Vincenzo Maria Coronelli Art

"Celestine, Young Girl and Client," 1968 is an aquatint from Picasso's 347 Series. The image size is 3.5 x 5 inches and the framed size is 18.25 x 19.5 inches. Signed 'Picasso' lower...

Eric Ravilious’s Dog II [2022] limited_edition Etching Edition number 33 Image size: H:21 cm x W:21 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Limited edition print of a man on a train with his hat blowing away. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty etching. Buy Mychael Barratt printmaker works with Wychwood Art gallery online. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Engraved by Claudine Bouzonnet-Stella (French, 1636-1697) After Jacques Stella (French 1596-1657) The Wedding Procession - Le Cortege nuptial • Copper engraving on laid paper • Sh...

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...

Captivating black and white etching of a crowd gathered to watch performers with hula hoops by Huchs, 1939. Titled and signed in lower margin. Original artw...

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed on the lower edge of the etching, "ARunciman inv. & fecit," i...

etching; unframed available editions: 1, 2 and 3 of 20