John Sloan Original Etching, 1917, "Sidewalk"

John Sloan (1871-1951) etching created 1916. Edition: 100 Titled: “McSorley’s Back Room” Plate size: 5 1/4" H x 7 " W Sheet size: 7 1/2" H x 10 3/8" W In excellent condition, unframed. Portrait of John McSorley and two friends at McSorley's old house and home, the current "McSorley's Ale House". McSorley died before Sloan ever visited the bar the print is based on a memory told by his son of his father always sitting there in the sun. John Sloan was born in Pennsylvania and studied at the Philadelphia Academy of Fine Arts with Thomas Anshutz...

John Melville Kelly drypoint - Hawaiian female subject circa 1930s - 1940s. Signed lower right in pencil, John Kelly. Titled lower left in pencil ...

Beautiful etching by John Marin (1870-1953) created 1921. Title: Downtown, The El (From the New Republic Set) Medium: Etching Size: 6 7/8 x 8 5/8. Sheet: 10 3/4 x 14. Mat: 16 x 17 3/4 Signed in pencil lower left. Also signed and dated lower right in the plate. In excellent condition with full margins. Presents in an archival mat, unframed. John Marin was a prominent New York architect who became an artist. He was influenced by Cubism and Futurism and was one of the Taos, New Mexico Colony painters in the late 1920s. Marin, born in New Jersey, attended the Pennsylvania Academy of the Fine Arts, studying with Thomas Anshutz, then studied at the Art Students League in New York, and from 1905 to 1909, studied in Europe. In Paris, he associated with the Fauvist circle. He had a long association in New York City with Alfred Stieglitz, who exhibited his work, and in the 1930s, he developed interest in the human figure and marine subjects and oil painting. In Taos, which he visited in 1929 and 1930, he was the guest of Mabel Dodge Luhan...

Drypoint and engraving by Wisconsin born printmaker Armin Landeck (1905-1984). Titled “Stairhall.” Pencil signed lower right. Full margins. The image measures 11 7/8"h x 14 1/2"w and...

Etching and Aquatint by German artist Kathe Kollwitz. Titled: “Junges Paar.” Matted and unframed. Created in Berlin, 1904. Image measures: 11 3/4"h x 12 ½” w. Signed in pencil lower ...

Etching & Drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Titled: “Old Pinon Tree.” Pencil signed lower right and in excellent condition. Image measures: 8" H x 6" W....

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

This etching by John Taylor Arms is titled "Paris Sentinels." John Taylor Arms(1887-1953) was a famous printmaker in the early 20th century. He studies to be an architect and thought...

This etching by John Taylor Arms is titled "Gargoyle Studies." John Taylor Arms(1887-1953) was a famous printmaker in the early 20th century. The image is 3" x 3" and framed and matt...

Circa 1970's abstract color etching on paper by Tony Bass ( b.1943) Texas. Signed, titled Apocalypse I (series) I in pencil along lower margin. Abstract surreal horse...

Beautiful black and white lithograph by the great 20th century Italian artist Umberto Mastroianni. This work best represents the work of one of the greatest artists of the European a...

Original 2000s silkscreen print “Heros” by the great Italian avant-garde artist Mimmo Rotella. Signed in full at lower right. Original dry stamp “Stamperia Berardinelli Verona Italy” Original multiple collage type model on silkscreen on which the artist has made scratches. This work, never before on the market, comes from a private collection and is beautified by an impressive original frame in ebonized wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...