Paul Stankard Art

Kiva Ford Anatomical Heart Goblet (1), 2010 Borosilicate glass

Beautiful yellow glass centerpiece created by Peter Bramhall, signed and dated 8/2/80. The swirl design platter is uniquely shaped and is full...

Drawing from the ethos of giving new life to the discarded, this sculpture of eco-art presents a striking lamp sculpture that marries the elegance of blown glass with the grounded, e...

edition 4 of 5 / 2023 Born in 1985 in Chorzow, Poland, Mateusz embarked on a creative journey that has led him to become a prominent figure in the art world. With a passion for phot...

Boris Shpeizman, an glass craftsman, transforms the childhood dreams of men into tangible art, focusing on the yearning for unattained toys and their delicate inner worlds. He crafte...

Stencil on slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame and hanger. Provenance: Sarasota estate collection

"Coalescence #1" 25" x 21.5" inch by Oleg Char Medium: Spray paint, Acrylic on restored Antique Mirror, Wood frame THE ARTIST: Unearth the ...

"Red Matte Bowl" is a hand-blown glass bowl by Ioan Nemtoi. It features an abstract pattern of black and yellow lines on a bright red background. The rim of the bowl is black. The ar...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...

Custom handblown glass wall installation completed for a hospital in Atlanta, Georgia, in 2007 comprised of approximately 400 individual pieces...

Buddha stencil on green slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame with double hanger. Provenance: Sa...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...