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Armin Landeck Original Etching, 1950 - “Stairhall”
About the Item
Drypoint and engraving by Wisconsin born printmaker Armin Landeck (1905-1984).
Titled “Stairhall.” Pencil signed lower right. Full margins.
The image measures 11 7/8"h x 14 1/2"w and is an edition of 100.
The work is unframed and presents in a 4-ply museum mat measuring 22"h x 28"w.
The print is in excellent condition - some mild creasing is seen in the margins.
This is one of Landeck’s most impressive prints.
Armin Landeck was born in Wisconsin in 1905. He studied at the University of Michigan, Ann Arbor (B.A.), and Columbia University (M.A.). While in New York, he took classes at the Art Students League*, and began experimenting with printmaking, studying briefly at the Atelier 17* with Stanley Hayter.
In the 1930s he opened the School of Printmakers with Martin Lewis, in George Miller's 14th Street Studio in Manhattan (closed due to the economic crisis of the Depression). He was a member of the Society of American Etchers ad was elected to the National Academy of Design*, the Institute of Arts and Letters, and the Institute of the American Academy.
Exhibitions include: the International Graphics Exhibition, Yugoslavia (1932) Salons of America* (1934); AIC (1942); LOC (1943-45); Boston Printmakers (1969); South American Graphic Arts (1969); Conn. Graphic Arts Center (solo) (1998).
His work is included in collections at the Metropolitan Museum of Art; the Museum of Modern Art; the Library of Congress; the Swedish National Museum; and the Kaiser Friedrich Museum, Berlin.
- Creator:Armin Landeck (Artist)
- Dimensions:Height: 22 in (55.88 cm)Width: 28 in (71.12 cm)Depth: 0.1 in (2.54 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1950
- Condition:
- Seller Location:Phoenix, AZ
- Reference Number:1stDibs: LU1875337439742
Armin Landeck
Printmaker Armin Landeck was born in Crandon, Wisconsin, and spent his childhood in Oshkosh and in Toledo, Ohio. Before enrolling at Columbia University, he studied for two years at the University of Michigan. In New York he took summer classes at the Art Students League and visited the city's museums and galleries. By the time of his graduation from Columbia in 1927, he had become interested in printmaking and had bought a used press. In 1928 and 1929 he traveled and worked in Europe, seeing the work of the old masters and also modern art, sketching and making etchings wherever he could find an opportunity to use a press. He was greatly interested in the cubist art he saw in Paris, and the angular facets of his early compositions reflect that fascination. Returning to the United States in 1929, he settled on a farm in East Cornwall, Connecticut, but spent a great deal of time in New York City, moving back there in 1935 to teach printmaking. Throughout the 1930s he worked in etching, aquatint, drypoint, and lithography. Study with Stanley William Hayter at the New School for Social Research in New York in the early 1940s led to Landeck's extensive use of the engraving medium, but he continued to work in other etching media as well. In 1953 he was awarded a Guggenheim Fellowship that permitted him to work in Paris and to travel again through Europe. He retired from teaching in 1958 and moved back to his Connecticut farm, where he died in 1984. Landeck focused on the city in much of his work. As a student at Columbia University, Landeck earned a degree in architecture, and this training is reflected in his careful rendering of buildings and their details. In Pop's Tavern, Landeck captured both the look and the mood of an American city in the 1930s. The lighted interiors in Pop's Tavern seem to draw people in from the dark, empty streets.
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