Urns

Pair of Louis XVI style cassolettes in sea green marble and beautiful gilded and chiseled bronze ornamentation decorated with rams' heads and floral garlands. After a model by Henry...

Creel and Gow Wicker pedestal with Urn: 14" x 22" x 60"H Introducing Creel and Gow's exclusive wicker and rattan collection, designed by Marco Scara...

Hand crafted Moroccan antique brass tea kettle pot with warmer on stand., Museum quality, one of a kind antique artistically and delicately ha...

This exceptional Pair of Urnes Vases second parts of the XIXs , Provenance Castle Near the district of Biarritz ! 1. Historical and cultural signifi...

Absolutely stunning pair of bronze urns mounted on salmon pink marble pedestals The urns feature cherub scenes in relief around the urns as the partake in a Bacchanalian revelery whi...

An antique oversized garden urn by Walbridge & Co. offers cast iron construction with embossed maker name, more recently painted, c1890 Measures...

A fantastic pair of artisan made ceramic lidded jars fired in a pink crackle glaze finish by the California pottery company Jaru.

This majolica urn is of campana form, half-fluted in mustard and emerald green with moulded matching rim. It was for a flower pot originally but might make a stylish wine bucket ...

Tamashii Urn ~ 魂 (Soul) The Tamashii Urn serves as a focal point of remembrance for a loved one that has passed from this life but not from your heart. This vessel is fired using th...

These large vases are circa 1920-1940. They most likely are blanks meaning they were never decorated. Very unusual and hard to find.

Neat stoneware vase by Gunnar Nylund, in a drop form. Glazed eggshell white over a subtle graphic pattern. Gunnar Nylund was one of the most influential ceramicists and designers of the Swedish mid-century period. He was Rörstrand’s creative leader from 1931 until 1949 and as such propelled the artistic work at the factory and served as mentor to younger artists, among them Carl-Harry Stålhane and Hertha Bengtsson. Nylund was a dedicated functionalist, who brought ideas of democratizing stoneware and creating beautiful, qualitative and affordable everyday items for the people to Rörstand in the mid-1920s. The factory had at the time lost its former leading market position, but Nylund’s efforts gave it a great reboot. He designed ceramic kitchenware...

Aage and Kasper Würtz are a father and son team of studio ceramicists based near Horsens in eastern Jutland, Denmark. Known internationally for their hand-thrown and hand-glazed cer...

This porcelain is 19th century and hand painted on a Snow White Ground depicting a beautiful woman bending forward with Hands cupped with water offering a drink to a petite angel. ...

An elegant Japanese cast and lacquered bronze incense burner, koro, topped with a mythical kirin, Taisho Period, circa 1920, Japan. The tall koro of tripod form, with three elegant legs with outward curved feet resting on an integral circular base. The compressed body cast with a delightful scene of a pair of birds roosting on branches of flowering plum. A pair of monster masks adorn the sides. Rising from the top of their heads are a dramatic pair of horns, joined at the top, in the form of a Buddhist mandorla. The monster mask theme continues below, with their tongues forming the legs. The pierced cover of the koro features a fantastic kirin (qilin in Chinese), a mythical chimeric animal with the head of horned dragon, body of a deer, and legs and hooves of a horse. Despite its ferocious appearance, the kirin is a benevolent animal, whose appearance foretells the arrival or passing of a great sage or ruler. The bronze well...

A striking pair of 19th century patinated bronze Capana shaped neoclassical bronze urns mounted on sienna marble plinths. Each with putti playing amongst grape vines, twin scrolling ...

This monumental signed studio pot is truly something to behold. Its variegated tawny and sand colored glaze swirl together to create a one-of-a-kind work of...

Beautiful hand blown fluted Murano vase in the style of Angelo Seguso, executed in amber and clear glass with gold dust and sparkling inclusions. Large in scale - perfect statement ...

A finely detailed urn with lid, 19th Century Italy. Made by Copodimonte with the gold Naples mark on bottom. 18.25 inches tall with lid

A pair of early 19th century Italian Grand Tour patinated bronze and sienna marble tazzas. A very nice and large pair of an unusual model having no side handles or side fixture decor...

Quite rare to find 3 of these glazed terra cotta jars, they were made in Beauronne/Périgord region/Southwest of France during the 18th century, bought them from a French collector...

A fine and impressive pair of knife urns by the custom cabinet maker W.K. Cowan of Chicago. Hand crafted to his exacting standards this pair feature...

A blue, glazed stoneware urn designed and produced by Höganäs Keramik, Sweden, c. 1940s.  

Astonishing Seguso Vetri d'Arte white Murano glass handled vase. This piece was designed with a stunning "scavo" effect on the glass and on the metal stand. This piece is marvellous as it is a Murano glass vase with the shape and the appearance of an ancient Roman transport amphora. This is evident from the two handles on top, the opaque white, the wide opening and the pointed bottom. This iconic piece is attributed to Flavio Poli, who has been the artistic director of Seguso Vetri d'Arte in Murano from 1937-1963. The "scavo" effect is translated into excavation glass...

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Mid 20th century Attica terra cotta kalyx-kraters featuring gods and goddesses in early Classical Greek scenes. These two handle bowls were made for...

Pair of palace size Sevres "Labors of cupid" ormolu and cobalt urns France, 20th century A magnificent pair of palace-sized Sevres "Labors of Cupid" ormolu...

Pair Antique French "Art Nouveau" porcelain urns Made by Sevres with Enamel Colorations, Circa 1910-1920.

A charming oak biscuit barrel from the late 19th century. The metal is stamped "EPNS", or elecro plated nickel silver, a metal alloy that is then s...

Pair of fire-gilt bronze amphorae by Ferdinand Levillain (1837-1905) and Ferdinand Barbedienne (1810-1892) on trefoil red marble bases. The vases stand on lion paw feet with Hercules atlases and antique scenes...

Rare "Arlecchino" series polychrome ceramic vase, 1950s, deruta production based on a design by Nino strada in the classic geometric pattern It measures 33 cm in height, in very g...

Part of Richard Haining's STACKED Collection, this spherical vase is made from reclaimed maple. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops. Th...

19th century French Flambe glazed and nicely cast gilt bronze mounts. Marked Luneville, see photos. Very good condition. Measures: 15 high x 17 wide and opening is 11 inches wide.

Beautiful and large, 2-handled pot archaic style terracotta pot. Wonderful patina and coloration throughout.

Pair of great 20th century Chinese vases. Glazed and hand painted ceramic objects with golden decorations of beautiful quality and important me...

Unique large pair of neoclassical style hand carved and hand-polished rock crystal vases. The inside of the vases were masterfully carved out. Measures: H. 14" x D. 7".

As part of the Art Nouveau movement, faux bois was the height of sophistication and expertly crafted throughout Europe. These unique faux bois planters are a one of a kind set. Incre...

A fine pair of French Sevres Celeste Bleu porcelain urns with a polychrome hand painted oval cartouche on each featuring the bust of a wo...

Large British Colonial style rattan and wicker urn, with carved wood finial, the domed top with intricate woven rattan, reed, willow and wicker, with a conf...

Spectacular Italian craftsmanship hammered copper vessel.

A handsome pair of French Old Paris porcelain basalt-glazed double-handled urns with neoclassical decoration; each shapely vase with everted neck above an ovoid body flanked by loop ...

Impressive large pair of French Louis XVI style hand carved white marble urns with cherubs, signed A.Moreau. Highly attractive and very decorative. la...

Etruscan style terracotta ewer with wine leaf motifs.

Pair of hand painted asymmetrical ceramic vases decorated with flowers and butterflies in light colors on beige base, and they are painted in cobalt blue inside. Both are raised over...

Pair of hand carved marble urns on pedestals with antique patina finish. The urns are decorated with vegetable relief and fawn head handles.

Antique true pair of neoclassical covered urns, probably Russian, in original fire gilt or mercury gilt ormolu and rouge marble dating from the late 18th- early 19th century. Of impo...

Standing twenty five inches tall, is this beautiful Chinese urn in the famille noir pattern. There are hallmarks at bottom but they are hard to read, see pics.

This is a set of four bronze artisan made 20th century pots. Each pot has initials inscribed on the neck .One pot has the name Legundo Gomes with a heart symbol next to it . They app...

The antique classical garden urn is made of cast iron and has two handles and a flared rim. The container has a fluted design encircling its bottom. The handles are screwed to the co...

20th century large African clay vessel.

Fabulous color on these 19th century French urns, great for indoors or outdoor use.

Delightful vintage pair of tole palm trees with a lady bug for good luck.

A very charming 19th century lidded Japanese Imari jar with a Foo dog figure topped finial. The jar is hand-painted in an elaborate traditional Ima...