Megan Klim Art

With a vision of paintings that literally break free of the canvas, Blady + Van Mil invented moulage (molded collage) through experimentation in the early days of the pandemic. It became their way of holding onto positivity as the enormity of the crisis was revealed. Collage captured the idea that many small actions add up to new hope. Moulding the canvas – allowing it to rise and flow – gave momentum to that feeling. Also propelling this new technique was the artists’ desire to reinvent the preciousness embedded in the fine arts paradigm. To create each moulage, they purposely cut up many of their own prized works into small pieces. Professional collaborators, married for 40 years, Blady + Van Mil always start with a big idea and play together to see where it might go, accepting both success and failure as drivers of progress. “In a year of turmoil and division, we realized we couldn’t change other people’s mindset, just our own. We began by dismantling our past works – with scissors – and were set free.” Annette Blady...

Orange mono color from the studio of this very well collected British artist. Image 21" x 15" Originally from Bury, in the North of England, John Emanuel works in Porthmeor, Cornwa...

"Fragments 3" is an original piece by Angela Rio made from acrylic on assembled hand-cut oak. This piece measures measures 19.5"h x 24"w. Angela Rio is a Philadelphia-based artist ...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Planeta XV is a unique small size round contemporary mixed media wall sculpture relief by renowned Polish-Dutch artist Eliza Kopec. This relief is part of a body of work that continu...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Planeta XVI is a unique small size round contemporary mixed media wall sculpture relief by renowned Polish-Dutch artist Eliza Kopec. This relief is part of a body of work that contin...

This large-scale abstract work features organic and undulating wood-cut shapes. White on white - modern. Colombian-born, Atlanta-based artist Esteban Patino...

"Big Love" is a mixed media work on aluminum by Amber Goldhammer, with layers of text in many different colors. With the word "Love" repeated throughout the asymmetrical heart-shaped...