovered several catalogues of drenched, non-archival small prints. I separated ...

"On April 24th, 2018 my studio was flooded in the middle of the night. While excavating the ruins, I uncovered several catalogues of drenched, non-archival small prints. I separated ...

Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comical that my nation leased a plot of land, on un-ceded territory, to a company that exploits our resources to assemble log homes to be shipped off to the wealthy around the world. While exploring the piles of discarded wood, I discovered a unique by-product of this industry: off-cuts that looked remarkably like pre-fabricated Northwest Coast masks. Left to be reclaimed by the earth or chipped up into cat litter...

"On April 24th, 2018 my studio was flooded in the middle of the night. While excavating the ruins, I uncovered several catalogues of drenched, non-archival small prints. I separated ...

40"40" photograph, edition of 5, signed and editioned on reverse framed in natural wood shadowbox frame This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...

"On April 24th, 2018 my studio was flooded in the middle of the night. While excavating the ruins, I uncovered several catalogues of drenched, non-archival small prints. I separated ...

Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...

Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comical that my nation leased a plot of land, on un-ceded territory, to a company that exploits our resources to assemble log homes to be shipped off to the wealthy around the world. While exploring the piles of discarded wood, I discovered a unique by-product of this industry: off-cuts that looked remarkably like pre-fabricated Northwest Coast masks. Left to be reclaimed by the earth or chipped up into cat litter...