Roland Fischer Art

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

Limited Edition Abstract Black and White Photograph - Origami Folds #15 This image from the Origami Folds series has been in several museum exhibitions and corporate collections. ...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

Limited Edition Black and White Photograph Origami Folds #18 #18 from the Origami Folds series has been in several museum exhibitions including the James Michener...

Hsu Yun Chin is a multidisciplinary artist who holds a BA in Fine Art Photography from Emily Carr University and an MA from the Royal College of Art. She is a member of the Royal British Society of Sculptors and has had international exhibitions and publications. Her work mainly focuses on sculpture and photography and combines her technical skills with a natural creative ability to explore themes such as body sculpture, religion, culture, and philosophy to create a unique narrative and meaning in her symbolic and personal works. "The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multiple faces? It looks like Hsu sees her breaks in the brutalist architecture of the Barbican, this huge complex of concrete and bricks, built in the 1980s, with such steep lines. Are the face we offer to ourself and the face we offer to others united and true? What and where is our real true face?" Alexandra Jaffré
 French Art Historian and author
 Belgian-based Art Book Publisher Measurement: 100X100cm Edition: 2/10 This photograph is sold unframed. All prints are signed and numbered (edition of 10). * Fine art print in size 100X100 cm will be post in postal tube. * If you would like to send in flat package, please message us for special fine art carting...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...