Pieter Vanden Daele Art

Ian Edwards - Born of Fire - Original Signed Bronze Sculpure Dimensions: 30 x 32 x 32 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavour. He draws inspiration from natural forces, with his powerful masculine figures often bearing the surface texture of time enduring landscapes. Edwards uses this external inspiration to explore very internal themes of fortitude and self-discovery. Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday life. Beek would like her ...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

Edition of 45 Jim Rennert was born in 1958 and was raised in the Southwest United States. Rennert began exhibiting his work in 1993 and has since become an important figure in contem...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artworks capture the beauty of moments: A young lady challenged by the adventure of a new trip, a young man pondering about his dreams, a lost girl thinking about different options to know more about herself…Mireia vividly demonstrates how a piece of fine art sculpture could incorporate into our daily life, linking us with art that inspires and triggers us to contemplate life and relationship. Serra describes her artistic vision as “Figurative sculptures depicting contemporary everyday scenes. Reflect my inner world thus expressing moods and desires, feelings, joys and concerns stemming from my relationship with the world". This wall-mounted iron and bronze sculpture measures 5 inches tall, 9.5 inches wide, and 1 inch deep. This artwork is edition 14 of 18. A certificate of authenticity issued by the gallery is included. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for U.S. and international art collectors. Born in Barcelona in 1973, Mireia Serra's lifelong passion for sculpting was temporarily diverted by her parents' persuasion to pursue a career in fashion design. However, in 1998, she abandoned a lucrative role as a lingerie designer to follow her artistic calling and seek true fulfillment within the realm of fine arts. It was a transformative decision, allowing her to rediscover her true purpose and embark on a creative odyssey that continues to unfold to this day. In some of her present sculptures, the presence of elements from the fashion world such as cameras, texture, and detailed finishing of the clothes, and shoes are apparent. She graduated in 2002 from the Llotja School of Arts in Barcelona (the same school that took under its wing Antoni Gaudí, Pablo Picasso, and Joan Miró), specializing in iron and bronze. Later she took an advanced sculpture portrait course taught by sculptor Jorge Egea at MEAM (Museo European d'Art Modern) in order to master her technique. Working as a full-time sculptor since 2003, Serra started to exhibit with galleries throughout Spain and landed her first solo shows and her first international art fair in Madrid in 2013. Since 2016 Mireia Serra has been exhibited in galleries and art fairs in Germany, Austria, France, Luxembourg, Sweden, Belgium, Italy, and Hong Kong. Her works have been represented by Artspace Warehouse since 2017. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 "Shifting Dimensions", Artspace Warehouse Gallery, Los Angeles, USA. “9 sculptors”, collective exhibition with Winegates Gallery, Leicester, UK. 2021 "The Real Presence", Artspace Warehouse Gallery, Los Angeles, USA. "Tierra desconocida", Galería Montsequi, Madrid. “The art of adventure”, solo exhibition with Eye Contemporary Art Gallery, Stockholm, Sweden. 2020 "Independent artist’s day", collective exhibition, Wingates Gallery, United Kingdom. “Inner world”, online solo exhibition, Eye Contemporary Art Gallery, Italy/Hong Kong. “The G project 21...

Nichola Theakston (1967) has established herself as one of the UK’s foremost contemporary sculptors working within the animal genre. With the ''Tesem Study'' Nichola shows how exqu...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday ...

Caregivers by Clay Enoch Narrative Multi-Figurative Sculpture Bronze 8x10x7" ed/25 Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE AR...

Sculpture of a man in a suit walking carefully across a precarious edge. Edition of 45 Jim Rennert Biography American, b. 1958 National Sculpture Society Fellow Jim Rennert was b...

"Small Sitting Figure" is a bronze sculpture of a sitting nude female on a white wooden frame. Edition 18, signed, numbered and dated on the back. The wooden block can be hung on a ...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Born in 1996, Thomas Waroquier lives and works in Paris. He obtained his diploma in metal sculpture with the congratulations of the jury in 2017 at the National School of Applied Art...